If you're prepared for some eyeroll moments as you reset the game because your wombat got stuck in a boulder, you'll be rewarded with the spectacle of battering through walls as a buffalo, or soaring through rainbows as a hawk. At such moments of wonder, that initial escapist promise of soul-wandering through the animal kingdom feels tantalisingly close. But, in the end, the game's limitations break the necessary immersion, and bring you back down to earth with a thud.
And it takes an artist's touch to so masterfully combine gameplay, art direction, architecture, logic puzzles, spacial subversion and audio-visual elements into such a coherent package. I've a feeling Chyr's next project might manifest as an art installation rather than a game. If so, I'll be holding my breath for a fall as I step tentatively through the doorway.