This is the kind of package we hope for when a relatively unloved, but largely excellent arcade title is ported for a modern system. There's no slacking here, with all the options and modes a fighting game fan could desire, updated visuals for modern displays, and that all-important rollback netcode for online skirmishes. Superior to its already very enjoyable predecessor, it will be great to see the online fighting game community revive The Rumble Fish 2 in a way that never really happened with its original arcade release. Ideally, both the original game and this sequel should be on a single package - and DLC paywalls be damned - but this is a well-executed port of the best entry in this short-lived series.
Breakers Collection feels like a passion project. It delivers a game that still feels incredibly modern and visceral to a new era of players. When mining its combos and developing its dizzyingly broad array of tactical options, new players will no doubt be surprised by the high bar of Visco's work. While its menu presentation is somewhat less explosive than the game itself, the level of thought that's gone into its modernisation through crucial up-to-date features can't be spoken of highly enough. This kind of treatment should be standard when revisiting bygone classics, yet so often it isn't. Breakers Collection, to that end, gets it very right.
Team Ladybug is really demonstrating its programming expertise with Drainus. It's both dangerous and brave to attempt a shooting game on the scale of Gradius V or Einhander, yet for the most part, the developer pulls it off in convincing fashion. It's not entirely perfect, arguably overly easy, and various aspects will sit better with some players than others. But, at the very least, it's a spectacular sci-fi action epic that constantly evolves, creates, and showboats. To that end, Drainus will land well with both hardcore and casual players alike.
Cannon Dancer is an undeniably polished product and has Yotsui's action-cinema aspirations stamped all over it. Speed, dynamism, and full-bodied combat snap will keep bringing you back for more. While visually inspired and boldly artistic, it's a concise affair, as was Strider, buoyed by a refined control scheme and consistently interesting stage developments. While the finale is no Third Moon, and could have been improved with a few adjustments, it still qualifies as the Strider sequel you always wanted but never knew.
Degica's work here is commendable. Not only is this the best of the series, but it's now the ultimate version out there. Castle of Shikigami 2 comes easily recommended to fans of bullet hell shooting games, and while it might not be up there with the very best, it's certainly original, deviously devised, and layered like crazy. With all the characters, their individual assets and stories, as well as all-new modes to toy with, this is how we like to see publishers handling re-releases of arcade titles, rather than slapping out another no-frills port-of a-port.
Batsugun remains a thrill ride: a barnstorming, explosive affair that holds a pivotal position in the history of the shooting game and its evolution. Its systems are not as in-depth as most Cave titles, and it's also comparatively short if you discount all the looping, but it remains a superbly entertaining and surprisingly accessible piece of gaming history. It's a shame the arcade originals aren't present, but, with all its very welcome bells and whistles, it's certainly the best home release yet.
This is the best of it in regards to home ports of the Ray series, spit-polished by M2's dedicated commitment to quality. It offers very accurate arcade ports of three superb, nuanced shoot 'em ups, famous for their fantastic soundtracks, engrossing gameplay mechanics, and visual showboating. Lag is minimal enough to have no impact, and the HD upscaling is wonderful. With no training modes, historical bonuses or rearrangements, however, it falls shy of being the ultimate package. But only just.
Switch-bendingly tough though it is, Gimmick is a salient example of what made the 8-bit era so wonderful: a razor-sharp, thoughtfully illustrated action adventure full of creativity and imagination. Just be warned that when people talk about 'old-school difficulty', Gimmick is a cut above what they usually have in mind, and to that end may prove frustrating for those unable to steel themselves to the challenge.
Dino Rex and Solitary Fighter aren't exactly high points, and considering they're two of three exclusives, much of the appeal of this collection depends on how many titles you may already own, and how much you want Darius II. That said, for those who are yet to dabble in Hamster's series, it's a superb slice of Taito arcade gaming that outdoes its predecessor in terms of quality and appeal, and comes through with solid emulation. There are hundreds of hours of fun to be had here with some of Taito's most deservedly celebrated works.
The Making of Karateka is not for everyone, and most of its appeal will lie with older gaming generations. If you're a student of historical gaming flash points, however, it's a package that delivers the goods, and in fine form. It doesn't have anywhere near as much unique gaming content as Atari 50: The Anniversary Celebration, a fact that will limit its appeal. Despite this, the two remasters are solid, the prototypes intriguing, and the content comprehensive. If you were a fan of Atari 50, The Making of Karateka will find you well.
Fans of Hot Wheels will feel well served from a nostalgia point of view, and inspired by its huge number of new modes. Unleashed 2: Turbocharged combines furious arcade race challenges with childlike creativity, being able to build tracks any which way, and race them to breaking point. You can feel the Switch's lack of muscle, with a markedly smudgier feel than the grip offered by more powerful consoles, but as a racing experience bursting with customisation, modes, and creativity to mine, it's both an excellent successor to the 16-Bit Micro Machines legacy and sits firmly in pole position over its predecessor.
Halberd Studios has crafted a Metroidvania with a really encouraging number of unique elements. We have no issue in declaring it A Good Game™ and a great time thanks to its careful crafting and implementation of a number of original ideas that elevate the gameplay, rather than stifle it. It is just another Metroidvania at heart, yes, and it doesn't revolutionise the genre; but, while there are a few scrappy bits where you can see a thinning of the budget compared to works by larger studios, it holds its own as an inventive, pretty, and consistently enjoyable adventure.
