Joe Apsey's Reviews
Destruction AllStars is a clunky mess of a multiplayer experience, committing a few cardinal sins when it comes to its online experience and offering uninteresting and dull gameplay most of the time. Each character feels unique and their abilities and vehicles are fun to use, but when meshed with the rest of the experience, it doesn't work. Predatory microtransactions, a lack of lore and backstory into the AllStars, and poor single-player offerings make this the weakest PlayStation Studios title in a long time.
Little Nightmares 2 is a game that pulls together every aspect of a game's presentation and pulls it off miraculously. Everything here is amplified from the original and moments feel like true cinematic wonders, unlike anything you have seen before. Combat doesn't always work, but the whole package is truly impressive and a showcase of the talent Tarsier Studios possess.
We Were Here feels like a first outing but its unique co-op puzzle-solving gameplay immediately gets its hooks into you and offers an experience unlike anything else on the market. A few blemishes from a restricted budget show themselves every now and again, but the gameplay is most important and We Were Here is a solid launching bed for the two sequels.
Curse of the Dead Gods' mechanics work together and mesh excellently, with the dark oppressive narrative and atmosphere really creating a unique gameplay experience, with the features on offer. A lot of variation and the ability to tune your character helps it stand out during the less enjoyable difficulty spikes the game suffers with towards the end.
Maquette is just fascinating. It is a game that has one central mechanic and ties it into a narrative not often told by games and media. That unique blend of challenging, but mind-boggling recursive gameplay, jaw-dropping set-pieces, and heartfelt narrative moments really crafts an experience that mesmerises and stuns at every turn and is another great title from Annapurna.
We Were Here Too is a great sequel and really elevates the unique mechanics the franchise offers. Despite a difficulty spike on one puzzle and some wonky looking cutscenes, We Were Here Too is worth a play and really shows the potential for this series and more co-op games in the future.
We Were Here Together suffers from puzzles that are not solvable through chatting with your co-op partner and instead feel like throwing darts while blindfolded, often being one or two steps too complex. Despite a bevvy of visual improvements and a great atmosphere, the third entry ultimately squanders what the previous two games helped build.
Offering a spine-chilling and creepy setting and atmosphere, Mundaun is a great experience that doesn't feel like anything I have played before. Its gameplay systems all blend together surprisingly well and it is just the right length. The strengths help alleviate some of the issues I had, but even with those present, it is well worth a play for fans of the genre.
Hazelight further hones its craft as ambitious creators of unique co-op experiences with It Takes Two. A clever, inventive procession of ideas and concepts that gel together to form a spellbinding co-op game.
Narita Boy feels like a completely unique experience and the first step for a new collection of games based around this digital aesthetic. The soundtrack here is flawless and the way everything plays into its setting and narrative is just as good. The gameplay might slog at times and not quite hit the mark, but Narita Boy is something you shouldn't miss.
Sometimes, Balan Wonderworld evokes a bygone era of platformers very well, but this is all too fleeting a feeling. All the creativity seems to have gone into the characters and music while the actual act of platforming leaves a lot to be desired. It's far from the worst modern platformer, but given the names involved, it's a thoroughly underwhelming one.
Outriders is an excellent video game that doesn't drown itself in marketplaces and all the traditional systems we have come to know from a live service. By positioning itself as a complete experience, with dozens of hours of content to play through, along with engaging, varied, and deep combat, it exceeds expectations and manages to lay a firm foundation for a franchise that I hope manifests itself in the future.
Judgement is a fine and serviceable port of the PS4 game, but apart from enhanced visuals and 60 FPS gameplay, the overall experience doesn't feel that much more enhanced than what you saw on PS4. This is definitely the way to play for newcomers but those who have already seen Yagami's journey through shouldn't worry about missing much here.
Returnal is a masterclass in how to create gripping, exhilarating arcade action and feels like the first game to truly realise the PS5's potential. It uses everything the system offers to craft an experience completely unlike anything else available today at this budget. Apart from narrative missteps, Housemarque's latest is flawless and a game that everyone who owns a PS5 and every gamer should experience at some point. I hope this is the start of a new, prosperous franchise for PlayStation and Housemaque.
Days Gone on PC is an impressive technical upgrade from the PS4 version, running flawlessly and looking gorgeous, thanks to the increased detail. The game still has major flaws and is largely uninteresting and bland, but the tick-box formula and amount to do will grab some people. That said, don't expect PlayStation and Sony's typical great narrative and gameplay the brand is known for.
Despite a gorgeous world, stunning sketchbook visuals, and fantastic music, Stonefly is actively dragged down because of its frustrating and cumbersome combat mechanics that create situations that are a pain to tackle. Everything surrounding combat is great, but there is so much of blowing bugs off of platforms that I Don't recommend you give Stonefly a try.
Technically Ratchet & Clank: Rift Apart is a PS5 showstopper, offering stunning graphics and set pieces that make use of the PS5's SSD, while also looking like the best animated movie we have ever seen. But, although combat is fun, the narrative of Rift Apart really drags down the experience, not treating its characters with respect and not meaningfully progressing the story for long time fans and leaving newcomers confused. Rift Apart is a fun ride, but ultimately not one you will be talking about for years to come.
Metro Exodus on PS5 is one of the best survival wastelands to explore on the new console. With enhanced textures, stunning ray-tracing and global illumination, and immersive DualSense implementation, what is on offer here is an experience like no other. If you skipped it on PS4 or want to play again, there is ample enhancements here that make the Moscow Wasteland worth exploring all over again.
Sniper Ghost Warrior Contracts 2 is a step up for CI Games and the franchise. Running much better than its predecessor and finding the right gameplay formula, the experience is a fun one that allows you to turn your brain off and just let loose, sniping some fools from a cliffside. Whilst not amazing, I am hopeful for the future of the franchise and where CI Games takes it.
Where The Heart Leads is a fascinating and enthralling look at life and the full timeline of it and just how every moment shapes us as humans. Marrying gameplay and narrative wonderfully, Armature has created one of the best narrative-adventures ever. Overall, it is a little long and the opening doesn't grab like the end does, but even still, Where The Heart Leads is a journey like no other. It is an experience that I will carry with me as I progress through life.