The combat system has been tweaked just enough to keep things fresh for Dead or Alive 6, but there is this niggling feeling that the budget just wasn't there for this game, which is unfortunate, because there are plenty of modes and great characters to enjoy. A few too many aspects stand out as sub-par, though, leading to disappointment for many that have been waiting so long for the next entry in this franchise. Still a whole lot of fun and worth at least trying the free-to-play version out if curious, but it may be best to wait for the likely Ultimate edition.
The Path Home ends Shadow of the Tomb Raider's season pass with a whimper. The tomb's main puzzle isn't as difficult as it comes across at first, and the whole act is over in a flash, wrapping up a plot point that very few will care about. Now that all is said and done, the asking price for the full lot of content just isn't worth it. Wait for a heavy discount.
Nothing special once again for the next in line in Shadow of the Tomb Raider's season pass. A simple battle and a different, but not overly difficult, tomb work to pass the time, with a handful of decent rewards on offer at the end. It still does nothing to light up what has been a very average set of download content, though.
With another platforming and puzzle area to tackle before the main tomb itself, this could have been something that topped maybe all of the previous DLCs for Shadow of the Tomb Raider. Instead, The Grand Caiman is over too quickly, despite the decent tomb embedded in the volcano.
Although the story arc isn't anything to get excited about, this is one of the better DLCs to have come out for Shadow of the Tomb Raider. The Price of Survival features just enough variety with enemies and puzzles to make it worth a chance on its own, but still doesn't quite make the full season pass tempting enough.
Still one of the most captivating visual novels of all time, but Steins;Gate Elite might not be the absolute best way to experience this wonderful classic. The animated segments add a whole new dimension to the way the story is presented, and it is seamlessly pulled off to create a quite brilliant interactive anime of sorts, but the lower quality of the character designs compared to the gorgeous original artwork from the standard version takes a bit away from it all. Not enough to lose the impact and engagement this new interpretation delivers, and it is still a sure-as-heck must-buy for Switch owners that have no other means to play this title, but some players wishing to see the fuller endings and with superior art may want to opt for the PS Vita version if they can.
Given this should not be played until after experiencing the full visual novel, 8-bit ADV Steins;Gate immediately finds itself in a difficult position, as it fails to enhance the original in any shape or form. This extremely condensed version of the story adds nothing of value, and only serves as a nostalgic method of revisiting the universe in a retro format...which still doesn't capture even a part of what makes the characters and its world so special. It's just as well this is a freebie with Steins;Gate Elite orders, because it would be hard to argue a case for parting money with for it. Whatever you do, don't play this before the visual novel. No one deserves to have the real adventure spoiled by this pointless, but harmless, retro abridged version of events.
Other than porting BlazBlue: Central Fiction to Nintendo's platform, this seems to be minimum effort on Arc System Works' part.
Made out to be something bigger than it is, The Nightmare fails to deliver once again in what is a recurring theme for Shadow of the Tomb Raider's download content. The Croft Manor sequence could and should have been something much more than it was, and the tomb is another short and simple challenge. There are always signs of something good in each of these DLCs, but none have added up to anything great yet.
£3.99 might not sound like much, but it's still overpriced for what is a really boring bit of content, with a Challenge Tomb that isn't on par with some of the ones from the main adventure. It is over far too quickly, but the Time and Score Attacks and ability to tackle it through online co-op add some reasons to re-run.
Despite starting stronger than the previous DLC, getting right into the puzzling and platforming action, The Pillar doesn't really feel like a Challenge Tomb. It's more like a challenge leading up to a tomb, which is followed by some minor combat areas. Perhaps these additional missions really are going to be much smaller than many would have anticipated.
