Matt Gardner's Reviews
Goat Simulator serves up a tiny, but pretty dense, sandbox stuffed with slapstick goofs and anarchic, broken comedy. It isn't much of a game, particularly for £6-8, but it's one hell of a joke.
Unrest is a game both fascinating and frustrating in equal measure. Its foundations as a communication-focussed, character-driven RPG with a unique setting and multiple perspectives on a situation of civil unrest are incredibly interesting, but ultimately the game can't quite bring it all together and the end result is something of a rushed piece with unrealised potential. Refreshing, certainly, but sadly flawed.
If you engage in regular local multiplayer with friends or family, then this is a no-brainer. Chip in a couple of quid each and you've got yourself a lovely little party title. But it's a bright-burner with a short wick, and you'll have to decide for yourself if that's worth a tenner.
OlliOlli is a cracking little game that combines fiendish challenges with simple fun, with the responsive controls and inventive level design making for a game balanced perfectly between enjoyment and frustration. It's just a shame that it doesn't fully take advantage of the Vita's capabilities, with little sense of score challenges between friends so masterfully wrought in the likes of MotorStorm RC. Still, a worthwhile purchase for arcade fans, and a cracking content package at a budget price.
Boasting two wonderfully-realised new faction, each with their own distinct strengths and weaknesses, The Western Front Armies is a cracking digital proposition for newcomers and veterans alike. But if you're not bothered about the new content and just want to sample COH2, be aware that hard copies for the base game run cheaper than this.
Warlock II: The Exiled is a game that stands on the shoulders of its predecessor rather than blazing a trail, but that's okay. What Ino-Co have given us here is an incredibly solid, hex-based strategy title that provides a great entry point to the series (and the genre, to be honest), with enough here to keep fans engaged for several thousand turns.
The vast majority of Firewatch is an utter delight. It presents a gorgeous world that you want to sink into like a hot bath, with characters you're desperate to get to know. Unfortunately, that's all sort of squandered by an ending that fizzles out into the realm of the incredibly forgettable.
RIVE is a gorgeous game that borrows plenty from its blaster genre predecessors to good effect, but sadly a lack of anything particularly original, and some truly punishing sections make it all too easy to leave behind.
<iframe src="https://www.youtube.com/embed/mE1yHMuYSIw" frameborder="0" allowfullscreen></iframe> Ultimately, if all you want from a game is a massive sandbox with bases to take down in the company of friends, then Wildlands is actually pretty decent. But if you're looking for anything remarkable or memorable in and of itself, you won't find it here.
Entwined has a running time of an hour, yet barely sustains interest for that long. There's a good idea at the core of this wannabe indie darling and the "apart" stages can be fairly engrossing the first time around, but unfortunately the substance is just as minimalist as the style. Worth checking out in a sale or on PS Plus, but probably one to skip at £6.49.
Broadcast+ saves Dead Nation: Apocalypse Edition from just being a bare bones rehash of a four year old game, but this is the first PS+ game to be attractive because it's free, not because it's a great game. Add a couple of points on if you really adored the first game, have some friends to challenge and don't have anything better to play.
The first couple of hours of Killzone: Shadow Fall hint towards a game that might just play as well as it looks. And it looks phenomenal. But sadly, the game falters and falls rather quickly, crushed under the weight of its own ambitions, and it retreats to the safe banality of staid FPS conventions for a second half that's all filler, no killer. It's a great game to show off the power of the PS4, a magnificent spectacle, and its Custom Warzones hint towards the possibility of a bright future, but it's just not that fun to actually play.
MIND: Path to Thalamus is an engaging game for the most part, rife with thought-provoking themes and motifs, beautiful settings, and plenty of allegorical symbolism to aid its emotionally-charged narrative. It's just a shame that instead of entrusting the game's narrative to those elements, Coronado opts to spell things out with overwrought exposition and questionable monologues that ultimately serve to remove the game's emotional impact. It's a striking, ambitious game, and one that's certainly not lacking in vision, but unfortunately its one major flaw is a big one.
Its linearity and lack of challenge do the ideas at the core of The Final Station something of a disservice. It's not a bad way to spend a few hours, but ultimately this apocalyptic train ride comes off the rails pretty swiftly.
Gat Out Of Hell is a £15, bite-sized Saints Row-lite experience. Go into it with those expectations and you'll probably be fine. But if you don't care about playing last-gen material on new-gen platforms, give this a miss, do yourself a favour and pickup a copy of the original Saints Row IV for under a tenner.
Far from pointing the way forwards for the series, Assassin's Creed: Unity is a model of creative indecision and corporate policy -- a corpulent, broken mess that plays neither to its own strengths nor to its fanbase. There are flashes of promise here, moments when everything comes together, and the game's content package is hefty, but ultimately Unity proves to be a mercifully forgettable disappointment.
Gods Will Be Watching is an interesting experiment -- a game that puts a fresh new spin on PnC conventions and delivers are pretty unique experience. But its lack of narrative impact, its ultimately empty moral decisions, dependence on trial and error, and tendencies towards deliberate frustration rather than challenging fun make it something of a flawed curiosity piece rather than anything else.
Though it presents a strikingly unique aesthetic and a daringly open invitation to the player to piece together a mysterious narrative for themselves, Betrayer is ultimately a bit of a disappointment thanks to uneven pacing, inconsistent mechanics, and a world and story that just aren't particularly interesting. In the end, Betrayer assumes a little too much and works too little for the player's interest, which is a shame because it ultimately makes a rather striking game all too easy to walk away from early on.
The production values are cracking, with outstanding voice work and some great dialogue, not to mention an ending that flips the script nicely and sets up an intriguing sequel. But sadly the first part of Burial at Sea flounders in its attempts at nostalgia, mashing different parts of the Bioshock legacy together in an easy hybrid that lacks the atmosphere of the original game and completely fails to capitalise upon the expansive vision of Infinite. Half-hearted fan-service at best.
The Elder Scrolls Online is a brave attempt at combining two seemingly polar opposites, but it ultimately fails to build a continuously compelling world, compromising too much on either side. It's an MMO that can't hold a candle to likes of Guild Wars 2 and The Secret World, and an Elder Scrolls game that can't hope to be as deep and rich in content and solo experience as Morrowind and Skyrim. The allure of an online Tamriel is strong, and when the game's disparate parts align, it really is a bit special, but those moments are too few and far between to recommend for a game with this much of an inflated price point.