Tom Baines
Dirt 4 has one of the best career modes you'll see in the racing genre, at times closer to the do-whatever-you-want elements of Forza Horizon than the franchised motorsports games it seems outwardly more similar to. If you're a real stickler for speed and technical challenge you'll probably enjoy the 'proper' rally cars more than I did, but the beauty of it is that you can progress your career however the hell you want, which is delightful.
Hyper Light Drifter's a tough game and for that, it won't be for everyone. But if it already has your interest, your admiration, or your love, then it has – all hyperbole aside – found a perfect home on the Nintendo Switch.
Dan Marshall has said publicly that if Lair of the Clockwork God doesn’t sell well enough, it will most likely be Ben and Dan’s final adventure. And if that’s how it transpires, then this game will be a fitting swansong. But if there’s any justice in the world it will sell hand over fist, because it’s a brilliant, joyous, clever and generous experience.
Developer Adam Robinson-Yu began developing A Short Hike when he was feeling burned out working on another project. It's fitting, then, that what began as an act of self-care for the game's developer has blossomed into a welcome respite from the modern world that everyone should experience.
Ape Out is a dynamo of a game, simultaneously stylish and meaty, that manages to succeed as both a technical demonstration of procedural generation – particularly that magical audio – and a bloody fun game to boot. Between this, Gris, and Pikuniku, Devolver Digital is absolutely crushing it right now.
Pikuniku is an unbridled joy. It's rainbows, ice cream, long weekends and kittens, combined and distilled into their purest, most potent form.
As loathe as we are to re-open the old "are video games art?" debate, it's no exaggeration to say that Gris (along with the likes of Journey, Ico, and Everybody's Gone to the Rapture) is one of the examples you should roll out to prove that they most definitely are.
Uncharted: The Lost Legacy is the real deal, folks. It separates the wheat from the chaff, takes everything that's great about Uncharted 4 and distils it down to its purest, most brilliant form. Nathan who?
Wonder Boy: The Dragon's Trap may be out of its time – it's rock hard, a little obtuse, and won't lead you by the hand – but benefits from a stylish and sensitive makeover that stays painstakingly true to the mechanically perfect original. The Dragon's Trap is a remarkable thing, then. Not only is it a retro remake that's actually not crap, it's as good as the day it first came out and even holds its own against modern releases.