There is more bang for the buck in Super Smash Bros. Ultimate than almost any other game - especially fighting games - since, well, probably the last Smash Bros. When you start lamenting a lack of new stages, hardly any extra music tracks from certain franchises, and a scarce amount of adventure cutscenes, you start to sound overly picky when there are nearly 900 songs, over 100 stages, and the solo quest is over 20 hours long. When so much of what's in a Smash game has been seen before, though, can a fan be blamed for expecting just a bit more? There always seems to be areas that Nintendo doesn't quite expand on - and with the removal of descriptive Trophies whilst using copy-pasted official art for Spirits, and the absolutely pitiful online mode setup and features contained within, it's difficult to say that this really is the ultimate Smash game. Regardless, it is a fantastic celebration of not just Nintendo, but video games in general, and it will provide months, if not years, of both solo and multiplayer mayhem.
At $99.99, this is a hefty sum for the only way to get Persona 4 Dancing on PS4, but considering the entire package as a whole, the three rhythm games do provide a good deal of content...even if the entire track selection and remixes aren't top tier. There is some good stuff here if you can deal with the poorly-designed gameplay interface, but only the most enthusiastic of Persona fans will want to fork out for this collection.
Short but sweet perfectly sums up Luigi's haunted quest. Very little has changed in the transition from GameCube to 3DS, except for slightly inferior visuals and way worse controls...unless using the Circle Pad Pro. With the added benefit of the attachment, Luigi's Mansion plays exceptionally well, and is an enjoyable, if easy, romp through the spooky mansion that really kicked off Luigi's gaming career.
A consistent triple whammy of 3D collectathon platforming remade with extreme care and faithfulness to the original material. Spyro Reignited Trilogy plays well, looks fantastic, and is rarely an overwhelming or difficult set of adventures, with small worlds that are simple to conquer and ideal for a younger audience. By the time of the third game, things are a little more gimmicky, and there is a repetitive nature about the constant running around and collecting, but these colourful platformers still manage to deliver real delight if you try not to blast through each game one after the other.
Maxima provides a good reason for players to return to World of Final Fantasy, but only really because of its extra bosses and dungeon. The rest is really just minor nostalgia-driven content, which does fit in well given that's what the game is built around. The avatar change system is neat if only to use fan-favourite characters in battle now, and might provide some new set-ups for bosses, but don't expect much in the way of cut-scenes and major roles for the new champions. Taken as a whole, still one of the better Final Fantasy games in many years, but Maxima as an upgrade is only worth it for the title's biggest fans.
It is great to finally see the Taiko series released in Europe, even if it is at the cost of having the drum kit available to play it with...which was kind of the whole big selling point of it all. Without having the drum to test out, it is difficult to tell if Taiko no Tatsujin: Drum Session! is an inferior game without it, but it is still most definitely a fun rhythm title in its own right with the regular controller. With only a few note types - and, therefore, buttons - to remember, this is simple to pick up, and the support options make it highly accessible to rhythm casuals. The higher difficulties and plentiful options to add handicaps allow experts to test themselves freely, too. For a very Japanese themed rhythm game that is chock-full of tracks, Drum Session! is well worth a beat.
It is more of the same for Valkyria Chronicles 4 - and that's no bad thing. Going back to what SEGA did best with this series following the awful Revolution was really all that was necessary, even if it might feel too familiar if coming off of playing the first game recently. Comic book visuals, a story based on World War II, appealing anime-like characters, a mix of overhead and third-person strategic and real-time gameplay - there are so many crazy ideas melded together, and yet it all comes off so well. There still isn't a series much like it.
Episode 1: Roads sets Life is Strange 2 up for potentially great things, but the entertaining moments are extremely fleeting in what is clearly intended to be an emotionally-driven adventure that works to set the tone for what is to come, with particular value placed on the story of brotherhood. The supernatural element at play as the main plot device is interesting, but it again only works to serve as a teaser for what is lying further down the road for the brothers. Not as gripping as season one, but this short episode does its job.
It is so difficult to recommend Warriors Orochi 4 right now when the series has made a name for itself through re-released games with added story content, characters and modes. Why would this title be any different? The main story is an enjoyable enough ride for hack and slash fans, but that's really all there is to it (unless you have an online subscription and want to battle with friends). Just wait for the inevitable ultimate edition in a year's time.