The Punished Backlog
HomepageThe Punished Backlog's Reviews
AEW: Fight Forever has some small issues, but there is nothing here that affects the moment-to-moment gameplay. I would like to see more varied options in the creation suite, but I look forward to the continued support and DLC for this game. This is one I can see myself putting a significant amount of time into. Fight Forever, much like AEW itself, is a welcome alternative and a damn good time.
Dave the Diver is a magical, mesmerizing, unforgettable gem. Mintrocket’s debut game isn’t just one of the best indie games of the year—it’s also quickly become one of my favorite games of the last decade. Its world is beautiful, tantalizing, and surprisingly dangerous. Dave and the cast are well-written and meticulously animated. The sushi makes me hungry every time I play. Dave the Diver more than delivers on its promise as a fun maritime adventure and role-playing game. Part salt-water exploration game, part sushi restaurant management sim, the game becomes so much more than the ocean blue aesthetic that initially meets the eye.
OXENFREE II is another great adventure game from Night School Studios, and a worthwhile successor to OXENFREE. The game feels like the studio’s letter to its most successful title, a missive that dictates, “I’ll always love you, but I’m moving on now.” It’s an ethos that, hopefully, some of its pained characters and players can learn from.
A major focus of games discourse in recent years has been the number of notable titles that released in an unfinished, unpolished state. Exoprimal presents the inverse of this fear, where players get a fully-polished title that fails to elicit even a modicum of delight or exhilaration. There’s nothing wrong with a campy, silly backdrop for a multiplayer title, but you have to actually make the case that shooting these MacGuffins is a better use of time than shooting a different set of MacGuffins. In the current environment for multiplayer experiences—which is far more competitive than it’s ever been for new entrants—simply working as intended can’t be enough.
Double Dragon Gaiden: Rise of the Dragons succeeds in standing out from its peers with the implementation of roguelike mechanics, a stylish and deep combat system, and a wide variety of playable characters armed with unique fighting styles. However, its lack of a training mode, tutorial mode, or versus mode (all modern-day beat ’em up staples) or any real gameplay innovations makes for a somewhat quick and empty experience. Even so, the Double Dragons are back and more than capable of putting up a fight.
Venba is not only an excellent video game, but a powerful sociocultural message. At one point, characters discuss how a piece of art had the potential to make a stronger impact with an audience in the way than a protest or traditional statement. Venba meets this potential, and then some. I'm hungry for more.
I wanted to like Layers of Fear (2023). I leisurely traversed the haunted house (and ship) for around fifteen hours, but its horror elements never truly left the realm of abstraction. I walked away fascinated by the spaces and objects left behind by the game’s characters. They left a residue of horror. But I left frustrated by how little this residue manifested in truly terrifying, concrete, or meaningful ways.
My first playthrough of Baldur’s Gate 3 was a marvel: beautiful, enthralling, and bursting with content. Larian Studios has successfully created a CRPG that welcomes players who are not already part of the genre’s existing fold. An 80+ hour experience that’s gripping from start to finish, Baldur’s Gate 3 fills a vacancy that has not been truly filled since The Witcher 3. Those who are deeply familiar with D&D 5th Edition may have a heightened sensitivity to some of its shortcomings, but make no mistake: Baldur’s Gate 3 is a triumph and any fan of RPGs would do well to give it a roll.
The Expanse is in excellent hands. Telltale has crafted a wonderful opening duology for its comeback story in episodes one and two. For fans of the developer’s past work, you’ll be happy to know this is a Telltale game through and through. The episodes may be briefer than in the past—at 90 minutes each so far—but they showcase some of the best writing, choices, and animations that the studio has offered to date. Gone may be the walkers and the fairy tale creatures, but The Expanse: A Telltale Series promises scavengers, politics, and even space pirates. I can’t wait to play episode three.
If you’re a fan of 2D Metroidvania and Souls-like games, Blasphemous 2 is a must-play. It has the best of both worlds while crafting a unique identity that expands and improves on the original Blasphemous in every way. If you just want a damn good side-scrolling action game, it’s a must-play. If you’re a fan of dark fantasy, Spanish art and architecture, religious commentary, or anything macabre… it’s also a must-play. I’ll keep this simple: It’s a must-play.
