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If you’ve got patience for repetition and love your survival cosies with a dash of challenge, Winter Burrow is a delightful little pick-up. A few small bugs could use patching, but nothing game-breaking. It’s the kind of title best enjoyed with a hot cocoa and a thick blanket — just prepare to do a lot of wandering in the snow.
A Pizza Delivery is a thoughtful, short indie game that gets close to being something meaningful but falls short on polish and depth. If you’re into slow, reflective games and don’t mind some extra crispy edges, it’s worth a look. Just don’t expect a stuffed crust.
If you grew up on classic adventure games, or want something cosy with a touch of spooky, Foolish Mortals is well worth your time. Inklingwood Studios has created a thoroughly enjoyable ghost story: eerie, funny, and full of charm.
Keeper is one of the most enlightening games I’ve played this year. A lighthouse sprouts tendril-like legs, learns to walk and travels through an artistically inspired and mysterious world. It's a wild concept, but it works so wonderfully. The game also features an incredible gameplay flip that left me in awe.
BALL x PIT channels many familiar traits from other games. The block-busting gameplay of Breakout, the automated action of Vampire Survivors, and the constructive strategy of city builders. Where it succeeds is distilling these disparate elements down to their strongest, simplest elements and fusing them into an addictive rogue-like where it’s hard to resist just one more go.
Little Nightmares III nails its eerie atmosphere and unsettling charm, even if the experience occasionally stumbles over its own mechanics.
Silent Hill f is a truly beautiful horror and will have me contemplating its subliminal meanings for many moons to come.
After spending the past week jumping across platforms, battling it out on pirate ships, swinging through caverns and operating LEGO cranes, I couldn’t be more impressed. LEGO Party clicks into place perfectly — a new party favourite in my household.
Is it the ultimate open-world samurai experience? Not quite — but it doesn’t need to be. Yōtei is one of the most beautiful PS5 titles yet, with stellar combat, a gripping story, and a deeply personal protagonist. While its immersion doesn’t quite match other recent titles, it still holds its own.
Is frustration enjoyable? No, of course not. But, subjecting oneself to long stretches of frustration just for that fleeting satisfaction of overcoming a nightmarish obstacle? Now you’re talking my language.
If you’re a Kirby fan or a parent with kids, this one’s a no brainer.
If you’re a fan of action-platformers, this one is a no-brainer. SHINOBI: Art of Vengeance shines in its visual presentation, showcasing incredible style and attention to detail. Combat is a standout, allowing you to feel like a master Shinobi as you bounce from foe to foe, unleashing your arsenal of attacks.
STORY OF SEASONS: Grand Bazaar is back, dusting off its DS roots and setting up shop on Nintendo Switch 2. Zephyr Town has never looked better, and this remake comes with some welcome farming upgrades.
In cosy puzzler Is This Seat Taken?, you’re tasked with seating various humanoid shapes, according to their peculiar preferences. Some shapes want peace and quiet, others want to blast music, and a few — well, could really use a shower! The puzzle game has certainly tickled my fancy, with its adorable graphics and unique gameplay. I played the whole game in (almost) one sitting — I had to walk my dog in between — that’s how addictive it is.
Echoes of the End takes some big swings with its original fantasy world, gorgeous visuals, and solid third-person puzzles and combat. At the same time, it’s hampered by technical issues and a 13-hour story that — while short — still manages to feel padded in places.
Catto’s Post Office is a brilliant little mail delivery game developed by Brisbane-based indie devs In Shambles Studio and published by CULT Games (Go-Go Town). It’s the perfect palate cleanser between heavier games, or a sweet wind down if you’re after something short, cute, and cosy.
Hinokami Chronicles 2 is more refinement than revolution. It still stumbles in the same places — pacing, story mode exploration and boss fight design.
It’s like the train is being pulled in two directions, and we’re just stuck in the middle.
The Drifter is bold, bizarre, and full of surprises. It’s the kind of game that lingers long after the credits roll.
Donkey Kong Bananza is an imperfect masterpiece. Its ambition pushes Nintendo’s new console — the Nintendo Switch 2 — up to and beyond its limit; serving as both a technical showcase and a reality check.