Ori and the Will of the Wisps does everything that a good sequel is supposed to do. It refines The Blind Forest's mechanics, expands on the world, and throws in a whole bunch of new moves and concepts. But in an era that's rich with "emotional platformers," Will of the Wisps doesn't do anything to make itself stand out. It's a fine, if not forgettable, experience.
As long as Doom Eternal didn't stray too far from its predecessor, it was going to be a good game. But id Software comes surprisingly close to muddying everything with new mechanics. The flamethrower and rechargeable chainsaw give you more options during battle, but they can also feel like unnecessary additions. Still, a deeper lore, a banging soundtrack, and plenty of demons to gib leave Doom Eternal in a happy place—relatively speaking.
Nitrome's signature is designing increasingly complex levels out of the most basic gameplay mechanics, and Gunbrick: Reloaded shows how well that formula can work—even when that mechanic is as simple as counting.
Maneater constantly blurs the line between sadistic mass murder simulator and clever satire, while also managing to be as fun as any human-based open-world game. Chris Parnell's narration can get a little repetitive, as can the missions, and the camera could use a little work, but it's all a matter of context. It's a wild reversal of ego, an experience that is both completely freeing and oppressive at the same time. Stare into the dead eyes of the shark, and the shark stares into you.
PGA Tour 2K21 is probably one of the best-playing golf sims of all time, and yet I can’t get rid of this nagging feeling that it maybe doesn’t go far enough in establishing itself as a major sports title.
Tell Me Why might be smaller in scope and less mechanically complex than Dontnod's Life is Strange series, but it's just as emotionally impactful. It's a compelling story with relatable, complex characters, and yet another example of Dontnod's unbeaten ability to make players feel something, anything, in a medium that's increasingly more mind-numbing.
Spelunky 2 rests on the laurels of its predecessor, and that's not necessarily a bad thing. It still retains all of the gameplay mechanics and level design that made the original such a satisfying experience. But as a sequel, Spelunky 2 feels a little too scared to expand its horizons. For a game that's all about taking risks, Spelunky 2 is surprisingly risk-averse.
Mafia: Definitive Edition is the best of both worlds. Its updated graphics bring Lost Heaven and its inhabitants to life without burdening them with modern game design elements. While the characters themselves haven't aged as well, Mafia: Definitive Edition, though based on a game that's nearly 20 years old, feels more refreshing than most open-world games.
Watch Dogs: Legion pushes through Ubisoft's generally noncommittal attitude towards storytelling and exploiting current events to create something that feels like a genuine shift, or at least the prototype of that shift. It might be a sloppy game in many regards, but Legion offers a novel way to experience an open world, with its interconnected NPCs and the introduction of permadeath to the genre.
Hyrule Warriors: Age of Calamity ingeniously translates The Legend of Zelda: Breath of the Wild's world, style, and gameplay into the Warriors formula, and fans of both series will be extremely satisfied with how both are reimagined here. But if you were expecting a more straightforward prequel that truly mined the tragedy of the war against Calamity Ganon, instead of relying on tired tropes like time travel, you might be left a little shell-shocked.
Super Mario 3D World + Bowser's Fury is the Wii U port that Switch owners have been waiting for. Besides the inclusion of online multiplayer, 3D World is the same good game that players already experienced on the Wii U, and fans of the series who missed it the first time around will enjoy its hybridization of 2D and 3D Mario gameplay. But the highlight of the package is Bowser's Fury, a scaled-down but surprisingly robust mini 3D Mario game that actually takes some chances.
Twelve Minutes fully embraces its time loop conceit to amp up tension and provide players with a cleverly directed puzzle to solve. Discovering the whos and whys of the game's central event in bite-sized increments is just as satisfying as interacting with its simple adventure-style interface. Its A-list casting and unanswered plot elements might distract from the overall package, but at its core, Twelve Minutes is a satisfying thriller that asks some dark and disturbing moral questions.
No More Heroes III brings back gaming's favorite passing assassin in a bombastic way, with the kind of inventive, fourth wall-breaking presentation one might expect. It's flashier, bolder, and even funnier than its predecessors, and the gameplay feels just slightly modernized without sacrificing any of the series' charm. The pacing might seem a bit halted in some places, and it could have worked best as a capstone to the series, but it's clear that creator Suda51 and the rest of the designers are just as passionate about the Garden of Madness as ever.
Alan Wake Remastered does what a good remaster should. It honors the original game's artistic direction while enhancing it with modern technology, specifically in the form of volumetric lighting. Its lack of American Nightmare as part of the package is disappointing to say the least, but fans of Remedy's current work would do well to take a trip to Bright Falls, whether they're returning or visiting for the first time.
Halo Infinite handles the burden of the franchise's long history gracefully. At times, as with the campaign's story, it can feel like developer 343 Industries is weighed down by Master Chief's Mjolnir armor. But Infinite's bolder design choices, like its open-world environment and Grappleshot, make it feel exciting and new. The multiplayer might play it a little safe to appease longtime fans, but if the worst thing you can say about it is that it feels like old-school Halo, then it's doing something right. It's Halo made for Halo fans, but there's enough novelty to keep it feeling fresh.
Kirby and the Forgotten Land does pretty much everything it needs to as the pink puffball's first 3D adventure. Clever level design and the appropriately named Mouthful Mode show that Kirby's floating, sucking ways can work in a 3D space. Forgotten Land might not reach the highest heights of Nintendo's other first-party adventures, but it definitely shows that Kirby can hold his own in a three-dimensional arena.
Sniper Elite 5 is the best game in the series so far. Its intricately designed levels, deep weapon customization system, and satisfying gameplay offer hours upon hours of entertaining ways to kill Nazis. After five games, the game's story and character development still feel too underdeveloped, making every mission blend together in an unending series of contextless kill cams and gravelly voiced one-liners, but if you don't care about any of that then you will still find a lot to enjoy.
As Dusk Falls is exciting, beautiful, and heavy-handed. Its more streamlined approach to narrative gameplay and its less traditional art style create an immersive experience that engages with the player's imagination. That it can work both as a morally challenging single-player story and a party game for multiple players speaks to the confidence that its developers have. But its second half of the story undercuts some of the tension that its excellent first half builds, and a terrible cliffhanger might leave you feeling betrayed.
Cult of the Lamb is two games in one. Part roguelike, part management sim, neither of the halves feel totally fleshed out on their own, and provide little challenge. Still, the synergy between the two halves is undeniably compelling, and the art style is infectiously adorable, giving you enough reason to play through one more in-game day, and then one more, until you've been awake for an entire out-of-game day, feeling totally brainwashed.
Scorn is a daring aesthetic experiment in virtual, interactive science fiction. Taking inspiration from the art of H.R. Giger and Zdzislaw Beksiński, developer Ebb Software seems hellbent on giving its players a surreal, nightmarish experience, and it mostly succeeds. While combat can feel like a secondary concern, Scorn's puzzles provide just enough challenge to keep the game from feeling like a "walking simulator." Really, though, the main attraction is Scorn's compelling world, a fully realized artistic vision that will haunt you for days after experiencing it.