Stephen del Prado
Harmonix has always been a studio whose love for music infuses every title they’ve had a hand in. Fuser feels like the first time they’ve finally found a way to guide players towards engaging with said music on a deeper level than other rhythm titles, but in the process may turn away anybody who solely desires to recreate songs on plastic instruments or is hell-bent on chasing high scores while notes drop at blistering speeds.
It was a gamble on Sega’s part to make such major changes to a tried and true formula, even more bewildering given its recent meteoric rise in Western markets. If Yakuza: Like A Dragon proves anything, it’s that fortune does indeed favour the bold.
It’s a refreshing change compared to other entries I’ve played in and around the genre and one that ensures I’ll keep coming back to Descenders regularly for the foreseeable future. After all, a few more runs and I might just be able to make it through the forest completely unscathed.
SpongeBob SquarePants: Battle for Bikini Bottom Rehydrated seems directly targeted at those with a real nostalgia for the original game. Improved visuals and audio aside, it’s hard to recommend to a new audience when the platforming genre has had some truly outstanding remakes these past few years, let alone new entries.
Tripwire has crafted a fantastically balanced experience that knows when enough is enough and is genuinely funny, something many games aim for but so few succeed in reaching. Maneater is an ideal palate cleanser for those suffering from ‘open-world’ fatigue and, despite its perfect size, still left me wanting more.
There is quite frankly an overwhelming amount of content in Warriors Orochi 4 Ultimate – while those upgrading from the base game may find it difficult to justify the cost outside of Infinity Mode, there’s no question that anybody tossing up between the base Orochi 4 and Ultimate at this point should absolutely go with the latter.