Darren Nakamura
It's not a must-buy, not even for platformer fans, but it's a cute little game that most people can find some fun with.
On the surface, The Beginner's Guide is a game about game design and critical analysis. Digging deeper, it provides a window into the mind of a man I might not have fully understood otherwise. It does all of this in a way only a video game could. More than anything else, it has caused me a lot of introspection, a feat few games ever achieve.
There is some hope for this series to be great in the future, but The Order of the Stone is just okay. The Minecraft-specific gameplay is a nice way to shake up the usual formula. The blank slate of the universe allows the tale to go wherever it wants. The voice cast is full of actors who can do great work. But the writing needs to be more engaging if Story Mode wants to be taken seriously among Telltale canon.
I wouldn't be surprised to hear some may abandon it before finishing due to its difficulty, but I also wouldn't be amazed to see diehards pop up, going for the no-death and the 100 percent runs. For me, I'm totally happy with my single playthrough.
This last episode maintains the action, drama, and comedy present throughout the series. It ties up all the major loose ends while leaving just a hint of room for more to come. Most of all, it solidifies Tales from the Borderlands as Telltale's best series to date, a pinnacle of modern adventure gaming.
There is some hope for the future of the series, as Assembly Required has planted some interesting seeds of what's to come, but it's not quite there yet.
The Ice Dragon caps off a year of fretting and worrying. Telltale's take on Game of Thrones has been spot-on in that regard. Now that it's over it's almost a relief, even with a bleak end.
I'm not chomping at the bit to keep playing, but I am curious to delve deeper. Different combinations of explorers can beget different tactics both in and out of battle. That thought alone is enough to keep me from uninstalling it.
Perhaps it's unfair to compare Minecraft: Story Mode to Telltale's more adult-oriented series. This is built for a particular demographic, and it seems like it's really hitting with that audience. The Last Place You Look is more of the same -- and slightly better, if anything -- so those who have enjoyed the series thus will be pleased to just keep on trucking.
Picross with Pokémon. That's all this needed to be, and that's what this appears to be at a glance, but further inspection reveals much more. The murals provide long-term motivation. The missions provide short-term reward. The mega rows encourage nonstandard nonogram logic over rote processes. Aside from the strangely disguised pricing scheme, the new additions to Pokémon Picross exceed expectations.
In the end, the game mirrors its own volcano picnic scene. It's cute, it's weird, it sounds like a fun idea at first, and there are some delicious pies to find here and there, but somebody is going to get burned.
This episode could very well be considered the finale for the first season. It wraps up the Wither Storm saga, it answers the questions about the Order of the Stone, and it delivers a semi-happy, hopeful ending for the crew. If only it did that without an utterly boring first half and the clumsy insertion of mandatory Telltale story elements, it might have also been a good ending.
The multiplayer is fine if you can find people to play with, but it doesn't save the experience. If this shipped without a campaign, it might have benefited from it, but as it is now, even the good part will probably be forgotten soon enough.
The plot is banal, the writing is tone deaf, and the acting is wooden. Those who can ignore the dressing and focus on the puzzles alone can find some good head-scratching moments and interesting logical interactions. Taken as a whole, Attractio is bipolar; its highs are high and its lows are low. Averaging that out makes it mediocre.
Ultimately, Dynetzzle Extended is a decent experience. It starts with a cool idea, but doesn't expand on that idea enough, and once it finally reaches a point where it takes more than just mindlessly following the algorithm, it ends. It's a neat distraction for puzzle enthusiasts, but it won't be setting the world on fire.
There's not a lot to complain about with the Sequence. Its clean look and atmospheric electronic music don't distract from the real meat, the puzzles. As far as that goes, there are a lot of them to take on, especially for the minuscule price. It can be tough at times, but that just makes it more gratifying when it all works out and the balls go in the hole.
It's business as usual in terms of the moment-to-moment happenings, but it benefits from the altered structure that eschews multi-episode arcs in favor of singular experiences. For the first time in the series, I'm looking forward to continuing onward, if only a little.
There are a few brief moments in Zenge that shine, but most of the time it's just a passable puzzler.
The base mechanic may conjure up thoughts of Mavis Beacon, but so much has been built onto that foundation, making Epistory - Typing Chronicles so much greater than just a typing game.
Blade Ballet can be a lot of fun in the right setting, but even then it won't set the world on fire. It won't supplant Samurai Gunn or TowerFall as a go-to indie party combat game, but it does a fine job supplementing those titles for a raucous evening. Add it to the list of stuff to bust out when friends are around, but don't even bother going in solo.