Bloodless is an almost perfect, well-rounded game. Although I felt it needed a few improvements to its progression and difficulty curve and a glossary or something similar to give notes on narrative points, I came away from the game very satisfied. The combat is enjoyable and complex, the artwork is beautiful and the narrative works to keep you interested in seeing the game through to the end.
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Elden Ring is already a huge game both in terms of content and fame, and its DLC contributes in both senses. Shadow of the Erdtree is a dense expansion with a lot of content that is a good way to revisit the game, even if you haven't touched it in years.
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Shin Megami Tensei V: Vengeance is what the 2021 game was supposed to be: an objectively better product and great to play, even if it does fall into some similar errors to its predecessor and stumbles in the narrative.
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SaGa Emerald Beyond is a rollercoaster of feelings, despite the many problems I've had with it, it's a game I respect a lot and it has some very valuable things in it.
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I went into this game expecting a frenetic, fun shooter with an old-school anime aesthetic and that's exactly what I got, but I got it in a very polished and well thought-out format.
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Dragon's Dogma 2 isn't perfect, but its few flaws haven't taken away the impression that I've experienced one of the best open worlds I've ever seen.
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Even with a few problems in the main story, Like a Dragon Infinite Wealth is one of the best games in the franchise and is extremely captivating.
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Momodora: Moonlit Farewell is very well designed and it's very difficult to point out any flaws that really bothered me about it. There are decisions that differ from Reverie Under the Moonlight both aesthetically and mechanically that make me see people preferring the previous game.
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