So Many Games
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Tiny Bookshop made me nostalgic, even though I’m not a nostalgic person. It made me long for the days when we weren’t distracted 24/7 by all kinds of media but could take the time to just sink into one. Books have this magical ability to transport you away from this world, and this game recognises that. Even though it’s set in the present, there’s no talk of social media; you’re just able to take your time browsing a cute little bookshop before heading home and devouring the pages, only to come back the next day and ask for more. We need more games like this.
Ritual of Raven is a much-needed refresh of the farming sim genre. It manages to mostly avoid the trappings of similar games while adding some great touches of their own. The writing is fun and engaging, the gameplay is addictive – I don’t even know how many times I just kept on playing because I needed to do ‘just one more thing’ – and its world is gorgeous. I had high hopes for this game, and Spellgarden Games has duly delivered.
The way colours are used throughout to contrast the emotions of each person is astounding, paired brilliantly with the core themes of expression through art and what happens when our own colours stop shining through.
Time Flies is a playfully thought-provoking meditation upon death and the brevity of life, viewed through the (many) eyes of flies. The movement is unique, the art superb, and this game might just make you think twice about picking up that flyswatter.
A stylish exterior hides a game that tries too hard to blend gameplay styles, leading to a fast-paced roguelite built around slow, weighty combat; Atomic Owl is glamorous, with incredible visual design backed up by a stunning synth-wave soundtrack, but without a solid gameplay loop, it fails to hook players in, prompting frustration instead of incremental improvement.
Hellclock is an excellent refresh button on an oversaturated genre. The emphasis on speedy runs, diverse builds, and a historical and cultural setting rarely touched makes for a standout roguelike. A few snags, especially tanky health bars, weigh down the game design’s core focus of lightning-fast runs. Although pacing creates more friction than a totally smooth experience, Hellclock is an easy recommendation for any roguelike fan.
Primal Planet is a pixel-perfect primaeval playground of adventure and exploration. If you don’t mind getting lost now and then, it’s an approachable metroidvania, with generous checkpoints, forgiving combat and no bosses. For some, its lack of handholding might be a barrier, but I was swept away by the vibrant world and the sweet story of community that holds together the people and wildlife of this primal planet. Just look out for those T-Rexes and UFOs.
Wheel World is a highly polished game, with the beautiful visual style being accompanied by expert handling of your bike. You can practically feel the grind beneath the bicycle thanks to the gentle rumbling of the controller and the great audio. The synthwave soundtrack is a lot of fun, adding to that sense of going out for rides during the summer. The game might lack a little bit of character and story depth, but don’t let that hold you back from checking out the game. Even for a non-lover of biking like me, this game was a treat.
There's a comfortable familiarity to Wuchang: Fallen Feathers that most Souls-like fans will love – despite its excessive exposition, the game delivers on the promise of a polished, well-rounded experience that rewards players for exploring their preferred playstyle instead of shoehorning each player into the same experience.
Genre fans and newcomers alike will find something fascinating within the world of The Wandering Village; though hampered by a slow pace in its early hours, the game continues to astound in everything from its visual design to its ever-expanding gameplay loop. A must play.
Whether you love music or just adore turn-based RPGs, there’s something here for everyone. Fretless would have been an excellent game if it wasn’t this huge ode to music, but being what it is makes it even better.
It's difficult to find fault in The Drifter; with incredible visuals, a fantastic voice cast and a gripping story, it manages to form a fantastic adventure, albeit let down at times by the innovation that defines its gameplay.
Cast n Chill is a clear standout in the idle game genre. It checks all the boxes for a cosy game where you can live the fantasy of an expert angler with infinite time to enjoy the outdoors. The game’s pacing and structure are fine-tuned to make every upgrade matter but also allow you to set your rod down and only return to it when there’s a strike.
With likeable, charming characters, a ton of side quests to keep you distracted, and interesting level design, Ruffy and the Riverside is a delightful experience which has easily copy-and-pasted itself onto my favourite games of the year list.
As debut games go, Quantum Witch sure isn’t afraid to take risks. It takes some pretty adult themes, combines them with incredibly witty writing and a really fun art style, and leaves you wanting more when you’re done.
Date Everything! really does give you exactly what the title implies. From your toaster to your bathtub, from your sex toys to your record player, you get to date everything within your house and the game sets you up with some really fun dialogue, even if upgrading your stats can become a little tedious. It’ll be interesting to hear who your favourite characters were, as they are clearly the stars of this show, thanks to great writing but truly extraordinary voice acting from a stellar cast. Just don’t expect a quick, streamlined affair: you’ll be entangled with this one for some time.
Lost In Random: The Eternal Die manages to be an enjoyable roguelike at times, with design values carried faithfully from its predecessor giving it a stunning look and feel – despite this, the game fails to deliver anything new and captivating to the genre.
I highly admire everything that 11 bit studios has achieved in The Alters. At its core, there is a fascinating, emotional sci-fi narrative that demands attention and which is surrounded by high-intensity management gameplay. It’s finished up with some beautifully detailed and polished visuals that perfectly promote its futuristic world and eerie atmosphere.
If you loved the first Monster Train game, you will absolutely adore this sequel. The developers iterated on everything that made the first game special and just upgraded it in every fashion. If you haven’t played the original, first of all: what are you doing? But all jokes aside, you will still find so much to love here, especially if you’re already a fan of the genre.
With bombastic characters, perfect pacing that can be finetuned, a new game + mode and an ending made for the people, this game has cemented itself as one of my favourites of the year. I usually move on when I finish games, but Pipistrello and the Cursed Yoyo may just reel me back in like a yoyo with how much of a delightful experience it is.