Ubisoft Montreal should certainly be applauded for trying something new within the bounds of the genre - hacking in Watch Dogs is genuinely innovative, despite the threat of gimmickry - however, Watch Dogs has ultimately failed to live up to its hype. It's good, but it could, and probably should, have been great. The underlying irony of Watch Dogs is the fact that the game itself suffers a bit too much from an identity crisis.
In essence, BattleBlock Theatre is not without its frustrating moments, but such is the nature of all puzzle platformers. Any negatives noted here exist, but are slight and surely nothing more than minor blips in what is a very rewarding, very well presented, and very enjoyable and hilariously funny puzzle platformer. As the landscape of these types of games becomes increasingly bigger, it's nice to see a game strive so hard for innovation. And in doing so can make the player feel like the cat who got the cream. Perhaps I should leave the jokes to The Behemoth experts.
Depth isn't normally the genre's strong suit but that said, some form of story - one not completely devoid of personality or entirely too reliant on the cheap tricks showcased here - surely isn't too much to ask for. For all Croixleur Sigma can be quite challenging - particularly towards its Story Mode's end or within Challenge Mode - no real skill is needed to succeed, and it's lack of variety and intrigue make this feel like a wasted journey west.
Upon death, Sarah regains consciousness before the message "You can't remember, but this seems familiar" lines the foot of the screen. In note-driven Daylight, this is perhaps the most hauntingly accurate passage of the lot.
Familiarity breeds contempt, or so they say. But I don't think this well-worn phrase applies in all circumstances. In the case of Trials Fusion, it would seem that familiarity has bred, well, simply, familiarity. Yes, it feels like we've been here before, partly because we have. But when it's executed with such finesse, is that such a bad thing?
It's been just two days since I last player Ether One and I've not stopped thinking about it since. I thought about it before I went to bed last night, and the night before. I thought about it when I woke up this morning. I thought about it when I had lunch. So far I've sunk 12 hours into a game easily completable in four. I've not nearly managed to restore all of the projectors. And I've hardly scratched the surface.
Whilst 1954 Alcatraz does certain things very well, it too often lets itself down.
Match this with the Californian outfit's reimagining of Killer Instinct last year, and it would appear they know what they're doing when reinterpreting the classics. By adopting a Metroidvania-guise here, rather, gear-gating, Double Helix shows that it can in fact teach an old dog new tricks.
"Nothing is over! Nothing! You just don't turn it off!" said John Rambo in First Blood. As far as the videogame is concerned, I'm sorry mate, I just don't agree.