etris, the granddaddy of all puzzlers, has hit the dance floor in his sequined disco outfit. It’s the best you’ve ever seen him, dazzling, blinding even. He’s dancing with your friend who’s half his age, but the moves he’s rocking are old-school dad-dancing and oh so dated.
Mornia is a top-down 2D pixelart world that is a gruesome joy to explore and attempt to liberate. It’s difficulty will put some off, but Morbid: The Seven Acolytes is a competent and accessible souls-like experience, that gives everyone a level playing field with its minimalist systems and simple move sets.
While its lack of any narrative and tangible reward is a shame, Curse of the Dead Gods is a strong and well-crafted roguelite experience with a meaty soulslike combat system, and a remarkable number of mechanics and systems all working seamlessly together.
Kaze and the Wild Masks bounces right into that 2D platforming void left by Rayman. It’s full of vibrant level design, challenging and varied gameplay, ambidextrous ears, and lovely pixelart that will satisfy even the most demanding players. There’s not a lot left to do after you’re done, but the experience is a good one. Perhaps we’ve found a new platforming mascot?
Stonefly is a strong indie featuring tiny humans in tiny mechs vying with the bugs of the forest canopy for resources. Its tale is enough to drive you through a 10-hour campaign with little embellishment, and its mech-customisation and mineral-gathering systems are satisfying, intuitive, and purposeful. Pacifist bug combat is fast and frenetic, but also plagued with fiddly controls and a few too many abilities to be comfortable.
An inventive isometric slasher, Death’s Door feels like all the best bits of Souls-like structure and none of the bad. Its Zelda-inspired combat and systems are firmly at the challenging end of the spectrum, but are also pretty addictive, and mix well with a bleak yet unique story.
With a beautiful new style, a more adult narrative, wonderful characters, and a modernised tone and feel, Tales of Arise brings the franchise smashing into the current era. It’s still got the tried-and-true Tales flavour, both good and bad, yet innovates with fluid combat that feels fresh. The best and most essential Tales game in well over a decade.
A stylish, well-voiced, visual novel that tells a poignant and heartfelt story over five, one-hour episodes, We Are OFK is more interactive TV series than game. Let yourself drift away in its peaceful melancholia, but don’t expect much in the way of gameplay.
A succinct and well-told story, Jack Move’s character-writing and dialogue are endearing, and its pixel art charms. It’s a short and satisfying bitesize JRPG of around 8 hours for players with a bit less time on their hands or perfect in between 100-hour behemoths.
Midnight Suns is a revelation in tactics gameplay, ditching movement constraints in service of its superhero cast. Its story is well told and voiced, and in between combat there’s a wonderful hub to explore. Structured like a daily tasks Persona-type experience, it won me over with oodles of character and design smarts throughout, keeping me coming back day after day.
A brilliant duet of simple-to-play, tough-to-master rhythm game, mixed with a snare-hit of nostalgia right to the face. Theatrhythm Final Bar Line is both a beautiful collection of incredible music and a fun battler that rewards your rhythm skills with satisfying progression.
Coffee Talk Episode 2: Hibiscus and Butterfly is steeped in the same lo-fi chill atmosphere as its predecessor. Light touch gameplay gives way to heady and heartfelt conversations full of flavour, and despite little in the way of invention, it never lets the milk curdle. Savour it like a nice warm beverage, until you have to say that bittersweet farewell.
The Complex offers a fun and engaging personalised movie experience, and demands the attention and immersion of the player in its decision-making interactive elements. Its budget is small, so set your expectations accordingly, but if you’re in withdrawal after Bandersnatch and need another hit of choose-your-own-adventure, you can’t go too wrong with this, while we wait for the film and games industries to catch up.
If you enjoyed Hyper Light Drifter and like me, you’re a sucker for good pixelart, there are things to like in Resolutiion. It’s got plenty of HLD’s beauty, just little of its charm. Basic combat, an empty world devoid of reasons to return, and some odd design choices, mar its otherwise great potential.
Memories of Celceta is like a bite-size RPG for kids or for the millennial with time constraints who still wants to play RPGs, but can’t commit to 100-hour behemoths like Persona 5. It’s fun and doesn’t outstay its welcome. Combat is fast, but it also suffers from being simple and heavy on the button-mashing. The story takes you for a ride, but it’s also pedestrian and does nothing new – it’s like deja vu, in that it feels like an RPG story you’ve heard time and again.
Yes, Your Grace is a very different sort of game. It has a delightful premise, tasking you with the minutiae of running and managing a kingdom and a royal family. It keeps the mechanics of this simple, where they could so easily become unwieldy, but it lets the ramifications and narrative spin from your decisions in all sorts of interesting ways. However, it is also somewhat bleak in tone and unforgiving in its gameplay.
If you need a Metroidvania in your life, it’s a good one. It’s simple to grasp and is very appropriate and playable for kids. It’s got a lot of charm. It’s just not very memorable for those of us who have played the greats of the genre.
For an indie pixelart RPG, there’s a lot going on, and Crosscode is polished, ambitious and charming. Combat is a treat, although it can get very challenging with the tactical demands of some enemy types. The puzzles are up there with the classics of the genre, but there are so many of them that the temples can become a marathon slog, only to find an unbeatable boss that’s so hard it’s no longer fun.
Spitlings is a satisfying and solid puzzler, and provides plenty of challenge for those who enjoy a fun mechanic with plenty of wacky design. There are so many Spitlings to unlock, that anyone will find the game lasting them a fair amount of time.
With one foot in the classics, and one foot in the modern era, and a plethora of fun and witty puzzles, Willy Morgan and the Curse of Bone Town is worth your time. It’s just a shame it’s such a short amount of time.