Ultimately, this isn’t a game that’s trying to push boundaries. It’s creepy but cosy, with no real scares or lingering dread. The mechanics are solid, and for a five-hour experience, it’s excellent. Yes, it leans heavily on nostalgia, but that works in its favour. Life was good for me in 2001. I was four. My biggest concern was eating ice cream without it ending up all over my face. I don’t mind slipping back into that feeling every now and then. This game is great as it is.
This is an inventive and ambitious platformer built around a striking movement system that turns shooting into traversal, rewarding precision, experimentation, and patience once it clicks. Its colourful presentation, varied encounters, and flexible upgrade systems show clear confidence and creativity, but the demanding movement and uneven difficulty curve can make the experience feel more punishing than inviting at times. While Assist options help smooth some of those edges, Baseless remains a game that asks a lot of its players and will resonate most with those willing to fully commit to mastering its systems.
Windswept is a charming, nostalgic love letter to 90s platformers, packed with personality, collectables, and thoughtful mechanics. Its visuals, music, and fluid gameplay hit the sweet spot between homage and freshness. The difficulty spike in later stages may frustrate casual players like me, but for enthusiasts and completionists, it offers a rewarding challenge.
Cosy and creepy, Strange Antiquities is a solid and satisfying puzzle game. While it doesn’t push any boundaries and the narrative lacks the punch of its predecessor, it’s still a highly enjoyable experience for fans of the genre.