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It feels a lot like the second half of the same season, rather than a true sequel, but Hitman 2 is still a beautifully crafted stealth game that's full of character.
It channels the grit and desperation of the TV show well enough, but the prolonged development has ended in a co-op shooter that feels outdated and unexceptional.
A masterful reimagining of Tetris that changes little about the core gameplay but still manages to create one of the most immersive video games ever.
An impressively assured attempt to prove that video games can tackle serious subject matter with respect and a level of insight that only interactivity can provide.
FromSoftware's first VR game is full of interesting ideas but very little entertainment, with frustrating storytelling and tiresome puzzles.
A terrible idea poorly realised, with a mixture of pretentious, gimmicky storytelling and banal combat that is almost awe-inspiring in the full extent of its incompetence.
One of the best Switch ports so far, both technically and in terms of how handheld mode enhances and compliments the original gameplay.
A no-thrills arcade racer that straddles the line between nostalgic throwback and outdated curio, and while fun in short doses it quickly loses its novelty.
Easily the best detective game of the modern era, with challenging and rewarding gameplay combined with some of the most evocative visuals of the year.
A spirited attempt to adapt Lovecraft's mythos, but while it overcomes the low budget when it comes to atmosphere the overly simplistic gameplay drags it down.
A game you will lose hundreds of hours to and although you can criticise the lack of development in certain areas, it remains the thinking football fan's go-to game.
A very welcome double pack featuring two of the series' most notable entries, but which inexplicably ruins the meme-inspiring intro of Symphony Of The Night.
An incredible technical achievement and a hugely accomplished Western epic that, despite a few minor flaws, represents Rockstar Games' most engaging and ambitious work so far.
As such we'll only give it a review score once all three DLC episodes, referred to in their entirety as The City The Never Sleeps, are out. The Heist is by no means essential but it marks a decent start to what could be another intriguing Spider-Man story. However, it's already clear that these post-launch adventures will only extend, not enhance, your overall experience with the original game.
Packed with jokes and DC fan service but the Lego formula is long overdue a complete revamp, because it's starting to ruin concepts like this that are otherwise ripe with potential.
The best Call Of Duty of the generation and while some will bemoan the lack of a story campaign, it's hard to argue with the quality and quantity of content on offer.
Luigi's Mansion 2 was always a much better game and while there's some novelty (and possibly nostalgia) value to playing the original it doesn't warrant a new full price release.
The best SoulCalibur VI of recent generations, with an accessible but tactically deep combat system. But while the single-player options are much improved they're still far from perfect.
Playing one of the decade's most influential video games on a handheld proves a welcome novelty, as the Switch version of Dark Souls makes the most of the existing remaster.
A muddled mess of good intentions and corporate greed that ruins a promising space adventure with needless repetition and horribly expensive toys to life gimmicks.