It's a polished, fun, and very interesting game from many perspectives. It's definitely impressive and demonstrates the team's full potential, giving me a lot of hope for their next game. Despite the harsh criticism in the last paragraph, I've played all of the company's games (even the promotional Fate/Stay Night) and I feel a tremendous affection for KROBON's career. My excessive criticism comes from a place of legitimate admiration and expectation, so I hope the reader still leaves with the following information: Drainus is a spectacular game, and worth your money.
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It's a good port, nothing substantial to complain about. It's a shame that I don't feel like it's a franchise that lives up to the explosive reception it had. They're simple and cool games, but the second one certainly leaves a lot to be desired. It didn't need to exist, it didn't add anything and its layer of fetishism in neuro-atypicalities certainly didn't complement the responsible and frightening discussion that the original brought.
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Shin Megami Tensei V is exactly what fans asked for: something new that deserved the numbered title, but still understood the root of what attracted people to the franchise since the first Super Nintendo games. Along with its extreme quality in gameplay, the game establishes itself not only as one of the best RPGs on the Switch, but also as one of the best of the generation. I feel that most of its mistakes arise precisely from the audacity that this game has in breaking away from the formula and I really don't mind them being there.
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No More Heroes III marks the end of the No More Heroes franchise. It is perhaps the only one in the franchise that manages to serve as a direct sequel to everything the first one did in terms of themes and language. Embracing incoherence, the trash and kitsch, Suda made a punk statement about everything he sees wrong with the art/spectator relationship, transforming this reality into a caricature. His most audacious and risky game since Flower Sun and Rain, it is easily misunderstood and criticized precisely for the flaws that Suda wants to expose to ridicule here. It is a story made to be hated, for being an ironic hyperbole of everything that is most horrible in the contemporary cultural market. The unfortunate thing is that No More Heroes 1 communicated this much better, making the existence of the third game kinda pointless.
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