Visually, Front Mission 3: Remake is a sideways upgrade. You have fully 3D maps and environments and higher-res models than the PS1 version, but the upgrade is rather lackluster. In some cases, I preferred the PS1 design for the Wanzers to the Remake's version. I also found the map a tad harder to read at times, since enemy mech designs would sometimes slightly blend into the background. It looks far better on high-resolution screens than the blurry and pixelated PS1 version, but I think the art design took a hit. The music is quite good, offering both the original soundtrack and a new remastered modern version that did a good job of remixing the music.
Death Stranding 2: On The Beach is an improvement over Death Stranding in almost every way I can think of. It's larger, full of more things to do, and generally a more enjoyable experience. The plot is crazier than ever, which might be a plus or minus depending on your tastes, but if nothing else, it isn't boring. The only complaint I can think of is that the game is perhaps a touch too easy at times, and even that isn't a huge problem. If you liked the first game, it's very easy to imagine you liking the sequel. Just be prepared for things to be as unfathomably ridiculous as possible at every turn.
Bravely Default Flying Fairy HD Remaster is a solid remaster of a genuinely amazing game. While not every change is for the better, almost all of them are understandable side effects of porting a game between systems that have very different capabilities. All of Bravely Default's strengths are still present, and if you're a fan of Final Fantasy V or Octopath Traveler, then you'll find a lot of those games' high points present. I would've liked to see more of an upgrade to the game's final quarter, but even with that, Bravely Default Flying Fairy HD Remaster is still one of the best RPGs on the market.
Overall, Yakuza 0: Director's Cut is a solid but unexceptional port of a phenomenal game. It runs smoothly, plays well, and is a ton of fun from start to finish. However, the new content adds nothing to the game, and if you already own Yakuza 0, then there's no major reason to pick it up again. However, if you're interested in learning about the franchise or if you've only played the recent RPG-like entries, Yakuza 0 is by far the best starting point for newcomers. The unnecessary extras don't prevent it from being arguably the high point of the entire franchise and well worth playing if you're curious about the Like a Dragon/Yakuza titles.
Overall, Rune Factory: Guardians of Azuma is a very solid spin-off of the franchise. It does a good job of capturing what makes the Rune Factory games enjoyable while throwing enough twists and turns into the mix that it doesn't just feel like Rune Factory 6. The town building is engaging enough that I worry that a Rune Factory without it might feel lacking now. The combat is solid but simple, and the cast is likable but not super special. Only the general poor performance drags down the game somewhat, but fans of the Rune Factory franchise should find a lot to like.
Elden Ring: Nightreign is sure to be a divisive entry in FromSoft's catalog. It isn't the Elden Ring sequel that people might want, and it isn't necessarily a game that will appeal to those who love Souls titles. It's a weird, experimental concept grafted into the skin of a different game. It's an engaging and enjoyable game to play, assuming you meet it halfway. The core mechanics are strong, the boss fights are fun, and it's an enjoyable game. If you've ever wanted to see what a more multiplayer-focused take on the genre is like, Nightreign shines, but those looking for a single-player experience will want to look elsewhere.
Overall, Fuga: Melodies of Steel 3 is the strongest game in the franchise to date. While the plot is more over-the-top than the first game, it creates a far more compelling and interesting narrative to the sequel, while also expanding and building upon the many gameplay improvements. The combat system has never been better, and the mechanics have been polished to a sheen. It has flaws, and not all the plot points are going to work, but it's proof that CyberConnect knows how to keep players invested in the franchise.
Monster Train 2 is pretty much everything a sequel should be: bigger, better, more refined, and more fun to play. Some of the mechanical changes are more akin to sideways upgrades, but even then, I preferred the new way once I got used to it. There's so much genuine enjoyment to be had with the game that I could barely put it down and stop playing. If I didn't have other titles to move on to, I would probably still be playing Monster Train 2. Fans of the original or fans of roguelike deck-builders will find a lot to love, and it's easily a must-play for fans of the genre.
Onimusha 2: Samurai's Destiny is a strong update to a good game. It adds all of the polish and updated features I had wanted. Most of the problems I have with the game are ones that were true of the original release, too. It's a darn fun little follow-up to Onimusha: Warlords, which expands the gameplay without losing the fun feudal Japanese Resident Evil vibe the franchise has always had going for it.
Deliver at All Costs is a wild ride for a variety of reasons. The difference in tone between the story and the missions creates a strange, disconnected experience that makes the game more intriguing than off-putting. The gameplay is solid, with the mission forgiveness and leeway for creating mayhem being the real highlights. The extreme destructibility is simply an added bonus. The presentation may be a tad flawed in places, but it's still good enough to make this a pleasant experience, especially since the game doesn't last so long that the concept starts to feel stale. Deliver at All Costs is a fun game overall, and it's well worth checking out for those looking for something a bit quirky in their sandbox experiences.
