Sigma Star Saga DX is a unique game, but unique does not automatically mean good. There are fun moments throughout the adventure, and the added quality of life improvements certainly help smooth over some of the original game’s rougher edges, but when you look at the overall package, it’s still an awkward, albeit ambitious, experiment that never quite balances its two clashing ideas properly.
Mouse: P.I. For Hire was a really enjoyable, albeit drawn-out, experience that sadly suffers from horrendous performance issues on the Nintendo Switch 2. I loved the art, loved the story, and the action held up for the most part throughout. You might not get as much out of it though if you don’t have a love for the noir genre, or you want something more akin to its tighter “boomer shooter” peers. When Mouse: P.I. For Hire wandered into my office, I knew I was in trouble. The look, the action, it was all there. Hiccups aside, this is one case I was glad I took on, and here’s looking at you kid for the future. All I can say is “Forget it Jack, It’s Mouseberg”.
The Rogue Prince of Persia is an absolutely gripping experience with a unique movement system and just enough lessons learned from the genre to keep you coming back for “one more run” until the early hours of the morning. Your first successful run will likely come quicker than in most titles from the genre, but there are plenty of ways to make the game a much tougher and grueling experience should you need to feed your masochistic side. It’s quite sad that the Sands of Time Remake got cancelled, but The Rogue Prince of Persia does a fantastic job of not only healing that wound but offering another standout title not only in the franchise but in the roguelite genre as a whole. All hail the prince!
I love boomer shooters, and I love '80s/'90s media and manga/anime. MULLET MADJACK is just an amalgamation of those things in a larger-than-life product with some loud presentation and an addictive gameplay loop. It manages to combine the random world of roguelites with the moment-to-moment gameplay of the classic first-person shooter. Jack Banhammer is the man, and MULLET MADJACK is an absolute treasure of a game. If you are within its target audience, there is not much this game does wrong outside of only having a very short campaign. If you happen to be on the outside looking in, this is going to look like an absolute smack to the senses, which, in terms of this game, is not the worst thing!
On paper, Legacy of Kain: Defiance Remastered, much like every title in the franchise, doesn’t seem too special. Average gameplay is once again a plague on the stronger aspects, but it all just works together and presents an honestly outstanding title that is better than the sum of its parts. Some excellent quality of life changes, extra content to dive into, and a flawless framerate with beautiful HD textures manage to edge out some of the nastier aspects of this remaster, including its propensity to crash towards the later stages of the game. I now wait with bated breath for Blood Omen 1 and 2 to get equally as tasty remasters. Vae Victus.
Legacy of Kain: Ascendance is a game that frankly doesn’t just tarnish the franchise but outright hurts it. It feels like a cheap cash-in based on a polarizing graphic novel with no love and care for the series it’s representing. Waiting twenty-three years for this to be released feels like a massive slap in the face for fans. There’s only a boring and trite time to be had with this title, where the only good aspects are the soundtrack and the voice acting. The only other accolade I can gift Ascendance is that it has managed to dethrone Legacy of Kain: Blood Omen 2 as the most dislikable title in the franchise. Hopefully, the fanbase can just emulate Raziel and forget this ever happened.
SHINONOME ABYSS The Maiden Exorcist perfectly fuses the world of survival horror with the surprise and punishing difficulty of the roguelike, especially in the randomly generated mode. It’s held me captive much longer than I anticipated. That said, it is a slow and punishing game, so you’re either going to fall in love with it or it might just not click if that’s not your cup of tea. The puzzle aspects may throw people off, too. But for me, it’s been a genuine sleeper hit for 2026, and I would love to see how far this unique formula can be taken.
I fell in love almost instantly with Damon and Baby. It was a complete surprise, and I think Arc System Works has hit it out of the park, despite being known more for their fighting game entries. It shows they aren’t a one-trick pony, with ArcSys’s arc as a developer perfectly emulated in Damon and Baby as the game too constantly evolves throughout its somewhat poor pacing, both in the gameplay and the story. The game is a jack of all trades, and while it doesn’t master any, Damon and Baby makes for a rather entertaining time. It once again shows that developers don’t always need the biggest budgets and all the AAA bells and whistles to create an endearing and fun title.
