Joseph Meli
The title of 'Killing Floor 2' really says it all. Tripwire Interactive brings the FPS back to its most primal level, creating a ludicrous arcade-style bloodbath in an era of deeper, more thoughtful narrative-driven shooters. That approach ultimately proves to be refreshing; while more variety would have pushed the game over the top into "truly great" territory, what 'Killing Floor 2' does offer is undeniably visceral entertainment. And while the wave-based action is plenty of fun on its own, the perks system kept me coming back to upgrade my character and face even deadlier threats.
With a high level of difficulty and a pixelated aesthetic, 'Exile's End' is an affectionate tribute to a decidedly different era of gaming. My time with 'Exile's End' was decidedly mixed, although I must admit I'm not in the target demographic of players that really enjoy this type of experience. I admired the visual and sound design for creating some truly creepy environments, and for serving up a loving tribute to the Commodore 64/Amiga era, but I was left a bit more cold in the gameplay department. Getting lost in expansive, empty 2D maps isn't exactly my idea of a good time, and I've never been one to get terribly excited about "old-school" difficulty. With that said, fans of this sort of isolated retro experience might get a real kick out of Marvelous' take on the genre.
My first moments with 'Pixel Gear' were satisfying, to say the least. I immediately enjoyed the simple appeal of looking around, aiming and shooting in VR, which feels like the logical evolution of the classic light gun games of years ago. Unfortunately, there just isn't much depth to be found here. Though there are four difficulty settings, the three available levels just don’t feel all that different from one another.