This is not a game with ambitions to stand up and box with Hades, and it obviously isn’t “the next Warriors” by any means either. It’s a fascinating experiment that misses as many targets as it hits.
Stories from Sol: The Gun-Dog is a remarkable tribute to PC-98 visual novels and hard sci-fi anime of a specific vintage. The visuals are pitch-perfect with multiple settings that offer different vibes, and the soundtrack is a complex beast of speaker-straining chiptunes that enhances the mood even further.
It’s a clever core concept that doesn’t wear out its welcome with additional complications or gimmicks, opting instead to deliver the best experience possible based on that core.
The writing is cute but shallow, and the puzzle action feels like it’s barely interested in being there. The vibes are pleasant, but I feel like I’m left wanting for more substance. A little more pizazz to the gameplay or depth to the storytelling, and we’d have something special here.
It challenges you with harsh conditions and constant dread while telling you a story about what work does to a body, practically forcing you to reflect on your own history. It doesn’t reward you with hope or simple optimism, but it does offer validation. In this case, that might be better.
To put it simply, if this was one of those retro re-releases that are basically fancy emulators with additional screen filters and save states, maybe online play as a treat, Star Wars: Episode 1: Jedi Power Battles (whew) probably would’ve been alright.
Phantom Brave: The Lost Hero is a clumsy-feeling game, but its scatterbrained energy comes from an admirable place of bucking standardized gameplay conventions in a genre that doesn’t budge often.
Blade Chimera is short, sweet, and simple. It’s also visually enthralling and just… really dang cool. It’s the perfect kind of game to run into in January 2025, especially after so much of my time up until now has been eaten by multiple dozen-hour RPGs.
And if the somewhat clumsy combat system clicks on top of the endearing characters and fun story, you’ve got a lowkey banger on your hands.
Dynasty Warriors: Origins is a home run swing at something new. It makes crucial compromises to get there, but the end result is unforgettable.
It’s tough to say a lot more about Freedom Wars, despite the fact I had a lot of fun playing it! It really is the quintessential Vita game. It tries a lot of things, hits really hard on a few, and everything else doesn’t quite come together. It’s from before even Capcom struck gold with Monster Hunter World, still figuring things out and building momentum itself. The gameplay alone can sustain hours of squadded up, monster wrangling, gear upgrading fun. But the storytelling really whiffs despite a strong start, disappointing more as a result. And in terms of interesting stuff going on besides the main loop, Freedom Wars fails to find the sauce as well. This one is here for a good time, but not a long time. I should probably go to jail myself for that one, yikes.
Diving into Ys history is a fun exercise for a few reasons, especially as Falcom continues to grow and capture more and more mindshare in the RPG community. Because the series has gone on so long through so many platforms, there’s so much variety between each game and each version thereof, from what each one plays like to what each one looks like. There are identifiable eras you can group them in, and Oath in Felghana is a key representative of its group. This game was available before on Steam, but Ys Memoire is the most refined version, even without the couple extra flourishes sprinkled on top.
As it stands, fans of Mashima’s fantasy epic will still probably have a good time seeing this version of the story through (and checking out the new epilogue!), but Fairy Tail 2 doesn’t get any closer to must-play status than the previous game, and oddly enough for different reasons.
With a few little tweaks and perhaps some additional content over time, Rita’s Rewind could really be a badge of honor. And even as it is now, it’s miles ahead of that Space Jam game.
But it does offer a fresh perspective, a strange and captivating world to explore, bucketloads of silliness, and hours of breezy fun. If you can put up with the free-to-play trappings and some hopefully temporary technical instability at launch time, and if you can have a good time without needing to kill stuff, you can have a blast without needing to know a single thing about fashion.
Taking the time to farm elemental resistant accessories, equipment upgrades, and stronger skills, setting up your party loadout just so at a save point, then watching your team get ragdolled anyway all while you’re several levels above what the game says you need completely overshadows the effort put into the careful, puzzle-like design of each boss. Which is a shame, because if those fights weren’t so egregiously overtuned in such an unproductive way, the stuff actually holding up Fantasian’s systems would’ve really shined. The criticism from before clearly had an impact, but even with the adjustments there’s still moments where this game isn’t fun at all to engage with on its given terms. Even everything else, from Uematsu’s thematically apt soundtrack to the super neat diorama visuals, is hard to enjoy when your brain is bogged down by constant dread. Fantasian Neo Dimension has a distinct vibe and a lot of cool ideas, but over-commits to its idea of challenge such that it buries its own nuances under a pile of big numbers.
So, where do we end up with this game? Rage of the Dragons NEO is a niche within a niche, an odd game with an odd history that appeals to an extremely specific kind of audience. That’s tough for any game, but especially a fighting game that has to compete with the likes of Street Fighter and Guilty Gear. Not having cross-platform play is an additional barrier that seems to already be making online an actual ghost town. That’s unfortunate. But if you’re interested in gaming history, fighting games, and the weird intersections thereof, Rage of the Dragons NEO is really cool. I can see it coming out in-between sets of the bigger titles, a fun side game at local tournaments, or just a cool thing for enthusiasts to satisfy their own curiosity with. The Bleem! IP is also involved somehow, making perhaps even this new version a novel relic of its own.
Thankfully, Sorry We’re Closed only ran around six hours before I saw one of the endings. Those moments of anguish were not massive parts of the game, although they were gnarly roadblocks. Everything else, from the vibes to the storytelling, and even the combat when it was reasonable, were compelling to the end. I’m still curious about the other endings, but the trauma from that generator setpiece has me wanting to wait for possible adjustments or new settings in the future. Horror enthusiasts, especially those who revel in the weird, who are also secret gaming gunslingers and are cool with sudden spikes in difficulty will find a lot to like here.
I admit, as fun as it looked with its shiny, new coat of paint and new features to play with, I approached Dragon Quest 3 HD-2D Remake with some cynicism. How couldn’t I with a title like that? Seriously, it sounds more like I bought a used car than played a video game. But the charm and timelessness of Dragon Quest 3 will shine through anything, and having it on a big screen and operating like a modern game was admittedly exciting. For all the bells, whistles, and flourishes, this is still the classic adventure that inspired millions of players over thirty years ago. A polish job like this just makes it shine brighter.
If you’ve read the biographical comic book from Box Brown, watched YouTube documentaries or the recent movie and think you’ve seen the best parts of the Tetris story, turns out there was plenty of compelling ground left to cover. Tetris Forever tells a complete story, from the origins to the current Tetris Company, 40 years later. The new interview footage, filmic editing, curated game placement, and supplemental materials are arranged with tremendous skill and care. I can’t gush enough about how Tetris Forever takes the concept and structure of Gold Master and nails it, showing that weaving the “museum” content and gameplay together to tell a singular story leads to something that’s fun and intellectually gratifying at the same time.