Drew Sherratt's Reviews
Jack Axe has the opportunity to be a fun little platformer, but it suffers from horribly unreliable mechanics that make it more frustrating than it is enjoyable. Between the endless unrecognised button presses, janky hit boxes and your abilities routinely failing to launch, there’s enough to discourage some folks from going very far at all. But for those who show a little faith and push on -fear not- you too might be rewarded by a terminal crash and a deleted save file at the crescendo of the game. Sadly, it’ll take a lot more than the delightfully sweet visuals to keep this one off the chopping block.
Teslagrad spins an interesting tale off the back of an interesting gameplay mechanic, coalescing into a game that’s fun to play from start to finish. Flinging yourself around using electromagnetism makes for some excellent platforming and puzzle solving, and the tale of dystopian revolution is magnificently told, at least for those who seek out the necessary pieces. Perhaps only lacking in a little bit of reliability in the mechanics and a bigger visual budget, Teslagrad does a great job flying the flag for alternative Metroidvanias and deserves an incredible amount of praise.
Devil May Cry harkens back to simpler times, offering fun hack and slash action that you don’t need to take too seriously. Capcom treats us to some very cool environments as we wander across the spooky Mallet Island, smashing through some excellently designed enemies along the way, and what gets in the way can mostly be put down to inexperience on the developers’ part. The fixed camera angles that served them so well in the past are a real pain this time around, and the slow and deliberate menu system detracts from the fluid pace they were going for. This debut entry offers a fun peek back at the origins of a popular franchise; it might be fun for fans of the modern entries or videogame historians, but the average man in the street probably isn’t missing out by not revisiting it in 2025.
Syberia is absolutely of its time, offering a point-and-click adventure that now seems outdated in almost every aspect. With aging character models, an archaic and ugly UI and whole townships blatantly designed to facilitate a few oddball puzzles, it’s unlikely to win over many new fans in 2025. That said, it’s not all bad – the pre-rendered environments still look pretty decent, and there’s a few moments so ridiculous that you’ll likely get a laugh or two. Perhaps like the clockwork automatons in the Voralberg factory, Syberia is a product of a bygone era, but not without significance to those curious about days gone by.
We Were Here Too is a regression from the original in almost every way, setting it up as the low point of the franchise so far. While the visuals continue to evolve into the characterful style we’d come to love in future entries, the sound design takes a nosedive, as does the puzzle design, which feels bland, flat and somewhat repetitive. Lacking the sense of atmosphere and immersion that makes other entries such fun, there’s the feel of a workplace teambuilding in We Were Here Too – sure, you’re working together, but it’s because you have to, not because you especially enjoy it. Thankfully, I know that future titles soar to significant heights, and I’m thrilled that the team at Total Mayhem Games found their groove with time.
A simple but effective throwback to simpler times, Knights of Pen & Paper +1 Deluxier Edition is a love letter to tabletop roleplaying games and the fun you can have acting daft with your mates whilst throwing dice. If you’ve come looking for a deep and layered plotline or a finely balanced battle system, you’ve come to the wrong place. This is the land of the min-maxing, meta-gaming meat shields and their party of pals. Best enjoyed by existing TTRPG fans who want to churn out a few micro quests whilst taking a break from something more taxing, there’s fun to be had here if you enjoy the simple things in life.
Mindcop is an incredibly entertaining whodunit that expertly blends level headed crime solving with laugh-out-loud foolishness in a way that just shouldn’t work – but it does. Questioning the folk of the Merrylin Crater Camp and scouring for evidence is delightfully simple, and the pivotal time mechanic creates an incredible sense of urgency that’s often lacking in crime games. It’s a game that takes itself just seriously enough, as showcased by its combination of derpy cartoon-noir visuals and saxophone laden soundtrack with its cast of well rounded characters and layered storyline. Fun from start to finish, Mindcop is dripping with tongue-in-cheek playfulness that you won’t need a forensic team to uncover.
Nikoderiko: The Magical World is a vibrant platformer that the whole family will enjoy. Jam packed with eye-popping visuals, loveable characters and solid level design, it’s the prototypical modern day platformer. Hampered only by long loading times and a smattering of bugs, the main drawback might only be how heavily it leans on its source material, essentially becoming Donkey Kong Country Returns-lite - for better or for worse. Sporting modern palatability and polish alongside the old school gameplay, if there was ever a game that a parent could show their kids about ‘platform games back in my day’, Nikoderiko is the one.
Europa isn’t quite the boundless adventure that I was expecting. The joyful aerial exploration is held back by portions of lead-heavy ground traversal, slowing the gameplay to a crawl and sapping enjoyment from the experience. The visuals are striking at a distance but fail to hold up to closer scrutiny, making the decision not to make the game an entirely fly-by experience all the more baffling. Underpinned by a meaningful message that’s delivered with real heart, and boasting an incredibly powerful soundtrack, Europa, sadly, feels like an agonising near-miss.
