Resident Evil 7 goes back to the origins of the series: a game which preserves the legacy of the first trilogy. Resident Evil 7 is a masterpiece, an infernal trip full of terror and fear.
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Link's biggest adventure turns a blind eye to some technical insecurities but bets everything on an inimitable style, a perfect mix between fantasy and fantastic, perfect incarnation of a thin and modern fable.
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This second DLC is a great add-on which concludes the 'Souls Saga' made by Hidetaka Miyazaki. With a stunning art design and a lot of new enemies, weapons and bosses, The Ringed City is the perfect ending of an incredible series.
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Episode Gladio is a problematic DLC, too short, linear and easy to complete. Gladio's adventure shows all the plot holes of Final Fantasy XV and isn't worth its price.
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Yooka-Laylee is fun, but it is rarely brilliant; it's pleasant, but not always memorable; and never reach or surpass the glorious masterpieces othat inspired the team.
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Starblood Arena is a competitive VR game that proves to be fun and well-developed, similiar to EVE or RIGS. However, the game features few maps and game modes.
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Little Nightmares is a fascinating game. Its style, atmospheres and environments can be quite creepy and it also features some disturbing situations. However, the game doesn't satisfy the player's curiosity, leaving them unfulfilled.
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Prey ends up being much more than a mosaic: thanks to its narrative, and the mobility of a gameplay that constantly evolves for the more than twenty hours of the main adventure, the game leaves a trace that ends up being unique.
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Presented as the first blockbuster for PlayStation VR, Farpoint is an interesting title. The game starts brilliantly, astonishes the player thanks to an unexpectedly pleasing tale, and shows an impressive use of the PlayStation Aim. Being an peculiar combination of an FPS and on-rail shooters, the gameplay works very well, but Farpoint loses grip in the last part of its adventure. It runs too fast, renounces to present original and interesting situations, but also to narrate a strong and convincing ending.
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The idea of soulslike ready to approach dystopian science fiction was not only intriguing, but potentially winning. The incipit of The Surge clearly shows a great potential: despite some flows in the combat and growth systems, the game still manages to capture the player, awaken his curiosity. Unfortunately, too much of this potential is lost, due to a bad level design, poorly inspired environments, and a distressing lack of contents.
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A beat'em up of its own kind: ARMS is more than a motion controlled fighting game; is a brilliant new IP, an original take on the genre, and yet another impressive game for the Switch line-up.'Some extra game modes would have been appreciated, but we remain quite confident about the post-launch support.
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Yonder is a game based on crafting and exploration, it has clever mechanics, but it's never exciting. It's a good starting point for the developer team, which will, eventually, express its creativity in a better way.
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Forza Motorsport remains one of the best racing games on the square. Turn 10 has managed, in recent years, to perfect all aspects of its franchise, which finds its excellence in the balance of the driving system. Of all the "simcades" available at the moment, Forza Motorsport 7 is the most dynamic and malleable, capable of enhancing both the realism of driving sensations and accessibility.
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Legitimate heir to Super Mario 64, Odyssey recovers its canon, structure and rhythms, and enhances them thanks to a brilliant modernization operation.
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Like all fragile and rare creatures, Shadow of the Colossus is also an endangered species. The only thing we have to do, as players, is work to save it from extinction.
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God of War has changed. This new Nordic chapter transforms the series into an impressive action/adventure, rediscovering the value of exploration. Yet the soul of God of War is still there: and emerges, in all its imperious power, during the brutal fights and the violent clashes. As the main story progresses and the optional contents unfolds, God of War affirm itself as one of the most dense, surprising and rich adventure of the last three generations.
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State of Decay 2 continues in the footsteps of its predecessor, broadening and smoothing out a decidedly winning formula. Although some of the features of the title of Undead Labs have made school (coming to "infect" even unsuspected productions like This War of Mine), the title remains a unique product of its kind. An open world structure and third-person action gameplay blend with role-playing and management elements, creating an intelligent and effective mixture. The real strength of the product, however, lies elsewhere: in the ability to generate an emotional bond between the player and the characters of his community, each committed to surviving the horror by remaining attached to their ideals, their passions, their personality.
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Yoku's Island Express is one of those titles to be valued without reserve, hoping to send a message to the market and the development team, and to have an ecosystem populated by less approved and braver projects.
Red Dead Redemption 2 is the most ambitious open world ever made. A new starting point for the genre, and an incomparable masterpiece.
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Darksiders 3 is a stable title but far from sublime, full of good intentions but partly ravaged by a vision not completely in focus.