Wolfenstein II: The New Colossus is yet another solid port by the people over at Panic Button and it really is excellent what they are doing. It allows Nintendo gamers to experience these types of games which have, in truth, been missing for such a long time.
I have to say, I enjoyed Death Road To Canada much more than I ever thought I would, which is bad on my part. It isn’t meant to be played as some epic journey that you play for hours at a time and that’s not a bad thing. Every run in the game is different, meaning that it doesn’t get as tedious or tiresome as other games that require you to start over from scratch when you die.
Infernium is a game that’s all about memorisation and trial and error, which might very well be more towards your taste than mine. I felt like sometimes I would just have to die in order to progress as I made a slight error, but I grew tired of the mundane way the game forced me to respawn and get all the way back to that point again.
Goetia is a mixed bag. There are some wonderful moments in here such as the story, which certainly kept me going, and the visuals and soundtrack which do their best to keep you engrossed, are certainly impressive.
Once all is said and done, I can’t help but feel like Garage could have been so much more. It has some great aspects, don’t get me wrong, but the potential is there for all to see and maybe some extra development time was what the game needed to finetune certain things.
What I love about Darkest Dungeon is that it knows it’s difficult and it knows it’s going to challenge you. My biggest concern is that by the nature of what it sets out to be, it will put a lot of people off before they even play as it does require the player to put effort into it to understand all of the nuances and general aspects that simply isn’t there in most other games.
The Nintendo Switch is starting to build up a nice library of horror titles and, as with Outlast 2, this is one of the better offerings the console has to offer. But, it’s not without its problems. Coming in at around five hours for the base game and another two hours for the included Whistleblower downloadable content, you have yourself a game that doesn’t outstay its welcome. However, it must be said that there is a huge difference in fear, enjoyment and overall quality during the first half of the game compared to the second.
It isn’t the complete package version of Football Manager, no, but it is the version that best suits the Switch. Touch screen controls mixed with the good use of the Joy-Con and on the go playability make it a winner. It may go unnoticed but being able to play for 5-10 minutes at a time to continue to progress through a season is a godsend.
The Bunker was a game I really wanted to enjoy. I love the idea of mixing movies and video games as they are two things I am massively passionate about but this just doesn’t work. It doesn’t work as a video game and it doesn’t work as a movie. While it looks great, the acting leaves a lot to be desired and there just isn’t any involvement for the player as you’re just pressing the A Button a couple of times here and there without ever really having to make choices. It had potential and any future games can certainly learn a lot from this, but my advice is to stay well away unless you’re absolutely desperate for something to do for an hour or two.
Outlast 2 is a fantastic technical achievement on the Nintendo Switch with a good story and a setting that is impressively and increasingly atmospheric. It isn’t for everybody though, as some of the stealth mechanics used will grow increasingly tiresome for some. As such it isn’t perfect but it improves upon a lot of things that Outlast did wrong and is a better game overall than that title. If you’re a horror fan then it’s a must play, it is as simple as that. It is one of, if not the best horror game currently available on the Switch. Get your headphones at the ready.
The Long Reach could easily be considered as one of the better point-and-click games of recent years providing you like your games to be a bit more challenging. If you’re easily frustrated you will probably give up way before the four or so hours it takes to beat the game, which is a shame because it’s a title that has something to give. It has an intriguing story that will make you want to carry on, but the narrative is a little off sometimes, which counteracts what it is trying to achieve. It’s certainly an alienating game, one that has some serious glitches, but those that stick it out and for those who enjoy classic games in this style, there is certainly enjoyment to be had.
I have to say, a game like Hollow has so much potential and it could have been one the best horror games on the Nintendo Switch had some basic aspects had been right, such as the movement and combat. But what it ends up being is a game that doesn’t have many redeeming features or qualities. It’s too slow and lethargic, the display is a little off-putting after a while and it doesn’t run well playing in Handheld mode, which is a major feature of the Switch. If you’re looking to fill your horror gaming needs, put this down towards the bottom of the list.
