There is a really easy way to describe Control: absolute craziness. But craziness, from which you'll be enjoying every minute. Although Control doesn't bring anything preciously new, with its fascinating gameplay, comfort fighting and moving system flavoured with perfectly made abilities and really remarkable gunplay, it managed to get far behind any classical shootgame. In combination with well-written story Control creates recipe on a great and original experience and chaos that you will love and won't forget long after the game is over.
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Studio Supermassive Games knows, how to make great story games. Unfortunately, what they once managed to do in Until Dawn, in Man of Medan fails upon its short game lenght, which does harm mainly to the main characters and dialogues. Otherwise beautiful variety of choice, dark horrifying atmosphere and the feeling of never-ending uncertainty hides behind technical issues, which constantly disturb impressive continuity of the story. Man of Medan thrives in bringing something new as perfectly-done multiplayer into the world of story-telling adventure games, but fails in ways, in which others excel.
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LEGO DC Super-Villains finally did something, what most LEGO games couldn't - it brought us something new. Puzzles, minigames were always part of LEGO games but never in this particular way. In combination with so many playable anti-characters and their well-done skills, we finally get something, which at least seems like something we haven't tried before. On the other hand controls and the old-known mechanics, which you can find in almost every LEGO game, isn't something that's going to vanish from this super-villain world.
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A Plague Tale: Innocence is not trying to be big, it does not try to pack its story into the parameters of a 100-hour game, but for that it managed to almost perfectly capture the meaning of the story adventure and add something to the top. A Plague Tale: Innocence could not leave us anything than a beautiful 9/10 with a story worth telling. It's a guaranteed adventure, which can surprise you with the fact that getting on one direct gameplay path is definitely not harmful when it is made with an emotion.
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Running through sunny Washington from one mission to another and the content of which is almost no different from the first installment. That's not something every player would devour. On the other hand: the game full of action, rewards and content for dozens of hours is the right recipe for a good time. And The Division 2 has managed to show that its concept, which does not change in any way, can be improved and also that developers are able to prevent most mistakes made in the first game. Still you will be stranded on the crossroad to decide whether the second part of this endless fight is the right choice for you.
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