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While they have been going back to the well and redefining a lot of their long-running series, it makes sense that Pragmata stands on its own. It is a fresh idea honed to near perfection and I would love to see what else this team can do. Whether you're playing on Switch 2 or any other system, Pragmata is a great time.
All that said, I think this game has great bones and I'd love to see a sequel someday that addresses some of my issues with it.
The few high notes aren't able to fully compensate for the safe storytelling and narrative design, and the combat waffles too much between tedious and novel. That said, I couldn't help but feel taken by the game's commitment to being a music-themed adventure; constant puns and shake-ups to the combat mechanics gave me a genuine sense of joy. There wasn't enough momentum, however, to sustain those positive vibes, and I was left wanting to just roll credits in double time rather than slowing down the beat and soaking it all in.
This is just a cool video game with novel gameplay mechanics and a consistently heavy metal style. If you came in here wanting another stellar Mommy's Best Games distillation of classic 2D tropes, you'll be satisfied. If you've never heard of Mommy's Best Games before, sign up here for an incredible action platformer that will feel like a long-lost retro classic.
But it is for exactly those reasons that this game whose original ports come from the Xbox 360/PlayStation 3 era feel as fresh and powerful as ever. This is a hell of a package at a modest cost of entry, and the best Switch 2 fighter to date. What are you waiting for? Fight me.
If it weren't for performance issues there would be very little to stop me from telling you to play this game. As is, the recommendation comes with the heavy caveat of where you'll be playing. That being said, I do recommend you play South of Midnight, on whatever platform makes sense for you.
The store page for Darwin's Paradox calls it "a grand adventure worthy of a true animated movie", and I can't help but find that funny when the game honestly reminds me a lot of the licensed movie tie-ins I grew up playing.
Great controls with tight level design that encourage the player to replay it over and over again to get the best time and find the collectibles. Yet, too many times I felt like the meat was left cooking too long. It's bent into very specific ways to adhere to that original game, instead of standing on its own two meaty legs.
I can look fondly on the disappointment that hit me when I played that Silver Surfer game as a kid for the first time. These games are all here with basically every relevant version of them on offer. It's just relatively barebones aside from the X-Men online multiplayer (fingers crossed it works well) and in an era of Digital Eclipse documentary collection, the standard should be higher.
One look at Chico's Rebound tickled the 8-bit nostalgia strings of this '80s kid, but I found a surprising amount of depth the more I played. There's a light story and some cute characters, but these are window dressing for a challenging and satisfying block-breaking adventure that doesn't overstay its welcome. Even if you're only lightly interested in the genre, Chico's Rebound is a standout that's well worth a look.
Bridge of Spirits isn't overly unique in its gameplay, but it compensates for that with a charming story and beautiful environments. Even in handheld mode, the game holds up well and the charm remains intact. Kena: Bridge of Spirits doesn't outstay its welcome, and with luck it will continue the practice of what were once PlayStation exclusives finding a home on Nintendo platforms.
I've been keeping my eye on The Midnight Walk for a while now and was not disappointed in the final presentation. It's gross, and disfigured in all the best ways, and does amazing work with mixing animation, claymation, and film media to craft something truly special. This game is an accomplishment and one of the best arguments for games as an art form this year.
While not bad games, the series is more continuation than evolution of the previous series, especially in presentation, story, and age range. Star Force 3 was also the direct predecessor to the somewhat ongoing Mega Man drought. While the perfect cure for a shonen anime friendship speech craving, Mega Man Star Force Legacy Collection feels a bit interchangeable with what came before.
Minishoot' justifies the case for being worth your time in spades. This one may fly under the radar for most, but I beg of you to look up from the new triple A hotness and enjoy this fantastic diamond in the rough–for all the retro feels that it invokes, but also for doing something wholly new. Top to bottom, Minishoot shoots for the stars, and lands among game of the year material.
Its use of familiar mechanics in a novel wrapping and the enticing aesthetic and presentation do help to smooth out some of the rougher edges mentioned above. At present, I'm hovering around a lukewarm recommendation, but check out Nintendo World Report dot com closer to the game's March 25th release date for a final score update. In the meantime, DAMON and BABY does have an eShop demo with progress that carries over to the full game, so check out for yourself how it feels to play as this devilish cute duo ahead of launch.
All that said, Rotwood is doing a whole different thing from other roguelites I've been subjected to recently and it's doing it well. I do feel like the game ratchets up in difficulty once you reach the second major area, at which point a multiplayer approach becomes more advisable, but you can also farm resources in previous areas to upgrade your stuff beyond whatever recommended level a given stage recommends. I still think the industry is oversaturated with roguelites, but Rotwood is one of the good ones.
I had a good time, but was only really able to enjoy the game in shorter bursts. If you’re a platformer veteran and looking for something that is out of your comfort zone, you really cannot go wrong with Rubato. Even though I don’t think I’ll personally revisit it any time soon.
The repetitiveness of the gameplay loop is certainly less of an issue in short bursts, which is how I would approach Etrange Overlord, but I can't help but feel strangely compelled by the lane system and the strategy needed to survive some of the more diabolical challenges, like holding a key aloft until it finishes materializing, all while avoiding enemies attack from every direction. Those moments are the ones that drew me in, even if the aesthetic and story elements held little appeal for me. If you're into the art style and don't mind Etrange's constant need to be the center of attention, you may find an interesting time-sink type of action-RPG. If you're more put off by the anime-style storytelling, chibi-looking characters and combat mechanics that lack real depth, I'd say skip this one, just like I ended up skipping Etrange's musical numbers.
Whether you will stay long after the credits have rolled is ultimately up to you. But I can guarantee you that this is truly a unique game in every sense of the word. It will be the benchmark that future puzzle games will be measured against and that's no small feat.
It is transformative to the point that I almost feel like the game ought to specifically recommend it to the player on startup. Underneath all of that is an interesting, though at times inconsistent, stealth game full of unique characters and scenarios. Just be sure to have a clear surface available mouse mode and plenty of patience as you whittle away at the challenge.