NintendoBoy

Shotgun Cop Man is a simple product, and it doesn't pretend to be anything more than that. It had an idea of ​​movement in a platform game and executed it very well. It runs well, which doesn't interrupt the player's focus during the trajectory, and it's not huge, being able to be played both in short bursts due to the tiny size of the levels, or in long marathons, since an entire world has a large collection until it is completed. The game may not have exactly impressed, and I don't mean that in the sense that it's average, because it always seemed competent and fun, but it shows what it is right away, without any secrets. It throws it right in the player's face that it's like a good violent shooting and action movie.

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Rift of the NecroDancer is one of the biggest indie surprises of the last few years, taking a genre where innovation is difficult and bringing something new, but that at the same time, is clearly a great homage to the other franchises that inspired it, creating an experience that might be one of the best of its kind. With flashy visuals, extremely addictive gameplay, excellent music from a wide range of great composers, and a big variety of modes and gameplay styles, it is a complete package for anyone who is interested in rhythm games, even if they are not particularly good at them.

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All in Abyss: Judge the Fake is an eccentric combination of bets and RPG, creating an addicting format of evaluating possibilities and using special skills. It's a proposal that's unique enough to be worth exploring.

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Honestly, I can clearly see this game as limited to fans of the series due to how it requires a previous contact with the anime to find your footing in the story, though it's worth taking into account that the games in the series have always focused on the anime characters. Its gameplay is a little automatic and this may not please some [players], even with the online offering a little more challenging and fun matches than the main story with its weak AI. Trying out parts remains fun, as it is the main feature in the Beyblade franchise since its early days, though limited due to rarity and stats issues.

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Phantom Breaker: Battle Grounds Ultimate combines the aesthetic of chibi characters with an addictive beat 'n up, blending fighting game mechanics from the original Phantom Breaker. Despite the constant threat of Phantom and his minions, Mikoto, Waka, Itsuki, and Yuzuha's journey to rescue Nagi is filled with fun and challenging moments, featuring a well-balanced relationship between challenge and reward due to its various difficulty levels.

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Please Be Happy is a fundamentally simple game in its form and essence. Even though there is nothing technically impressive about the way the story is told or the way its characters interact and are presented, in a sea full of cozy games that are essentially low risk and with very few challenges, Please Be Happy stands out for its more intimate theme, tackling slightly heavier topics and delving into them while using its world to create and explore new pains that may be a reflection of what we experience in our reality.

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Gal Guardians: Servants of the Dark is a good experience that shows that Inti Creates has learned from the mistakes of its previous title and sought to develop its elements and create something that could stand on its own merits. The change to a Metroidvania style and excellent mix of movement abilities makes the game fun and enjoyable to play.

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The Hundred Line -Last Defense Academy- is a game that easily met my expectations. It is an excellent strategic RPG, with an unusual story where mystery awaits at every corner. It is above all a game that communicates with its target audience. On several occasions I raised a hypothesis with myself that the game immediately raised, and on several occasions it exceeded my expectations, showing a very exquisite level of dialogue with the player.

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Performance issues on the Switch, poor controls, a slow story, and awkward physics are just some of the issues that prevent Rusty Rabbit from standing out in its genre. It's an atypical work from NITRO PLUS, who are used to dealing with visual novels, I understand, but I hope they absorb the criticism so they can do something above average the next time they produce an action platformer.

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The way both Lunar games use to tell their stories is really unique, even if it may be my first time playing them, I was deeply touched by their characters like Alex, Luna, Hiro and Lucia. With it's hand-drawn animation that compliments it's narrative, I hope more RPG fans give this franchise the attention it deserves.

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On Your Tail is an ode to the value of empirical experience and the importance of real-life experiences for the creative process, which is also a nostalgic coming-of-age about that vacation trip that was special for some reason, about how some experiences only happen once in a lifetime and about how certain memories will forever be just memories. Following Diana's journey is satisfying, and I believe that everyone can learn a thing or two from this game; however, recommending On Your Tail to Nintendo Switch players is a tricky thing to do, considering the terrible quality of the version of the game on the Big N's handheld.

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In a mix of many different ideas, Star Overdrive releases showing it's own identity, with an consistent experience and minor issues at all. On this great mixing, there's an small issue that limits the game of shining where it should.

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I really enjoyed playing Pocket Bravery on the Switch, both on TV and in handheld mode. But, aside from the occasional bugs and aesthetic decisions that somewhat weaken the impact, it's an excellent game and I really hope they explore more of this game in some sequel.

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There is no other game I have played that is like Xenoblade Chronicles X, whether in the good or bad aspects, the experience is unique. I loved the game much more playing this new edition, I still had some difficulties in understanding everything, of course, but I'm actually convinced that many of the issues maintained here are essential to make the game what it is. All it asks is that you dive headfirst into the experience and seek to explore the planet Mira to the fullest.

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The Croc remaster is the definitive version of a classic that was already very competent! The new version makes what was already a simple but charming game even better, with reworked visuals and a control scheme remade for the current generation.

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World-building is a really sensitive thing, and if not handled with due care it can ruin an entire story. From the moment any story sets out to present a minimally complex world that is much larger than the small space in which the entire narrative takes place, the writing must keep up with the greatness of that world, otherwise the entire pace of the story is compromised and the ending becomes frustrating because it isn't rewarding enough. For that reason, Battlefield Waltz ends up falling into the cliché of a generic medieval fantasy story, which I can only recommend to those who have a certain level of patience to follow these characters who save the game in a dull and uninspired setting.

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I had a lot of fun with KinikkuNeko: Super Muscle Cat; with some incredible japanese voicework and humor, the game got a few laughs out of me. It's a excelent game for its price point, but isn't as action heavy as other games of the same genre you'll find on the Nintendo Switch.

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Kemono Heroes is a very short but satisfying experience. With a creative visual design, a simple but effective progression system and a second run that reinvents the stages, the game manages to deliver a fun and challenging journey.

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I don't feel very good about saying this, but Shadow of the Orient fails in fundamental aspects of its execution that make it an experience that leaves a lot to be desired, unfortunately.

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Sorry We’re Closed is a survival horror that manages to show mastery in what it proposes and brings an impactful and bold context of emotional depth. The result is a fantastic game in its discussion and how it represents horror with new layers.

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