You can’t go far wrong with Shred! 2. It has indie title written all over it, so if you can appreciate it at that arcade level and price point, it’s definitely worth a look for those that want to push themselves. It’ll push you and you’ll get mad at times (please, do. I can’t be the only one that gets annoyed), but if you can persevere until you unlock new rides to help, it opens up the challenge with progression and practice.
Once you get your head around the time and patience aspect, Snowrunner is going to engross you. It won’t win any Game of the Year awards for being niche, but then neither does Train Simulator. If you can convince some friends to join you, then even better. But even as a solo experience, there’s some absolute joy to be had when you get stuck into it.
Arc System Works have only continued to hone their craft and have offered this stunning, smooth and fast-paced fighter as a testament to that. I don’t think it’ll have as big an audience as other genre mainstays, but if you’re a fan of Guilty Gear or Dragonball FighterZ, this is well worth checking out.
As a continuation of what Capcom achieved last year, it’s disappointing. I won’t be crass and snidely call it “Resident Evil 2.5”, because it is its own game. It’s just that the content outside of the campaign is so lacking that as much as I hate to, I can only compare it to The Order 1886. In terms of comparison, it’s a spectacle game that has you follow a predetermined path. The omission of the multiple choice/live selection system forces you to take the path laid out for you, often whizzing by as an almost cutscene-like delivery of gameplay.
It won’t revolutionise either the horror or walking simulator genre, but it’s a strong entry nonetheless.
Not even fans of the genre should put themselves through this, let alone casual racer fans. Whilst it may be too niche a concept for a mainstream company, there’s a lot more that could be done with it than this terrible offering. For the mean time, if you want some decent offroad-ish racing, give Wreckfest a try instead.
It’s not something I would recommend to anyone just looking for a new shooter, nor would I try and pitch it to the masochistic Soulsborne crowd. It’s more of a middle ground game: it’s a new shooter with a very real challenge, also please buy it so I have someone else to play with.
OFDP2 is the same mechanic, over and over. It is ridiculously fun, something you can show off as a party game or to a mate as a silly game. But it’s whether you want to put the hours in to grind for that completion rate and five stars on each level.
The Kraken is a short but entertaining mission that breaks up the semi-seriousness of the main game.
If you’re a fan of Minecraft, Ark, Rust or any of those open world sandbox-with-crafting games than this’ll be up your wizard’s sleeve. If you need direction or some sort of narrative to drive you, you won’t find it here.
If you enjoyed the challenge that Cuphead, Sundered and all the others bring, then Valfaris is your next port of call. If you aren’t a fan of hard as nails throwbacks to older games, you may not like this. Or if you sit somewhere in between, you cannot go wrong with the heaviest, metal-est platform action game going.
It’s going to be hard to recommend it when I’ve knocked it as being repetitive several times (which is ironic, when you think about it). But then, that’s what usually creates a cult classic: it may not come out to critical acclaim and rapturous praise, but if the little seed of charm is in there somewhere, it just needs time to grow. It’ll be tough, and not everything it grows will be to everyone’s taste, but there’s something in there that you want to survive.
If you enjoy playing the same kind of JRPG over and over, with tweaks on the battle or level systems, then you’ll be right at home with this one. It may have a generic story, with many elements of similar games already, but it’s not the worst RPG I’ve ever played.
If you were to sit and nitpick each minor part, The Surge 2 wouldn’t hold up to the scrutiny. Yet if you play it as a whole, it’s a brutally beautiful romp in the mold of what we’ve come to expect from this type of game.
It’s not easy to start with. It’s the difference being jumping in a plane in Saints Row to playing Flight Simulator, the Mario Karts to the F1’s. But hey, if that’s your bag and you feel like you’ve rinsed the Dirt games, or you’re looking for somewhere to start, then this would be it.
Strong emphasis of racing/destruction, with a plethora of cars to tweak and modify to your heart’s content, the only gripes are down to musical preference and patience with loading times.
Damsel gets a middling recommendation. If you’re looking for something you can file under “slightly difficult to get used to, eternity to master” then this would be in that rather specific category. As I said at the start, this won’t look out of place on the Switch or Steam library, as those two are bread and butter for this kind of game. Whereas on the supposed powerhouse that is the Xbox, it just seems like a waste of potential. Granted, this is only an indie title, so there isn’t going to be mass dollar behind it. It’s just that the end result on the Microsoft flagship is a bit of a damp squib.
Clunky controls, terrible on-screen litter and the slow pace just kill any semblance of enjoyment for me. Even the nonsensical plot and voice acting don’t make me want to play this again.
It’s beautiful, it’s got a manic soundtrack to keep the adrenaline pumping, and it is a faithful throwback to the days of arcade past.
Whatever your constitution, The Blackout Club gets a strong recommendation from me. It’s got a tense feel to it, some cultist shenanigans going on, and especially off the back of the latest Stranger Things series, it’s something a bit different in the horror ranks.