Doom: The Dark Ages is a welcome attempt to reinvent the most iconic shooter franchise of all time rather than sticking with what had previously worked. Some of the changes work, and some don't, but for the most part, the gameplay is extremely fun, even if it didn't hit the highs of Eternal. An extremely weak plot, some feeble side mechanics, and a somewhat underwhelming soundtrack drag down things a tad, but if you enjoyed Eternal and 2016, then The Dark Ages still has a lot of fun in store for you. Just be prepared to parry like you're playing Metal Gear Rising.
Mandragora: Whispers of the Witch Tree is a game with a ton of potential that suffers from feeling half-baked. The first five to 10 hours of the game feel fantastic, and after that, it seems to suffer from being rushed and unpolished, culminating in a particularly lackluster final area and boss. The bones of a fun game are there, but there are enough flaws that it's worth waiting to see how it looks after a few patches.
Clair Obscur: Expedition 33 isn't just one of the best RPGs I've played in ages. It's an easy contender for game of the year. It shines in every area, and any complaints I had were nagging at best. Whether it's the compelling story, exciting gameplay, or beautiful soundtrack, no area of the game felt lacking. If you're a fan of RPGs, you really owe it to yourself to give Clair Obscur a shot.
The Hundred Line: Last Defense Academy is an absurdly ambitious, delightfully over-the-top and genuinely enjoyable game to play. It captures the same raw insanity of Danganronpa but has a level of raw excess that makes it stand out from the shadow of its big sibling. It does have missteps, including some content which is a tad too uncomfortable for its own good, and the RPG elements end up subsumed by the visual novel gameplay, but if you're a fan of Danganronpa, then this spiritual successor is well worth a look.
Indiana Jones and the Great Circle is about as ideal of an Indiana Jones experience as you can hope for, and it's easily one of the best adaptations of a film franchise. It captures everything that made the best parts of the franchise shine, while avoiding the pitfalls and missteps of its weaker parts. It's a love letter to everyone's favorite whip-wielding, fedora-wearing adventurer, and the game shows why he still has a place in video games, even among the Nate Drakes and Lara Crofts. Only some slightly weak stealth elements bring down the game a tiny bit. It's a cliché, but ... well, this game belongs in a museum.
Lunar Remastered Collection is exactly what it needs to be: a comfortably nostalgic revisit to a comfortably nostalgic pair of games. Neither breaks the mold, but they remain charming and fun enough that they don't overstay their welcome. The remastering is done with a light touch, and there are times when I wish it had gone further, particularly with the translations. It does well enough to make it the best version of the games to pick up. Sometimes you just need an adventure, and Lunar delivers that in spades.
Overall, Promise Mascot Agency is a charming combination of small-town drama and Yakuza crime politics. The absurdity of the setting gives it a flavor all its own, and it neatly threads the needle between ridiculous and serious. The actual gameplay is by the numbers and mostly serves as a delivery vehicle for the story, but it does well enough. If the game sounds appealing, you'll enjoy it quite a bit. Just make sure not to tick off Pinky. She's scary.
Everything about The First Berserker: Khazan is entirely competent. It's a fun and well put-together Soulslike that would serve well as someone's first dip into the genre, especially if the stereotype of high difficulty usually frightens them off. At the same time, Khazan doesn't do anything particularly new that makes it stand out from the crowd. This isn't necessarily a problem, especially if you're a fan of the DFO universe, but it means you need to be in the right mood and mindset to play Khazan.
Overall, I really like most of the changes in Atelier Yumia: The Alchemist of Memories & the Envisioned Land. There are a number of rough spots that keep it from being perfect, but it's a very solid attempt at shaking up the franchise without losing what makes it successful. I can see it being a controversial entry in the franchise due to the shift in tone and gameplay, but it does a lot of things right. I had a great time wandering around, collecting items, and crafting items and weapons. In general, it felt like I was on an adventure. It might not be the Atelier I was used to, but it was plenty of fun.
Knights in Tight Spaces is a very worthy sequel to Fights in Tight Spaces. Not every new gameplay mechanic hits the mark, but there are enough fresh cards, fresh features, and fresh concepts to make it a genuine delight to play. The party opens up a whole new degree of freedom, and creating a Rube Goldberg machine of chained attacks is fun enough that it could be a game all on its own. Besides, who doesn't like hitting evil skeletons with lightning?