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Phantom Fury is a fine homage to the late 90/early 2000s first-person shooter game and a fun game in its own right. The issue is that, compared to Ion Fury and Aftershock, it just doesn’t quite stack up due to how soft combat feels and repetitive enemy and puzzle variety are. Fortunately, it’s not quite as bland as Bombshell, and has a fun and well-paced campaign for any fan of the genre or Shelly “Bombshell” Harrison for at least the one playthrough. The game clocked in for me at just over 14 hours, though this is likely to come down on subsequent playthroughs as there were a few sections where the difficulty spiked quite high. The game is well paced and there is plenty to see and do throughout Shelly’s road trip, but go in knowing the ride is going to be a little bumpy, so put that seatbelt on.
It pains me as a huge Teenage Mutant Ninja Turtles fan to have written this review, but in an age where titles like Turtles in Time and Shredder's Revenge exist, Wrath of the Mutants just isn't worth any more than the quick 10-minute play I gave it on those half-broken sticks back at the arcade.
It’s no surprise to you I’m sure, after you have sat through my gushing praise, that I wholeheartedly recommend The Shell Part II: Purgatorio. In the forty-ish hours I spent reading, I found only one unfortunate reservation, amidst an ocean of qualities worthy of recommendation. The Shell Part II is a testament to the narrative potential of visual novels. I simply will never forget this story. My recommendation is of course contingent on you being ready for the rather oppressive overtones of hopelessness and misery. The Shell Part II is a beautifully written tragedy. It is the emotional equivalent of being skinned alive, and it is the best visual novel I’ve ever read. There is nothing else that has been able to draw such genuine emotion from me, except perhaps Clannad. Though where Clannad draws sadness from the ephemeral joys of life, The Shell Part II draws from a darker place. The sadness I’m left with after The Shell Part II is more akin to the quiet despair of a child understanding for the first time that one day their mother will die. Again, I do mean that as praise. I love this game and wholeheartedly recommend it, I promise.
Amazing Grace -What Color is Your Attribute?- is an enjoyable mystery adventure, with some pleasant romance mixed in along the way. While there are certainly some issues with the mystery requiring suspension of disbelief that will bother some more than others, it worked well with hinting at events, throwing in unexpected twists, and building up to the big reveals.
Dragon’s Dogma 2 is an amazing experience if you have the patience to deal with its jank and demanding immersion aspects, it holds your hand more than the original does, but its large world, plethora of combat options, and overbearing pawn system may still be a bit much for some players. Performance issues do harm this title, and the rather mediocre story certainly didn’t keep me around. The moment-to-moment gameplay on the other hand certainly still had me climbing on the back of monsters and polishing off side quests long after the 20-odd hour main story. I highly recommend Dragon’s Dogma 2 for gamers who want to get stuck into their adventure and focus on the violence and viscera of fighting mythical beasts, rather than picking attack options or dealing with run-of-the-mill combat.
Rise of the Ronin uses exciting combat and character-driven story scenes to tell the story of one of the most interesting periods of Japanese history. Between slightly different combat and an open world with a ton of extra activities, it doesn't quite fit into the soulslike mold and is a far more accessible game for it.
Princess Peach: Showtime! offers a wide variety of gameplay in exchange for a lack of depth. Short and simple, it’s a fun adventure that anyone can enjoy but will be more suited to younger players.
Sona-Nyl of the Violet Shadows ~What Beautiful Memories~ is a masterclass on character-driven stories. While the premise of the plot is rather simplistic, it turns a simple journey into an adventure laden with self-discovery and healing. Incredibly vague at times, the sheer amount of effort it puts into its imagery and literary devices form a reading experience that’s as dense as paperback novels yet retaining the colorfully vibrant world that visual novels are able to represent through additional creative assets.
Final Fantasy VII Rebirth is another excellent installment in the three-part remake of Final Fantasy VII. While I can't say the implementation of an open world was a complete success, the story, characters, and minigames make it absolutely worth playing.
While not a complete triumph, falling down in the same places as many other survival horror titles, and a rather iffy last act to boot, there is still so much to fall in love with in Alone in the Dark (2024). It is a must-play for horror fans and would also make an excellent pool to dip your toe into if you're new to the genre, with the fantastic options on offer to make the game as accessible or as masochistic as you need it to be Alone in the Dark (2024) is exactly what this dormant series needed after the deathblow that was Alone in the Dark: Illumination. It sticks to what made the series famous with classic horror clichés, hammy acting, a great atmosphere, and an engrossing mystery. It's not only a fantastic stand-alone title, but is in the upper echelons of reimaginings, leaning on the original title where it counts, but not enough to make it a crutch. It adds its unique ideas to further the experience and gives gamers a true dark-fantasy horror that would please any avid fans of Lovecraft.
I think The Lament of a Lifeless Star has some interesting ideas about what it might mean to live past the end of the world. Unfortunately, the execution is uneven and most of The Lament of a Lifeless Star’s runtime is squandered on tropes and trivialities. The final act is better, but it’s too little too late to redeem the overall experience.