Atlas Fallen is a competent action role-playing game that supports some interesting play styles with its Momentum gauge. While the story and voice acting disappoint, the stars of the show here are the sand surfing, platform navigation, and world. Serviceable as it is, however, Atlas Fallen could have been so much better. Despite some interesting mechanics, its gameplay is so generic that it never really establishes its own identity. Players can enjoy it without much complaint, but in a year of stellar titles, its competence never truly shines.
Sea of Stars brought me in with its clever gameplay, pretty worlds, and exciting battle system, but the vibes made me want to stay. The vibes compelled me to seek out secret treasures. The vibes made me seek out every possible fight with aplomb. The vibes even allowed me to overlook some of the wonkiness of the plot (and the writing). Most of all, the vibes made Sea of Stars truly stand out in an especially difficult year to do so.
WrestleQuest is a love letter to professional wrestling and everything it represents, from the smallest details to the biggest. The respect for the greats of the past and what they mean to the present and future is evident, and the way in which Mega Cat Studios matches that with some excellent RPG gameplay is commendable. This is a fully fleshed-out RPG experience and one I believe needs to be experienced regardless of your affinity for wrestling. It’s just flat-out a great game.
What else I can say about Smushi Come Home without spoiling its finer moments? Its characters are charming, its gameplay is soothing, and it has a great sense of style. (Just listen to that feel-good soundtrack from composer Failpositive.) And while the experience is a bit on the short side, it’s one that hardly feels undercooked. If you’re looking for a breather between AAA epics or simply searching for a wonderful indie, Smushi Come Home has enough charm to make you blush. Come for the adorable mushroom; stay for the tender narrative and cozy vibes. This is one homecoming you don’t want to miss.
While I wouldn’t say Cocoon achieves wordless narrative perfection, it succeeds in presenting a story full of emotional resonance and mental stimulation with little to no communication to the player. What results is a great video game, and more importantly a great work of art, one that causes those who engage with it to mull over its events, its structure, and its atmosphere.
If you want to experience the comfort of the Pokémon world without the stress of battling, then I think Detective Pikachu Returns serves its role admirably. However, I don’t think it’s a great video game, much less a great detective game. If you can tell yourself that Detective Pikachu Returns is essentially an interactive anime episode, rather than an actual video game, then I think you’ll have fun.
The Cosmic Wheel Sisterhood is a fantastic story-driven game with beautiful art and delightful gameplay. There’s something here for anyone, whether it’s your first cozy game or your thirtieth. You don’t need to be femme or a tarot-lover to enjoy what this lovely game has to say about being alive, loving yourself and others, and our power to shape the world around us. If you need a palette cleanser between this fall's major releases, I hope you’ll consider this gem.
El Paso, Elsewhere might not be Max Payne, but the inspirations are there. James Savage asks players to believe in him during the early moments of the game. That statement early on, as he discusses his sobriety, addiction, and Draculae, carries more weight on this side of his elevator ride through the void. I enjoyed the game’s gameplay loop, even when I grew frustrated with its repetition. I found the “You Keep Going” screen to be encouraging. With James, I kept fighting through the void even when my faith faltered.
I really wanted to like this game. More than that, I wanted to love this game, which is perhaps why this review comes across as so scathing. I’ve been let down. I followed this game for years, awaiting the full release with a heart full of hope. I wanted to spend hours upon hours exploring Shiokawa and the game’s other environs. As it is, it’s a game begging for quality-of-life updates that would make it a joy to explore the undoubtedly impressive selection of mysteries that it has to offer. At present, World of Horror vacillates between being overly tedious, pulling you around by the nose, and sometimes being the game that I really wanted it to be. It’s a frustrating experience, with moments of brilliance that shine through like the color out of space.
I thoroughly enjoyed playing Saltsea Chronicles and will happily play through it again. I’m interested in finding out what else the story holds based on decisions I didn’t make in my first run. I loved meeting new characters and learning about their backgrounds—it’s so easy to root for them and their happiness. If you’re a fan of narrative games with an unpredictable yet heartwarming story, then Saltsea Chronicles is perfect for you. It’s a must-play cozy game and feels like a perfect bedtime story. I loved my time with the game, and it is so worth your time and attention.