Control is worth experiencing for its rollicking, ravaging action, as well as its stately visuals and ‘new weird’ vibe.
After all is said and done, Draugen feels like a beautifully-crafted, but unnecessary, prologue to whatever story lies ahead of it. It’s worth a spin, most of all for its short playtime and gorgeous presentation, but least of all for its actual mysteries.
The Silk Rose Murders offers an enchanting and intriguing adventure that is worthy of the Detective Di name.
I don't think it's a stretch to say that Supraland is a modern classic in the puzzle genre. It's approachable, meaty, colourful, and its puzzles are very, very clever. Don't expect anything more, and you stand to have a good time.
As long as you don't mind how similar it is to the original game, One Finger Death Punch 2 offers up a furious and spectacular pastiche of action that bypasses your brain and interfaces directly with your reflexes.
Whether it's the allure of recruiting a new teammate or uncovering lost treasures in ancient tombs, there's always something to expect when you play Pathway.
Heaven's Vault is a different game than most, and that alone makes it worth celebrating. It comes with many a wart, and it never really gels together the way a more conventional game would, but I had a great go with this moon-hopping, language-studying archaeology adventure.
Islanders looks like an idyllic snowglobe, but it belies gears of efficiency and competition. Its islands are fun to tinker with, before you inevitably throw them away and start over.
Even though Truberbrook looks and sounds fantastic, its obtuse puzzles and forgettable storytelling make it difficult to recommend.
Fimbul is a case where I have to commend the developers for effort, but I also have to advise the customer to steer clear of this bland, snowed-out adventure. Literally everything Fimbul attempts to do has already been done better by a different game. It's best if you leave this one buried in the snow.