If you’re a fan of beat ‘em ups, and don’t mind something a little rough around the edges, there’s a lot to like here. Rushing Beat X: Return of the Brawl Brothers doesn’t offer much in terms of post-game content, but for jumping in with a friend and clearing out the streets now and then, you could do a lot worse than this scrappy Jaleco throwback.
When I started up Project Songbird, I had to sit through quite a bit of dialogue from the creator trying to justify the game’s existence. Whenever I would load the game up, I’d be asked to rate it or have an aspect explained. I was enjoying the slow build before the “Otherworld” sections, but something just wasn’t quite sitting well with me. I feel that Project Songbird would have been a much stronger title if the creators of the game had more faith in their original design and choices. Instead, it feels like the developer is pleading with you to accept where they had to renege on their original vision, almost mirroring the narrative of the game. Frankly, it just weakens the title even further, a title that could have been something special if you look at its stronger points alone. Between spotty performance, disjointed gameplay, and apologetic dialogue, I couldn’t recommend Project Songbird. It had everything in place to be a hit indie horror title. Instead, it feels like outside factors may have ruined the original vision, which is bleeding through from the second you boot the game up.
If you are looking for a new, or very old, fighter to jump into after all the recent changes in Street Fighter and Tekken, and you want something that will honestly beat you black and blue until you come out the other side feeling like a borderline black belt, Virtua Fighter 5: R.E.V.O World Stage is a pretty tasty package of brutality, as long as you are willing to put the time in. It has more single player content than the game has seen since its original release, but the real focus is still very much on online play. Personally, I am always happy to get my teeth kicked in on Ranked, so I cannot help but recommend this one.
Resident Evil Village Gold Edition is another fantastic package for fans of the franchise and newcomers on the Nintendo Switch 2. It has the “Winters Expansion” from the jump, which contains a compelling and highly replayable Mercenaries mode, as well as a fairly lengthy post-game DLC. This gives you the most bang for your buck when it comes to Resident Evil Village. While in my opinion it’s one of the weaker entries in the franchise, I still believe Resident Evil Village is well worth playing, and I did really enjoy coming back to the game after a couple of years. I would steer away from the third-person mode, though. Performance isn’t quite perfect, but it’s still a great performing title on the Nintendo Switch 2.
FATAL FRAME II: Crimson Butterfly REMAKE has gone the route of the more successful remakes: it keeps everything that made the original game so memorable while adding extra content, changes the visuals, and makes it a little more unique rather than just improving the graphics and calling it a day. It does a great job of not outright replacing the original but offering a new version of it for fans and newcomers alike, alongside a new level of challenge. This is an absolutely phenomenal jumping-in point for people who may have been curious about the series before, but were intimidated by starting with the fourth or fifth entry. It’s still not going to be for everyone, but in this day and age where the survival horror is pulling quite the comeback, FATAL FRAME II: Crimson Butterfly REMAKE is going to once again prove the rule of two remains untouchable.
I’ll be completely transparent with you, dear reader: Resident Evil 7: Biohazard is my favourite Resident Evil title post original Resident Evil 3. To have the complete package, playable in handheld and looking and handling the way that it does, is like a fever dream for me. While I wish Capcom had addressed some minor issues with the game in terms of skippable cutscenes and the like, and maybe offered a cheeky little bonus like the Mercenary mode from a few of the other games, the fact this port gives the full experience with nothing removed in a form I can just pick up and play is already far too enticing an offer for me to do anything other than recommend this game to everyone who will listen. As a game and a port, this version of Resident Evil 7: Biohazard Gold Edition is basically perfect as is. It’s the survival horror that I had been missing since the series took a more action approach, and this port is a solid reminder that 7 still remains undefeated within the franchise as the perfect modern horror.
