Bloodius Games packs a mature work, visceral in its telling us about the slow descent into the abyss of human madness, framing Luke's journey as one of the darkest and most intriguing experiences in the horror landscape in recent years. MADiSON is a macabre dance of pure anguish and wonder, which, barring some smearing or abuse of cliché, is recommended for anyone looking for a mature and never trite horror experience.
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Evil Dead: The Game shows remarkable potential and incredible fidelity to Sam Raimi's work, with engaging PvP and PvE dynamics especially when played with friends. There is no lack of flaws such as overly repetitive content, some technical problems and an underdeveloped single player mode, but Saber Interactive's title remains an enjoyable act of love for Sam Raimi's work that every fan should try.
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Apart from being an excellent first-person adventure, Road 96 is an overwhelming experience and an emotional dive into the '90s, with their music and style. As you stand on the side of the road, fantasizing about a better future, you'll wish that journey never ends.
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ELEX II is as vast, free and engaging as it is crude and flawed. Over-the-top elements clash with a lame technical side and a flawed enemy AI, in a continuous roller coaster of conflicting emotions. It may involve you deeply as well as you may come to hate it for its many imperfections and the punishing difficulty, but however it goes you won't fail to realize this is a game made with heart.
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This comeback of the three GTA classics feels superficial and poorly optimized, although some improvements are clearly visible. It's not the remaster we were hoping for, but these are still immortal classics that can still entertain and sometimes even amaze. And sometimes that's all we need.
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