Simply put, it's a title that knows what it is and seems to hit all its targets with deadly precision. This results in a game that isn't exactly transcendental, but is as solid as bedrock. Even if you're not a fan of the Record of Lodoss War source material, it is worth a look. At the very least, it took me back to my days of binging on Castlevania's Game Boy and DS titles, which I mean as a compliment. It may not be the freshest meal in the cafeteria, but it's still a tasty dish at the right price.
It comes across as a diabolical labor of love. The game is obviously made by people who cared for the property, as it conserves everything that was great about the original title while tightening the screws on the old doomsday device. Even without the multiple campaigns, it's a ridiculously long game. But the fact that I was rarely annoyed or bored, while continuously finding new elements to love, is a testament to how well-executed the sequel is. If the first game wasn't diabolical enough for you, this one should scratch that evil itch a bit better.
So, that's where I'm at. I enjoyed playing Everhood and the music was extremely enjoyable, but before we could apply for the marriage certificate, I realized how loudly it breathes when it sleeps and now I just want to suffocate it. I'm still giving it a recommendation, because not everyone is going to share my grievances with the narrative and the technical issues can be ironed out. There's some definite high points here, but I don't think it's going to achieve immortality.
I have to admit, I found Hotshot Racing to be quite enamoring. I don't have much nostalgia for the early days of 3D racing games, but I do appreciate a good arcade racer, and that's exactly what this is. Its cheery sound design and visuals are endlessly charming and the driving feels exactly as it should. If you feel the need to go back to the simpler days of racing games, this certainly fits the bill. This likely won't be the last time I take it for a lap around the track.
From a purely visual novel standpoint, the game is entertaining and well-written, but it fails to make use of the one thing that makes it unique. It has the love it needs, but it will need more training before it can truly be called a "good boy."
Rainswept is a heavy game. Its sad piano music and endless poetic rainfall underscoring the human tragedy depicted. If you're capable of shouldering the game's baggage, Rainswept provides an "entertaining" tale. I certainly "enjoyed" it. However, if what you're looking for is a fun murder mystery to sink your teeth into, you might be better off seeking clues elsewhere.
Yet, while I had issues with Neo Cab, I will admit that it's worth the fare. It perhaps didn't set my world on fire, nor do I think it's going to climb atop anyone's list of favorite games this year, but it's at least a nice ride while it lasts.
Umihara Kawase Fresh! is easily my favorite entry thus far. I hope that the changes to the framework and the added accessibility manage to hook some new fans. Maybe this really is a fresh start for the series.
So I guess what I'm saying is, if you go into Gato Roboto with the only expectation being "Metroid but with a cat protagonist," you won't likely be disappointed. But if you hope for anything beyond that, you'll likely wind up entertained but unsatisfied.