Adrian Morales's Reviews
After a whirlwind 40 hours with Dragon's Dogma 2, it is clear that Capcom has created a flawed masterpiece that might not be for everyone. However, for those that this game speaks to, they will love it to pieces. So, in a way, it is the perfect sequel to Dragon's Dogma. From its unique twist on the RPG party system to its laissez-faire gameplay mechanics that reward players who are willing to think outside the box and dig into every corner of the game, there is nothing quite like Dragon's Dogma 2, and there probably won't be for a long time.
Unicorn Overlord is a standout tactics RPG landing just when the genre is coming back to life. It's deep, creative, gorgeous, and incredibly addicting, with plenty to offer for those who want to dig into all its systems. The game may stumble a bit with its simple plot, tedious UI, and quantity over quality side character stories, but those feel like small issues in an overall impressive and well-rounded game. Great for newcomers and genre veterans alike, Unicorn Overlord is a can’t-miss title.
Skull and Bones is a bloated game that does manage to swim instead of sink, but not without many caveats. In an attempt to separate itself from Black Flag and stand out from the likes of Sea of Thieves, Skulland Bones doesn't so much color outside the lines as much as dogmatically stick to a tired formula while burying its strongest attributes under mountains of redundancy and half-realized concepts. For those who crave a game set during the Golden Age of Piracy, there are definitely things here to enjoy, but get ready to do a lot of digging.
Banishers: Ghosts of New Eden is in the spirit of high-quality AA games that should not go unnoticed. Banishers does not necessarily break any new ground with its systems but it keenly focuses on a single vision with its narrative and ensures that everything else is working in rhythm with it and working well. In the end, love is the driving force of Banishers: Ghosts of New Eden, and anyone who thinks that they might be interested in Red and Antea’s story is undoubtedly in for a good time.
Time has been kind to Apollo Justice, but Capcom has been especially kind to the re-release efforts of the Apollo Justice: Ace Attorney Trilogy. Much like The Great Ace Attorney Chronicles and the Phoenix Wright Trilogy before it, the Apollo Justice Trilogy is another fantastic effort by Capcom in updating and re-releasing its legacy courtroom battle games for modern audiences and with a few fixes and tweaks to make it more fitting for this day in age. Returning fans will be able to jump right into their most nostalgic moments with the series whenever they like and with plenty to come back to, while new fans can experience Apollo’s story in its best form yet.
In the face of an IP filled with rich themes with something important to say, Frontiers of Pandora ignores the point entirely and goes on to have a gameplay loop where players spend most of their time killing otherwise docile animals to make arbitrary numbers go up so they can be as immortal as possible within the confines of the game. This would be business as usual for any other open-world gameplay loop, but it's embarrassingly ironic and tone-deaf for an Avatar game. Sure, anti-pollution sentiments are there because it's impossible to make an Avatar spin-off without them, but they're there superficially and treated as a checkbox for players to complete - ultimately ringing hollow. A betrayal of Cameron’s themes with the Avatar IP, seemingly stapled together as an attempt to get a slice of the highest-grossing film of all time’s pie, Avatar: Frontiers of Pandora isn’t just generic; it is downright cynical.
But even with a few technical hiccups, checkpoint woes, and a sense that maybe going this big with such an intimate game wasn’t the best choice, The Invincible is an enjoyable experience. The Invincible is a '60s sci-fi novel brought to life that is best suited for those who love to get nerdy about hard science and love that retro sci-fi aesthetic. More casual fans will likely find plenty to enjoy with the game, but they should know that this a game about getting immersed in a world that wants to tell a story instead of the usual space-faring adventure shtick. When The Invincible gets its hooks in players, it can be a narrative experience that is thrilling, thought-provoking, and worth the ride.
In its current state, however, Lords of the Fallen proves that Hexworks still has a bit to go before it learns the same lessons that many souls-like developers have in terms of quality-of-life adjustments and making sure that it strikes the right balance between challenge and frustration. Right now, it seems like Lords of the Fallen is taking the worst elements of every souls-like game and making those elements its main catalyst for difficulty, which is a bummer because everything else is so good. For the souls-like hardcore, Lords of the Fallen will be a fine conquest, but for the souls-like beginner, there are better entry points to the genre that offer a more well-rounded exploration into what souls-likes are capable of.
