The remade “Resident Evil 4” feels more vibrant and present than just another rerelease of a technical product. It’s like reliving a fond memory. It’s like coming back to your childhood bedroom after all these years. Fittingly, the original series started as a remake, of the 1989 role-playing game “Sweet Home.” And even if some of the pieces are moved around, the new version still feels like home, sweet home.
Ultimately, the lore isn’t the main attraction, and isn’t the reason the Zelda series has endured for almost half a century. What’s more compelling is the game’s nod to the collective story of how human imagination pushes us through our toughest challenges, and sometimes sends us soaring to heights unseen.
The technology may fail, but the human experience as a messy, impetuous thing remains. Because of that, “Starfield” makes the right sacrifices.
In a sea of exemplar video games released in 2023, “Alan Wake 2” is the work most interested in pushing the boundaries of its franchise, its genre and even its medium.
Final Fantasy VII Rebirth is so good, it nearly wrecked my life.
Final Fantasy XVI remains an eloquent, sturdy work that achieves almost everything its creators hoped. It is not the most innovative Final Fantasy ever made. It’s just one of the best.
The problem arises when you may realize what I did: I’ve felt all this before.
Mortal Kombat doesn’t need to and probably shouldn’t “grow up.” Eternal adolescence is the point. But to stay young, it just needs to shed the old.
Available on Xbox Game Pass, “Trek to Yomi” is a no-brainer download for anyone wanting a simple yet cinematic action game that harks back to classic PC adventures and 2D blade-action titles. At a $20 asking price, it’s a more debatable purchase, especially considering the short clear time. But at the end of the trek, I didn’t regret a minute of it, once I got over the fact that the combat was never going to be the real hook. It’s a gorgeous visual feast, and once I started it, I found it hard to look away.
“Shredder’s Revenge” achieves everything it set out to do, and will go down as an instant classic for its genre. No matter what era, whether it’s 1987, 1989 or 2022, it would be one of the finest, most exciting video game experiences of the year, honing an arcade formula as ageless as Turtles in time.
Now that it’s over, I can confidently call IO Interactive’s “Hitman” trilogy one of the most consistently great series of games ever created. No other trilogy has expressed this much confidence and consistency in its execution. Agent 47′s story may be over for now, but these three games offer countless ways for you to tell your own stories.
This year is looking pretty dry for big title releases as the world continues to grapple with the pandemic, and huge titles are seeing delays. The Nintendo Switch in particular has had a bit of a dry spell, but “Rise” comes in like a kaiju out of the tide. This is probably the best “Monster Hunter” game to date, and an easy, early contender for 2021′s best game.
Nier Replicant is a must-play for anyone who loved “Automata,” a game some praise as one of the finest ever created.
Built like a Disneyland of horror tropes and gore, the eponymous village funnels you toward gory sights and sounds, with Ethan circling a drain of carnage.
In a time when sneering, ironic detachment remains in fashion, Insomniac Games has created the rare modern masterpiece with no convoluted agenda, no subtext — just so many reasons to smile and laugh. This purity is felt through every pixel, every line reading and every planet.
The Ascent reminds me of the good old days of Xbox 360 and its robust indie offerings on the old Xbox Live Arcade service, where games like “Shadow Complex” or “Super Meat Boy” were not afraid of making small twists to classic formulas.
The game itself is an all-time classic. The settings FromSoftware created in 2009 have the complexity of real places, which is why the game played so vividly to fans of role-playing games. And now Bluepoint has given “Demon’s Souls” all the details and polish needed to fully realize this game’s idealized concept of “role playing immersion.” It was a game of boundless creativity, and to have it reimagined so vividly by Bluepoint Games is nothing short of a minor miracle.
The beautiful thing about beat-’em-up games is that the genre’s appeal is immediate: Walk right, punch everyone along the way and feel great about it. The beauty of “Mr. X Nightmare” for “Streets of Rage 4” is less apparent, because the original game was already packed with value. But at $8, this trio of indie studios somehow made a far more robust and replayable package. There’s little else to say besides “Streets of Rage 4,” as a now-complete package, has my highest possible recommendation.
I can’t remember a game that sustains an awe-inspiring presentation for just about every second you play.
Lost Judgment is the most captivating, dramatic and transfixing story of the year, and that should be no surprise to fans of RGG Studio’s output.