Tomb Raider I-III Remastered Starring Lara Croft is one of the best remastering jobs I have seen. It's obvious from the second you boot the title up there has been a lot of love and care put into this one. The modern controls could do with some tweaking and the games themselves could be initially daunting for people who didn't grow up with Lara but there is a lot to love in this classic adventure package if you're willing to accept Lara Croft and her quirks. For those who have played the originals to death, there are enough additions and quality-of-life improvements to make this the essential way to now play these titles.
Splatoon 3: Side Order adds that cherry on top of an already sweet package. While I would not say that this is an essential purchase, it will do its job in satisfying those who crave a bit more from Splatoon 3. The roguelike elements of Side Order are somewhat undercooked and didn’t hold my interest as long as I would have liked. However, elements like the new boss battles, the writing, and the music made it worthwhile for at least the one playthrough. Splatoon addicts will also likely be satisfied with a mode that can be engaged with for as long as they feel like. Overall, this is a nice side dish, even if it falls short of being a great entree.
Berserk Boy is a generally fun little retro-style indie action-platformer. The game is especially rewarding to play quickly due to how well-made its lightning power is. Alas, it peaks somewhat early and has its cracks. Several ideas after the first few sets of levels don’t build much upon the game’s solid foundation, which felt more like a missed opportunity. The game is presented well but doesn’t do a lot to truly stand out among its retro-style indie action-platformer peers in either novelty or consistency. Still, the fun mechanics it does have coupled with its solid soundtrack and visuals enabled me to get past some of its weaker aspects and enjoy my playthrough plenty enough.
Criminal Border 2nd Offence paid off on the excitement I had coming in from the first episode and built even more excitement ahead of the third entry. The story does a great job of delving deeper into the core themes of Criminal Border. Kotoko serves as an interesting heroine, with the unfortunate caveat that her relationship with Itsuki stumbles and doesn’t live up to its potential. I can’t wait for Criminal Border 3rd Offence. I feel more confident in my recommendation for the series now that there are two solid releases available. If you don’t mind hopping into an episodic narrative before it’s fully released or you’re reading this when it is, then Criminal Border is a great choice for your next visual novel.
Gunvolt Records: Cychronicle is a rhythmic walk across memory lane. Because of the generally low amounts of content on offer, I would say that this game is best enjoyed by Gunvolt fans rather than general rhythm game players. With gratifying and intense rhythm gameplay coupled with a loving look into the series’ history up to this point, it can satisfy the cravings of diehard fans quite easily. At its best, it serves as a good reminder of why I liked the series to begin with. Meanwhile, at its worst, it's still a perfectly decent rhythm game that falls short on things to see and do. Inti Creates’ first foray into the rhythm game genre gets a thumbs up from me.
Granblue Fantasy: Relink was a bit of a surprise for me. I was expecting a good time to be sure, but I am shocked by how deeply engaged I’ve become with the game. The story might disappoint some who were expecting a long, in-depth JRPG, but if you know what you’re getting into that shouldn’t be a problem. The combat is phenomenal. The character variety provides an endless supply of fun, with tons of opportunity to experiment and optimize your play. I’m going to be playing Granblue Fantasy: Relink for a long time, even after finishing this review there are a wealth of characters I want to dive deeper into and master, and I want to continue playing with those I’ve already spent hours upon hours with. I hope we see more games like this from Cygames going forward. They have a killer foundation to build on here.
Apollo Justice: Ace Attorney Trilogy is a worthy successor to a beloved original that proudly and successfully carries the Ace Attorney torch. Plus, this new release is a great package, jammed full of content, extras, and quality of life features that make it the best way to experience the Apollo Justice trilogy. While I think Apollo Justice: Ace Attorney Trilogy could have been even better with a stronger commitment to developing its characters and ideas, it’s still great fun and something I can’t imagine an Ace Attorney fan or fan of mystery games in general wouldn’t enjoy.
With beautiful artwork, great sound direction, and a cast of voice actors that give life to the nightmare, I’m happy that I gave Nie no Hakoniwa a try despite my unfamiliarity with the genre. While definitely not for the faint of heart, if you’re brave enough to make that jump and try it out, I assure you that there’s an interesting story waiting for you when you open the box.
Shiren the Wanderer: The Mystery Dungeon of Serpentcoil Island is a brutal, uncompromising game. It carries out all of its unconventional and punishing rules with conviction and smart consideration, making for an unsuspecting RPG that’s one of the most consistently thrilling I’ve played in years. Couple this with dramatically improved presentation compared to past entries, and you have an excellent example of how to modernize an old series without sanding off the edges. It says a lot that after finally completing my first playthrough, I was ready to jump back in again for another round. If you’re feeling brave, enter the dungeon and take a roll of the dice with this excellent iteration on the Mystery Dungeon genre.