As the capstone project to CD Projekt Red's efforts in fixing Cyberpunk 2077, Phantom Liberty and Update 2.0 see the studio at its best, delivering a story that is emotional, refreshing, and up to the caliber that fans expect from CDPR while also reworking the game into its best and presumably final form. If this is truly the end for Cyberpunk 2077, then we're excited to see where CD Projekt Red goes next with the franchise because it's clear there are more stories to tell in this world, either in Night City or outside of it.
There is plenty to praise when considering that this is Ascendant's debut game and how it ended up being an incredibly competent and entertaining experience that manages to pull off a solid combat system and a fun story. However, there really isn’t much that feels new or particularly interesting otherwise. It is clear that a lot of thought and care has been put into all systems of Immortals of Aveum, from its shooting to its puzzles, but none of it is compelling enough for another playthrough. Immortals of Aveum is well-executed, easy to digest, and remarkably solid, but overall incredibly familiar. Still, it may pleasantly surprise more than one shooter fan, and has enough going for it to likely attract a dedicated audience.
Atlas Fallen had promise, but nothing that this game strives to accomplish ever lands very well or feels fully realized. Between a lackluster story filled with generic and soulless voice acting and a combat system that loses its momentum well before the credits roll, there is rarely a moment where this game feels memorable or worth the time to finish. There is some good stuff on the surface of Deck13’s new IP, with its beautiful vistas and interesting world-building and aesthetic, but digging past the surface of Atlas Fallen shows that it is mostly hollow underneath.
Ultimately, Remnant 2 still hits more than it misses. This mish-mashing of two wildly different styles of games still largely succeeds despite not being an entirely clean fusion, and best of all, Gunfire Games has expanded the foundation laid by the first game into something that is truly unique and interesting. Remnant 2 is still rough around the edges, but its interesting worlds, incredible procedural generation system, and variety of playstyles do enough to hold up a game that might not always feel as refined or intuitive as the inspirations it draws from.
The best way to describe Star Wars Jedi: Survivor is “safe.” Much like with Jedi: Fallen Order, it is clear that Respawn has a lot of good ideas for this franchise and wants to draw from a variety of influences to make something special, but it ultimately ends up making a pastiche of AAA game mechanics and fixings that are serviceable but not very refined. Jedi: Survivor doesn't have the same novelty and luster that Fallen Order had behind it, so when it rests on its laurels like this, the whole package feels underwhelming. When coupled with a clunky story and a laundry list of technical issues, it's clear that Star Wars Jedi: Survivor still has a long way to go before it reaches its full potential.
But in spite of its few shortcomings, Minecraft Legends is still a bold and exciting new direction for a franchise that continues to stand the test of time. It's a game that understands why Minecraft is so compelling in the first place and then twists those elements into an action strategy experience that can be hard to put down. Its only missteps come from its limited scope and how it leaves players wanting more because its core gameplay loop is so good. Minecraft Legends is approachable, captivating, and just a really good time.
Wo Long: Fallen Dynasty is a fast, focused, and compelling game that is sure to challenge fans of soulslikes, but it does feel uneven at times.
Wild Hearts refreshes the hunting genre with clever crafting and awesome beasts but is brought down by a poor technical state and weak story.
The Witcher 3: Wild Hunt on next-gen consoles is the best way to discover or re-discover one of the most celebrated RPGs of the last decade.
Marvel's Midnight Suns is rough around the edges, but its solid strategy mechanics and addicting team-building elements make it a compelling game.
There is always something cool and worth the effort to see or do in this game, which is why Sonic Frontiers works well despite being very repetitive in nature.
Uncharted: Legacy of Thieves Collection on PC is one of the best PlayStation ports so far, optimizing a modern classic for a broad range of hardware.