Its very reasonable price tag isn't the main selling point of Berserk Boy. Rather, it's a very competently made indie action adventure that has the feel of a 16-bit title, powered by the oomph of current-day consoles. It's far more arcadey than both Mega Man and Gunvolt; faster, and altogether more interesting owing to its multiple character forms and deft stage design. Its hub world is easily navigable, and the upgrade shop, Metroidvania backtracking, and prisoner liberating side-missions encourage players to squeeze the most from the experience. There are minor, trivial aspects that could have been tightened up slightly, and the independent development aspect isn't entirely in the background. For what it attempts, however, Berserk Boy is very successful, regularly showing up larger development studios with its creativity, and comes easy to recommend to 2D action enthusiasts.
El Shaddai feels genuinely more creative and interesting than a lot of the titles it would consider bedfellows today. It shares a place with the likes of ICO, Nier, and Panzer Dragoon in its arcane design and historically inspired symbolism. Elsewhere, it borrows from the likes of Okami and Mizuguchi's Rez for its abstract, acid-trip beauty. It's true that the combat can become routine, the platforming occasionally frustrate, and some of the boss encounters appear slightly samey, but it runs smoothly and assuredly across 11 visually astounding stages. El Shaddai, more than anything else, is a game of moments, and a lot of them. It's certainly one of the most intriguing titles in the action-adventure, hack-and-slash genre, and deserves the attention this time around that it never achieved on its original release.
Although The Last Blade: Beyond the Destiny is an excellent little thing, one must keep in mind that it is still a 2001 handheld fighting game, and very much of its time. On its original hardware, it was heaven-sent, but on your Switch you might be somewhat disappointed if you're going in blind. For SNK aficionados and Last Blade fans, it will delight purely on historical value, but those with no experience of the Neo Geo Pocket or the SNK library will likely feel better served buying the actual arcade ports of Last Blade 1 and 2, which are also available on the eShop. To that end, this is a better bet for fans, collectors, and those enamoured by gaming curios. It's dinky, it's charming, and it's a testament to the craftsmanship of old SNK. And, while imperfect, it plays like The Last Blade should. For certain gamers, that will be more than enough.
Despite its unconventional structure, Starship Project X is an undeniably creative endeavour. It's clear that the developer has enjoyed making it, and it manages, against all odds, to do something new and interesting with the often tired shoot-em-up premise. Once you learn its catalogue of obstacles and sync with its immediacy, it gets a lot more manageable and enjoyable, and trying to finish stages unscathed is a fun pursuit. Unfortunately, no matter how skilled you become, the experience is occasionally marred by unexpected attack overlaps and ensuing ship positioning struggles. While the balance isn't perfect, and its longevity in terms of holding your attention is questionable, it deserves applause for its originality and its short, fun, adrenaline-fuelled nature: the kind arcade gaming was designed for.
Although rough around the edges, Radirgy Swag will please existing fans, certainly win some new ones, and probably land cold for everyone else. It was never expected to be a mass market hit, which is why it's a positive that the series has found a western audience, small as it may be. If you're a shmup fan looking for something out of the ordinary, its system of power-up juggling and reckless shield regeneration might just be your ticket. It requires some initial legwork, but once it clicks it really cooks.
Swords & Bones needs to be approached and scored based around several key details, including whether you enjoy Ghosts'n Goblins or Castlevania-style platforming, as well as indie takes on the theme. If the answer is 'yes' to these metrics, then Swords & Bones comfortably earns its modest price tag. It has near zero replay value once completed and tied in a bow, and it's neither deep or surprising; but it is, undoubtedly, a fun way to kill three hours with a talented gang of bedroom coders. If that sounds appealing, the negligible investment will be money well spent.
If you're a fan of this now very old series, you might find Sol Cresta's mould appealing. It's certainly fun to improve, win shields, and prolong your survival by grabbing back lost ships; and to be able to whip your craft into formation and quickly destroy bosses with a countdown of powerful ordnance - and the audio is sublime. At the same time, with all of its interesting ideas, one can't help but feel that there are elements here that need more polish and careful implementation. There are very few memorable boss attacks, and while some stage junctures are somewhat shrewd, others come off as ill-conceived or uninspired. By no means is that to say it's unenjoyable - there is a definite groove within its visual mess that becomes clearer over time as you chip away at the interesting core gameplay - but the fact of the matter is that Sol Cresta is up against a wealth of extremely steep competition, and to stand out it needs to be hitting the all-important notes with greater finesse.
You're being treated here, not to a replica of 16-bit graphics, but the genuine article, and that in itself carries a wonderful charm. With varied locales and great music, River City Girls Zero cleverly all takes place in pseudo real-time, the sun setting into night and eventually dawning again as you near end of your journey. It's an endearing romp across a quaintly rendered Japanese urban landscape that continually offers new places to scrap - from fairground rides and collapsing buildings to nightclubs and sun-drenched bays - all becoming especially colourful in the last hour. While it's very much a game of its era, River City Girls Zero is still rewarding for those interested in experiencing one of the saga's more creative entries.