A highly recommended game if you grew up with point-and-click adventures of yesteryear and whilst it won’t be for everyone, even if you’ve never experienced one of those types of games before you can do a lot worse than choosing this one as your first. The Darkside Detective was yet another surprising indie title on the Switch in terms of quality. A really funny and quirky adventure that I thoroughly enjoyed playing from start to finish, it just doesn’t last anywhere near as long as I wanted it to. So my advice would be to treasure it and hope this isn’t the last we see of The Darkside Detective as a series, as there is so much potential in any future sequels.
I have to be honest, I was going to score this game much worse based on performance alone. It really was that bad and at times it was almost like watching a slideshow. But in its now fixed state, it’s hard to pick many issues I had with the game to be brutally honest. It won’t be the most exciting game you’re ever going to play but it is well worth its five-hour playthrough. I’m not fully convinced that the style of game will suit everybody and I think it is quite a divisive game, but I would urge anybody to give this a try, because if it clicks with you it can easily be one of your favourite games of this year. There aren’t many games like this around and that needs to be changed.
Detention is a game that deserves your attention. It may not be the most gripping gameplay wise, but everything else that encompasses it is undoubtedly top-class. The chilling atmosphere and just overall tension the game presents to you, coupled with the excellent and original story helps eliminate its overly simple gameplay problem. It seems like horror games are finding its feet on the Switch now, so if you have finished Layers of Fear and The Coma and are itching for more top-notch horror experiences, then you need to play Detention.
Layers of Fear: Legacy is more about the story than anything else, so make sure you’re prepared for that when you go in. It’s a game that if you allow it to, will just completely grip you and won’t let go, and because it is up to you to uncover a lot of the story by searching around, you will want to explore the mansion for just that bit longer. It is also very creative and clever with its use of set-pieces and, on the face of it, random room setups, which helps the game from ever becoming overly dull or boring. I can now say, with ease, that the Nintendo Switch has its first great, proper horror game. It may also be one of the best horror games of the last few years on any platform.
Ultimately, The Coma: Recut’s biggest problem might be that it is a bit too simple in design and maybe having a few other gameplay elements would have pushed it a level higher. But in the end, I never expected to like it as much as I did and I thoroughly enjoyed my five or so hour playthrough. With a sequel teased, I’m eagerly awaiting what is to come because they have a base already there to make something truly wonderful.
So, a Wave Race substitute this is not. Aqua Moto Racing Utopia tries to imitate Nintendo’s classic racer but it never comes anywhere close to it in all honesty. Which is a massive shame because this could have filled a gap for a lot of Nintendo 64 and GameCube era Nintendo fans like me. This is an improvement on the developer’s other recent racing game, Snow Moto Racing Freedom, but I think that might only be because racing on water with a jet-ski is much better than racing in the snow on a snowmobile. The main thing that this game does more than anything, is that it makes me want a new Wave Race game more than ever.
The amount of modes that Snow Moto Racing Freedom has to offer is great, but the most important thing is the gameplay and it is rather bland with some dubious controls and a big framerate issue. This is a genre of racing games that the Switch doesn’t have yet, it stands alone. So by default, it is the best winter racing game on the system. However, in no way does that mean that if you really love racing games of this ilk, you’re going to enjoy this one, because truth be told, you probably won’t.
Spellspire isn’t a bad game, it is simply let down by the fact that it hasn’t been adapted fully for consoles. It is still a mobile game at heart, just now without any in-app purchases. To me, that is what is most infuriating because I would recommend this game to most people if it meant you didn’t have to go back to each level multiple times and grind until you are strong enough to finally progress. For this reason, it’s hard to recommend to people unless you truly love word games of this ilk, because if you do, regardless of whether you care about doing the same levels over and over, you’re still going to have fun playing.