Monark puts a spin on the high school JRPG design by offering unique gameplay and combat systems for fans of the genre. The narrative heightens this experience with a memorable cast and plenty of mysteries to uncover. The spike in difficulty hurts the experience as the balance of vague puzzles and encounters slows the pacing down to a crawl, but genre veterans might enjoy the art of grinding and not notice this too much.
Dairoku: Agents of Sakuratani is a decent otome, but not one that I would recommend to everyone. While I appreciate the English release, the story fails to find its footing in the early moments, which is a shame because the conclusion is exciting. Further, the romance comes off more platonic than genuine on some routes, but I enjoyed the ghostly premise and charming cast.
Cupid Parasite is one of the most engaging experiences I’ve ever had with an otome game. From my second playthrough to my fourth, I found myself shaking in my chair, wanting to know what would happen next. Its comedic romance kept me up until the late hours of the night, and I haven’t had a game that made me feel like this in quite a long time.
With an expansive story and unique presentation bringing everything beloved from the prior Opus entries, Opus: Echo of Starsong is by far the franchise’s best outing. We get some standout narrative and interactive segments by taking what worked before and improving the design and presentation. The random elements and item management require more hands-on from the player, but the result is a gorgeous and low barrier of entry adventure through space.