Lucas Barreto's Reviews
PopSlinger is a mix of good things, and it results in something that is both faithful to its inspirations and somewhat original. It is a simple game in its structure, being a basic shooter, with enough interesting weapon and enemy variations. It's also an accessible rhythm and memorization game without many secrets, with several tools implemented to aid the user's overall experience during the experience. Its narrative fulfills the purpose of motivating the player to keep playing, although it eventually gets tangled up in its mysteries, depending on a scarce but pleasant cast with good voice actresses.
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In summary, 13 Sentinels: Aegis Rim is a delight. As a Visual Novel, it hits the mark in everything it sets out to do, with a charming narrative full of mysteries and characters that break out of the norm as their narratives and relationships deepen. I can say that, for some, the story may drag on a little longer than necessary, but I believe that this impression depends largely on the bond that is created with this universe and these characters, who are incredibly captivating in person. Much more than a recommendation, the title is a must for fans of the genre.
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The puzzles are basic but well-crafted, connecting the setting to the characters' psyches and providing clues with intriguing puzzles. The visuals are quite pleasing, and the voice acting is quite competent, though it can be exhausting during the explanatory moments, when the characters can barely catch their breath for the lore dump sequences. Finally, there's an out-of-place shot-'em-up, which can at least be enjoyable when you are exhausted of reading.
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I'm still not able, and maybe I never will be, to pinpoint what makes a game memorable. What I can try to explain, on the other hand, is what makes Shin-chan: Me and the Professor on Summer Vacation -The Endless Seven-Day Journey- a title that will remain in my heart. Its presentation, both visually and sonically, is simply sublime, with memorable frames for each screen, providing the player with a very unique perspective of the world created by the developers. The characters are captivating and comical, making us interested in their demands, and making us happy with each objective achieved.
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In short, the title brings together elements that will greatly please fans of analog games, who would like to experience the experience of a game narrated by a virtual dungeon master, while at the same time it may disappoint those seeking a more complex experience. In any case, the title presents itself as good fun and a good way to relax between more intense games.
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After a few weeks "processing" what happened at the ending, I appreciate the boldness of having a more poetic and symbolic narrative rather than a personified story tied to exaggerated characters. In my opinion, the ending reflects the symbolic poetry behind every detail of the title, from the insertion of references to the choice of sound compositions and the secondary mission system. The final credits made me suffer, awakening a painful but gentle cry for the comfort of understanding the value of the natural cycle instead of the self-destruction caused by the anguish of death.
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Nier: Automata is one of the most iconic games of recent years for a reason. Its technical execution is brilliant, but it is the way the narrative is told that keeps us hooked in that universe. It is impossible not to feel the anguish, fears and questions that such beloved characters feel. We may even reach the end of the experience, but all of its themes end up taking root in us, and it is difficult not to feel emotional in the final sequences. Not that feeling emotional at these times is silly, after all: “being alive is basically a constant stream of embarrassments”.
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Bayonetta 3 isn't a bad game, but it's not even close to PlatinumGames' best creation. With issues of scale and tone, it's hard to recommend the title to those who are passionate about Cereza's dynamics with the other characters in the series, but it could be a good gateway for new fans of the genre, at least.
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SIGNALIS is a tragic melody, like the one played by Orpheus' lyre. From the beginning, we sail with the certainty of doom, but we never stop sailing. There are no villains or evil to be avoided, but rather a world being consumed by itself, in an ungrateful, empty contempt. Still, the game is capable of teaching hope. When we reach the credits for the first time, we understand that we have not truly reached the end, and then, the player can find strength in the recovered memory, when understanding the truth behind the game's mission. From then on, our choices can lead us to three different endings that dialogue directly with the way the player interacted with the game, giving it a spiritual conclusion.
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I believe a chapter has come to an end; perhaps not a personal one, but one of the Fire Emblem franchise itself. As is assumed by all journeys, I believe we have reached the end of one and the beginning of a new one.
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There's no doubt that these games were ported to those who have only recently discovered the series and want to delve deeper into its origins. Of course, they'll always be excellent starting points, but I believe that the purchase will be made by those who already have experience with the series. Of course, if you ignore everything I've mentioned so far and buy the game anyway, I believe that you'll have one of the best experiences in the genre, and there's no doubt that the small community of Pikmin fans will welcome a new member with open arms!
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I sincerely hope I've managed to convince readers to check out the work. Whether you're a fan of Ace Attorney or not, I believe that Takumi's narrative is so engaging and special that it's extremely difficult to displease anyone. The humor is just right, and the suspense completely engages us from the very first moment, creating one of the most intriguing experiences in gaming media. The ending is a final gift to the player: after a long journey, the answers reward our efforts, and the satisfactory conclusion is only possible because of the effort that went into the work as a whole.
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Verdict: Pikmin 4 is an excellent game. There is no reason (apart from the price, of course) not to fall in love with PNF-404, Oatchi and the adorable Pikmin.
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In short, my lack of interest in The Legend of Zelda: Tears of the Kingdom is completely related to how I have become disconnected from the series. There has been much speculation about whether or not the title has recaptured the essence of Link's adventures, but I feel that we need to ask ourselves that, not the work itself. Objectively, I know that most people will love it, and others will like it. I reserve myself for the minority who got tired of it along the way, while at the same time I pray for a new youth to discover here the charms that I once lost.
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To recomend The Cosmic Wheel Sisterhood is as natural as the magic that runs through its structure. In a narrative that is built with the player, structured by an extremely competent text and supported by an impressive aesthetic, the title proves to be an excellent way for us to reflect on ourselves.
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Honestly, Detective Pikachu Returns is a good game. I wouldn't say it's mediocre, much less bad; it's the work that represents the synthesis of "yeah, cool". I don't believe that an improvement in the technical aspect would make me change my opinion: the same text applied to a game with a AAA budget would have more support from the public, but at the of the day, a text is a text.
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Despite the pleasant aesthetics and interesting proposal, Mineko’s Night Market is not able to stand out. I still believe it to be a pleasant experience for those looking for farm sims with a focus on DIY, but don't expect anything huge, especially in terms of customization. Technical problems significantly affect performance on the Nintendo Switch.
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To all fans of this series, I wholeheartedly recommend this collection. The level of quality invested here is noticeable, and the rescue of titles now lost due to the death of the Nintendo 3DS eShop must always be acknowledged. Talking specifically about Apollo Justice, the quality of the series remains the same, and it is worth it as a continuation of a trilogy as tender and beloved as the previous one, with simple but moving tributes. Even though the other titles don't reach the level of quality of Shu Takumi, I believe the experience is still worth every second.
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Although I miss a greater variety of scenarios and interactions with objects, I believe that the game does not last long enough to cause wear and tear on the player. Overall, it is the perfect game for a rainy weekend after a stressful week.
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Rusted Moss is an extremely competent metroidvania, with a gameplay hook that sets it apart from similar games on the market and that certainly leaves an impact on players. There is very little to criticize here: I didn't find any bugs, not everything is perfect, the aiming system could be a little more intuitive and the button mapping could be a little better implemented, but it is an easy recommendation for those looking for a metroidvania to play for a few days.
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