Uncharted 4 is one of the best action game ever created. The story doesn't have the same emotional impact of The Last of Us, but it bravely focus on the characters and their relationships. On the other side the tension, the diversity, the pace and the aesthetic value of Nate's last adventure is something we never experienced before.
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Exaggerated, violent, ruthless. Bethesda and idSoftware took the essence of the shooters you played in the 90s and rewrote it with a modern language. DOOM is an unstoppable FPS, with a bloodthirsty single player campaing and a solid Multiplayer, unfortunately showing some balancing problems.
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The new Homefront does not excel in any field, carrying the wounds of a troubled development. The gameplay is too rough, the AI unrefined, the campaign very short (unless you get involved in the tedious subquests). The biggest fault of The Revolution, though, is the decision to re-write the setting, trivializing the impressive work that John Milius did for the first chapter.
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There is no way to justify TMNT: Mutanti a Manhattan: the combats are noisy and puzzling, it looks like the system has been made to confuse the players, and it keeps reminding how shallow the game developing has been. The few good aspects just fade away in front of its low-level production.
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It looks like Burning Blood has been conceived for the original series fans to to have thrilling challenges against the CPU, in which they can appreciate the the great number of special moves and spectacular techniques. The game presents a rather concentrate main mode and not so interesting secondary options.
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Catalyst is not a flawless reboot, but it remains a very deep experience, filled with well-designed quests and interesting secondary activities; most of all, the game takes advantage of the environment in a clever way, making it strongly interactive for the players.
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There is no reason for you to play Umbrella Corps. There isn�t if you�re a shooter game fan, because there is a low number of options and contents, and the online infrastructure is unstable. There isn�t even if you�re a Resident Evil fan: the only association to the series is the map design, that resembles some of the places of the main chapters.
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Kinect has been an unlucky device. Fru is a real masterpiece, a brilliant game everyone should try and share. Through Games delivers Kinect's Killer App: too bad they are few years late.
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Ghosbusters is the perfect recipe for boredom. There is nothing wrong in its basic mechanics, but the pace is soporific, the level design is too linear, and the situations are the same over the entire course of the story. It is, in the end, a gaming monster to flee from, no matter what.
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Abzu is an interactive exposure of wonderful underwater nature, concentrated but memorable. However, the game is still missing an important message, a sort of subtext that can impress the player. It remains an important debut for a young team that will be able to achieve great things, with a little more experience.
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An effective style and a good pacing. Nnot all scenes are built with the same attention, but the main character models are wonderful, and the plot seems to have a dark twitst we are eager to explore.
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The overall structure of Brut@l is well designed, and procedural generation of the dungeons is good enough to present sufficiently varied floors. Unfortunately a the combat system is soporific and too simplified to entertain.
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A solid but not excellent puzzle game. The Turing Test is a nice title, with interesting puzzles and an enigmatic story. Some rooms are complex and compelling, but at the end of the adventure truly memorable puzzles will be less than expected.
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Champions of Anteria is based on an excellent idea but has too many structural problems. It is, in the end, a two-faced product, divided between a good strategic section and a boring action phase.
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Children of Arkham begins with a couple of great scenes and an interesting plot twist. Unfortunately the central part of the episode doesn't work that well. The QTE-Based fights are dull, and the investigative component which had been one of the distinctive trait of the first episode is completely missing.
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Rise of the Tomb Raider remains an incredible product for action/adventures fans. The twentieth anniversary edition is obviously the most complete: there are four additional mini-adventures, which extend the game experience, focusing on the figure of Lara, and playing with the emotional value of memories.
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Mafia 3 will divide the audience; it's forced to live halfway between the technical problems and the excellence of a truly overwhelming narrative.
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PlayStation VR Worlds is one of the least interesting launch titles for PlayStation VR. And not because the five experiences it contains are poorly developed. Yet, their brevity almost disarming, and in the end it's impossible to feel satisfied by a collection of tech demos.
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The Playroom VR is a preliminary experience to Virtual Reality, perfect for the families and for younger players, but also fun to try out with a group of friends. Unlike PlayStation VR Worlds this "anthology" can be downloaded for free, and there isn't any reason not to install it.
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Batman Arkham VR is the first experiment of Rocksteady in the field of virtual reality, a successful attempt to get closer to this technology and to explore its expressive possibilities. The experience is really short, but the game has many other qualities. The graphics are among the best in the launch line-up of PlayStation VR, and the game shows excellent gameplay ideas, and a dynamic storytelling stitched around the player's movements.
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