Caravan SandWitch is a small-scale open world adventure that delivers a tale that’s as heart warming as it is sombre; it’s filled with nuanced relationships and impressively deep lore, and I found it a joy to experience. There’s little to fault about the cosy, risk free gameplay except that it simply may not be to everybody’s taste, but for me, it makes a nice change of pace to a landscape that’s currently bubbling over with ultra-tough soulslike adventures. Pottering around in your beat up old van and doing good deeds for people feels genuinely rewarding, and exploring the final abandoned outposts of civilisation on Cigalo offers a sense of adventure that’s so much bigger than its 10-15 hour runtime.
Dreaming Sarah is a rather nonsensical wander through a string of surreal environments and sadly never coalesces into much more than a hodgepodge collection of ideas. It’s a carefree and low stakes affair which may appeal to some, but with almost no story to speak of, and driven by only the tiniest sliver of gameplay, I found my attention span waning long before the two-hour runtime was up.
The Iron Rig DLC offers that trademark DREDGE spookery, a myriad of new tools, and shoals of extra species to lengthen the overall experience. This new tale isn’t as well told as The Pale Reach, but the extra gameplay content is much broader in scope, encouraging me to even polish off quests from the main game that I had previously consigned to the deep. If ‘more of the same’ makes you want to pull your waders on one more time then you won’t be disappointed, but players expecting vast new experiences may want to give it a miss.
Machinarium is a ‘straight off the lot’ point-and-click puzzler that excels through some wonderful world building, clever storytelling and adorable characters. Whilst never straying far from the standard formula, there’s still plenty to enjoy, not least the fantastic, rust-covered visuals and well constructed soundtrack. This is one I’d recommend to newcomers and veterans of the genre in equal measure - while old school fans might not get much brain stretching out of it, it’s worth everyone’s time for the chance to experience this wacky welded world for yourself.
Overall, Sword of Convallaria leaves me torn. On one hand, the stunning artwork, impressive soundtrack and detailed tactical combat are all huge positives that would normally propel the game to a much stronger recommendation. But on the flip side, the time-restricted gameplay, unbalancing gacha aspects and aggressive microtransactions are pretty sizable turn-offs. Perhaps more palatable to experienced mobile gamers than traditional TRPG fans, it irks me that so much potential is buried beneath so many unsavoury pay-to-win mechanics.
SCHiM is a sweet little platformer that takes a joyous childhood idea and turns it into a heartwarming story that’s engaging and enjoyable. It shows off some great silent storytelling that connects you to the main characters by way of a great introduction and finale, despite losing some steam in the middle. SCHiM showcases an undoubtedly wonderful mechanic against some striking backdrops, and while it doesn’t quite get into high gear, there can be no denying that this shadowy hop-fest is great fun, and that some of the finer details will certainly bring a smile to your face.
Overall, Noreya: The Gold Project is a sprawling Metroidvania that offers 20-hours of nimble exploration amidst some simple combat and a somewhat fractured plotline. Despite sporting some lovely pixel art visuals, a wonderful musical score and an intriguing premise, there’s a general lack of polish that left me a little wanting. Established Metroidvania fans will find a solid addition to the genre with plenty to enjoy, but in the end Noreya might serve as a reminder that all that glitters is not gold.
Duck Detective: The Secret Salami is a send up of the detective noir, and it’s executed almost to perfection. The simple, yet highly effective mechanics do a tremendous job of steering you through the case, which is filled with engaging characters and bolstered by some wonderful voice-acting. The bright and playful visuals are adorable and almost belie the well-written mystery that plays out. Hampered only by its short runtime of 2-3 hours, I dearly hope this is just the first of many sleuthing stories for Eugene McQuacklin. Play it at the risk of being left with a serious hunger for bread… and justice.
We had an excellent time playing PlateUp!, and have no hesitation recommending it for players with a hankering for a decent portion of multiplayer fun. The roguelike mechanics are both solid and tricky to master. It’s addictive to play, and you’ll find yourself laughing and squabbling with your buddies in equal measure, which is great fun. Whilst entirely understandable, the lack of cross-play is one of the only downsides, with perhaps some rather sudden spikes in difficulty coming as a close second. If you’re looking for an engaging, long term multiplayer challenge, tuck in your napkin and take a big bite out of PlateUp!, it’ll satisfy you nicely.
Ni no Kuni: Wrath of the White Witch is a lovely RPG that excels at drawing you into a well designed world with pretty visuals and some really well written lore. The gameplay is something of a hodgepodge affair, mashing together chunks from every other JRPG into its own clunky system that’s just unique enough to keep you engaged throughout. Ultimately, the fun story, well-voiced characters and Studio Ghibli visuals weren’t quite enough to overcome the repetitive and oft-frustrating combat for me, though there’s plenty here to recommend for established JRPG fans.
Isles of Sea and Sky is a tremendously fun puzzle game that weaves a grand fabric of mystery from the humble strands of gaming fundamentals harkening back 30-years. I’m amazed how well a collection of incredibly simple mechanics have been carefully layered on top of one another to eke out an ever-increasing difficulty in such a steady and measured fashion. With a polished NES-style look, engrossing score and a boatload of secrets, it’s a game that’s as addictive as it is enjoyable, suffering only mildly from some murky storytelling. Make no mistake, this is a victory for indie gaming and solo developers the world over.