Resident Evil Requiem is a great game that almost hits the heights of being one of the best in the franchise. Unfortunately, the pacing gets a little too unruly in the latter half of the game, and creates a divide between the two characters and the feelings associated with them. While Grace’s sections encapsulate the true Survival Horror, it only remains grounded as Leon until you reach the Raccoon City section of the game, where all of the horror is stripped away completely, and you don’t get back to Grace for a good few hours. By then, you’ve become numb to the game's horrors and are just fully focused on dishing out pain. I loved Requiem, but I feel it should have been two separate games. Initially, I looked forward to the brief Leon sections, which felt like a nice palette cleanser and broke up the tension nicely, but when the game switches to have more of a Leon focus, it felt a little too close to the uninteresting Resident Evil 6 for me to truly love the game. Requiem is still an amazing experience and highly recommended, but at times feels like there were a few too many cooks in the kitchen for this one.
I wanted to like Tokyo Scramble so much. A Switch 2 exclusive horror with dinosaurs and a generous dose of that sweet, sweet jank is exactly something I can get behind. Trust me, I can somewhat look beyond janky visuals and horrendous sound, but what I can’t get beyond is just how devoid of fun this game is. It’s stiff, awkward, and restricting, much like the undercity in the game, which is the nicest thing I can say about this one. Tokyo Scramble is a scrambled mess of poor choices and bad gameplay, and I couldn’t recommend this one to even the most seasoned horror jank veterans.
The Rumble Fish 2 is a fun fighting game that will definitely click with the old school crowd. It is niche, it is weird, and it feels great to actually play. Once you start running sets with someone, it is hard to complain because the combat really does carry it. That said, the DLC still feels a bit cheeky, and the whole package comes off as pretty dated. It might have made more sense to bundle both games together as a collection and throw in some extra bonuses to really make it worth diving into. As it stands, this Switch 2 port is a fun but pretty barebones experience.
Fighting Force Collection is a curious title. It seems solely aimed at people who enjoyed these titles back when they were released. Neither of them are particular cult classics and while I was happy enough to play both of them again, not enough has been done to bring in a new crowd . I feel the lack of different versions of the games or much in the way of other bonuses really just makes it feel like a bare bones product just thrown out for the few people craving their next retro fix. If you enjoyed the Fighting Force games back in the day and have a hankering for jumping back in, I would say go for it. But in a market full of retro rereleases, Fighting Force Collection doesn’t even scratch the top dogs of the market. Much like the original releases, there isn’t enough here for it to be a true standout.
I am fully aware of my fanboy stance when it comes to Grasshopper Manufacture, and I believe that most people who are fans of their titles have the same stance as me: you either vibe with their titles or you don’t. I would go out on a limb and say Romeo is a Dead Man is one of their easier titles to jump into. Much like No More Heroes, Shadows of the Damned, or Lollipop Chainsaw, it’s a title that cleverly uses addictive combat and gameplay while slowly indoctrinating the Grasshopper way onto the unsuspecting gamer. You’ll get the absolute most out of Romeo is a Dead Man if you’re a fan of Grasshopper Manufacture and Suda51, but even if you are new to the "Sudaverse," you are still presented with an absolutely wild and refreshing AA-feeling title. If you were a gamer around the PlayStation 2, 3, and Xbox 360 era, it will absolutely ring that nostalgia bell. If you always wanted to know why a certain section of gamers go wild for the name Suda51, or you’re like me and have replayed the entire Kill the Past series in sheer anticipation for this one, Romeo is a Dead Man is a great game. It does a fantastic job of reminding gamers that there is a healthy middle ground between "Indie" and "AAA." Long live Suda and the cult of the quirky AA game.
Blood: Refreshed Supply was always a highly anticipated title by the boomer shooter crowd, and it was seemingly an impossible task due to some copyright issues. Now that the proper paperwork has been taken care of, it’s time to rejoice.