Though incredibly faithful to the original, severe performance issues plague this remake of Snake Eater. While the game could and likely will be made playable down the line, it is hard to recommend the title at the time of writing, where severe framerate issues and engine-level crashes plague the PC version of the game.
Though some players may find the game’s mechanics lacking in depth, this cozy adventure game proves to be an excellent choice for younger audiences that can still be enjoyed by anyone, with well-executed combat and platforming and writing that takes the player seriously.
For a game all about the number four, Quartet packs in way more than four reasons to play it. The story builds into something surprisingly big, the combat has just enough twists to stay fun, and the characters feel alive in ways that matter. The first hours may test your patience, but stick it out and you’ll find yourself hooked. As classic as Quartet may feel, it is just as memorable as its inspirations.
Echoes of the End is a game with undeniable potential buried under frustrating technical problems and uneven combat. Its rich world and strong narrative deserve praise, but until its mechanics and performance are polished, it’s hard to fully recommend.
Over a decade later, OFF maintains its status as a delightfully bizarre, compelling little narrative that will haunt you far beyond its 5–6 hour runtime. This timeless RPG benefits from the polish and updates in the remaster, but otherwise remains faithfully true to its incredible original incarnation.
Discounty was a surprise, a refreshing mix-up on a familiar genre that adds a lot of depth and complexity to a genre that was starting to feel a bit stale. Somewhere between Stardew Valley and Supermarket Simulator, I highly recommend giving this gem a try.
Killing Floor 3 improves on the previous game in ways fans will appreciate, with new weapons, characters, classes, and better monetization. However, said monetization remains fairly aggressive, and the game suffers from a purposeful lack of content, relying on future updates to feel whole. Like Killing Floor 2, it may be best experienced a few years down the line.
Static Dread: The Lighthouse is an excellent resource-management horror game that excels with its fantastic storytelling, incredible art, and hypnotically immersive setting. I have no doubt that this excellent piece of horror storytelling will soon explode in popularity, rightfully winning over fans with the sea-dredged gold it has to offer.
Tiny Bookshop is a heartwarming and comfortably paced game that delivers exactly what it promises: a quaint, comfortable, stress-free fantasy of running a mobile bookstore in a friendly little town. The charming atmosphere, cozy visuals, and personable customers offer a relaxing experience, perfect for those looking for low-stakes enjoyment. While it may not appeal to hardcore sim fans, those drawn to wholesome storytelling and slice-of-life gameplay will find a gentle and delightful escape in Tiny Bookshop.
Death Relives quickly lost the interest of this horror fan. Though it’s built upon a strong concept, the concept alone is not strong enough to carry other aspects of the game that fail to fit into its genre or generally excite. While I wouldn’t call Death Relives a winner, I eagerly look towards what comes next from this studio and to see if they learn from the mistakes of their first title.
Let Them Trade is a relaxing, no-pressure title that delivers on its promise of simplicity but falls short when it comes to long-term engagement. Though it doesn’t want to be, this game could really shine if it were more complex, focusing more on its trading mechanics than its charming vibe. With plenty of room for updates, this is a title I would keep an eye on if you aren’t already sold on it.
Heartworm works best in its subtlest areas, leaving players to experience the tension of its beautifully creepy environments and its subtle, anxiety-inducing score and story. While some of the moments intended to put you on edge don’t work as well, the game overall is still a great piece of nostalgia and an experience worth having on your own.
The King is Watching is a smart, surprisingly deep blend of roguelike systems and city-building mechanics that manages to innovate where many similar titles simply reiterate. While screenshots may not sell the experience at a glance, what welcomes players in The King is Watching is a rich and endlessly repayable gem.
Wuchang: Fallen Feathers is a stylish and creative game, with an inspired setting, some clever mechanics, and incredible visuals. However, the game struggled with its storytelling, and I suspect many mechanics will be divisive for genre fans. Though I’m sure many will love it, I personally feel Wuchang’s feathers are a little too ruffled to soar.
What I thought would be a quick review I’d check off the backlog turned out to be one of the most emotionally gripping and atmospherically rich games I’ve played in a long time. It’s got heart, horror, puzzles that actually made me feel smart without being frustrating, and a story that had me hooked from start to finish. Powerhoof has made something special here, and The Drifter absolutely deserves your attention.
The Necromancer’s Tale is a standout narrative RPG that values prose over play, best approached as a richly interactive novel and not a traditional RPG. If you’re here for story, not systems, you’ll find a rewarding, text-heavy journey worth your time, and one that stays with you long after the last paragraph is read.
RoboCop: Rogue City – Unfinished Business is a leaner, meaner take on the RoboCop: Rogue City formula, trading bloated exposition and side content for focused, explosive action in a tight and stylish setting. It may not satisfy those who loved the slower, narrative-driven moments of the original, but for fans seeking a distilled and more mechanically satisfying Rogue City experience, this expansion delivers. With stronger level design, better pacing, and an atmosphere evoking the best of ’80s action, it’s a clear improvement.
Drill Core is a stylish and accessible blend of tower defense and mining sim mechanics, wrapped in a sharp satirical skin that channels retro-futurist charm with gusto. Its loop is satisfying at first, but the lack of deeper complexity, slow pacing, and exploitable systems makes it easy to burn out after a few hours. For this reviewer, Drill Core was a fun first dig, but not one with much buried beneath the surface.
Back to the Dawn is one of the most unique indie RPGs I’ve played in recent memory—gritty, tense, mechanically rewarding, and full of well-developed characters who surprise you with their humanity, despite being cartoon animals. Its depiction of prison life is thoughtful and serious without relying on shock value, and the branching narrative gives your decisions real weight.
A refreshing, culturally rich twist on the life sim adventure, marred only by some technical roughness, Gaucho and the Grassland is a game that grows into itself over time and rewards those willing to overlook its clumsy start.