Maurice Pogue's Reviews
Antigraviator is the kind of game that does not necessarily do anything new, but happens to perform all the old tricks that one would come to expect from an anti-grav racer with aplomb.
wipEout remains the most renowned of futuristic racers, delivering AAA-tier visuals and similar gameplay. Yet time will tell how much pedigree alone will suffice in the stead of innovation.
Aragami upholds the expectations of the now-retro franchise from which it was inspired, but struggles to exceed them.
Raging Justice a decent game for refreshing memories of the beat 'em up, but offers little depth in the long run.
While Ubisoft's FPS formula is beginning to show its age with gameplay and mechanics that are too familiar for comfort, encasing the package with an exigent theme such as religious zealotry makes all things (seem like) new.
Easy to access, difficult to master, if the difficulty curve is not a deterrent, the persistent will find some fun to be had with Wizard of Legend.
If Null Vector's purpose is to appeal to those who hold nostalgia in high regard, then I would consider this retro shooter a positive outcome.
Realistic shooting mechanics in a top-down area, enemies whose ferocity scales over time and the anticipation of opening weapon and item chests like a child on Christmas makes for a formula experience that is sure to have gamers return frequently.
Distortions is a game reminiscent of an era when "indie" was a euphemism for "subpar." While I am pleased that that time is long past, this game did not get the memo.
Guns, Gore, and Cannoli 2 is a step backwards for an IP that premiered as an excellent tribute to games like Metal Slug. The modifications to its successful formula reduce what was once great to something that is merely above average.
After the seminal FTL: Faster Than Light, Subset Games eludes the so-called "sophomore slump" by contributing yet another extraordinary touchstone in the gaming industry, Into the Breach.
Tesla vs Lovecraft does not seek innovation within the SHMUPs, but instead, aims to merely contribute to the genre with modest features and boundless levity, and it hits the mark.
Fe is a masterpiece in the adventure genre the likes of which the gaming industry sees about once per generation.
Those craving for some FPS nostalgia need to look no further than Dusk, which mercifully offers its thrills at break-neck speed.
I Fell from Grace forego modern gaming amenities at the risk of alienating contemporary gamers in order to faithfully adhere to the classic adventure genre, resulting in a harrowing, mature enterprise that will require perseverance to experience in full.
20XX is an adequate Mega Man clone that will almost make fans of the blue bomber forget that he has been MIA.
Dungeons III is a charming hommage to WarCraft III that eschews the stress of RTS micro and macromanagement with a smooth simulation interface and leisurely combat.
StudioMDHR Entertainment could not further increase the quality of Cuphead if they resurrected Walt Disney and had him pencil the animations himself, or have Bach compose the OST. The game is that gosh-darn good.
Hover: Revolt of Gamers is a humbling lesson in setting expectations versus what comes into fruition in reality. Disappointment is the end result.
Oddly released within a similar window of its direct competition, Wipeout, Redout manages to offer its own brand of break-neck racing, exceeding any possible pretenses of appearing as mere imitation.