I intend on sticking with Exoprimal despite these gripes, though, because the core of what’s here works so well. We also know future seasons will bring more content to the game, which should hopefully mitigate some of my complaints. In terms of whether I recommend Exoprimal in its current state, however, that’s a different question. If you’re someone who doesn’t mind investing in a product on the promise of what it might become, then I say go for it, jump on in. The core gameplay is so well refined that I have no doubt that fans of shooters and team-based shooters will find merit in what Capcom has produced and be able to overlook its rougher edges in the way I have. Whether that enthusiasm lingers long after the launch period remains to be seen. As highlighted, Exoprimal has core issues that need resolving to ensure it doesn’t become another live service casualty.
Intruders: Hide and Seek is a decent addition to the growing library of indie horror games available on Nintendo’s hybrid machine. Mechanically, the sluggishness of the movement does begin to wear thin, which is exacerbated further by the frustratingly implemented checkpoint system, but overall, the tension and tone set in those first couple of hours make it worth stepping into Ben’s shoes for a few hours and helping him save his family from a desperate situation. If you’re a horror fan itching for an Outlast-style experience, then Intruders: Hide and Seek is a nightmare worth experiencing.
RWBY: Arrowfell is the definition of a mixed bag. Rewarding and fast-paced exploration does provide some satisfaction, but the combat, which makes up the majority of the game, fails to impress through the awkward way in which character progression has been implemented. If you’re willing to overlook that, then RWBY: Arrowfell serves as a perfectly fine distraction that I feel does just enough right with its narrative, presentation, and exploration to make it worth a look for action platformer fans.
Despite its flaws, No More Heroes III is a worthwhile addition to the series. With the performance issues that distracted on Switch now a thing of the past, and the best combat that the series has produced to date, No More Heroes III is capable of providing an overload of gorgeous, chaotic fun. With combat this good, it’s a shame that the rest of the package feels so woefully outdated at times. By relying so heavily on past gimmicks and humor, No More Heroes III becomes a recommendation for die-hard fans only, rather than something that could have had a more widespread appeal had some more efforts been made to modernize the experience.
While it isn’t going to be an easy sell for many due to the difficulty spikes that arise in the form of its demanding bosses, I ultimately came away from Book Quest satisfied with the final product. Sure, it wasn’t the laid-back, Zelda-clone I was expecting and presented a challenge that came as a shock, but that was ultimately the best thing about it. If you can look past the, at times, inconsistent hitboxes, and frequent audio bugs, then Book Quest provides a satisfying evening’s worth of, at times, hardcore action that I hope finds an audience.
Ultimately, despite my gripes, Ayo the Clown is a 2D platformer that I think does enough right to warrant checking out. With clever progression, tricky (albeit frustrating at times) level design and a delightful world with well-thought-out boss fights, there’s plenty to like for genre enthusiasts who can overlook the areas where Ayo the Clown stumbles. What developers Cloud M1 have created is a really solid foundation that could pave the way for a truly great sequel with a few lessons learned from Ayo’s first outing.
Aztech Forgotten Gods is a game that undoubtedly comes with issues in general feel when playing, and the questionable design choice in going with an open world. Having said all that, Aztech Forgotten Gods is also an experience that is loaded with such heart and ambition that it’s impossible not to enjoy your time spent in this world with this fantastic cast of characters. If you’re someone who can look past the rough edges that likely resulted from a modest budget, then I would definitely recommend joining Achtli in her conflict that not only pits her against the titular Forgotten Gods, but also her own inner demons in a way that will resonate with many.
Aeon Must Die is a complex and sprawling beat ’em up. Even with its initial learning curve, there is no denying that it presents a genuine evolution of the genre and for that, it should be applauded. The beat ’em up genre is one that seldom presents ideas and concepts as fresh and punishing as this, so on that basis alone, Aeon Must Die is something that is definitely worth checking out for those with even a passing interest in the genre.
Engaging combat, brilliant boss fights, and top-notch level design that is amplified further by the creative dual-world mechanics introduced by Umbral, all coalesce into a version of Lords of the Fallen that not only leaves its predecessor in the dust but moves the genre forward in meaningful ways. That being said, it’s difficult to ignore the lackluster performance that significantly impacts upon the experience of the opening few hours, resulting in Lords of the Fallen not being the absolute recommendation that it should be, so here’s hoping Hexworks are hard at work on further optimization updates that brings performance to a level worthy of the rest of the package.
While not without issues—the worst offender still being the inadequate tutorials—The Fabulous Fear Machine is an incredibly refreshing spin on the real-time strategy genre. With unexpectedly detailed, if at times slightly questionable, narratives underpinning each of its three campaigns and an art style that looks and feels like nothing else in the genre, The Fabulous Fear Machine does the impossible and makes being evil a whole lot of fun through its fresh gameplay loops and devilishly delightful assortment of legends. If you’ve got a mean streak and have always wanted a safe environment in which to find out what it feels like to have people unquestionably devote themselves to you and your cause, well, firstly, you should be on a watch list somewhere, and secondly, you should absolutely check out The Fabulous Fear Machine.
One Military Camp is a solid, if somewhat safe, base builder that makes crafting your own base and developing your own army a genuinely entertaining affair. There’s a real satisfaction to be had in finally landing on the perfect base and developing squads of soldiers that stand the best chance of surviving certain missions. It’s a shame, then, that an overreliance on manually managing your troops and base, and the lack of any interactive missions or battles, leaves it currently feeling like a bit of a missed opportunity, and somewhat half-baked. That being said, with such a solid foundation, there is definitely fun to be had for fans of the genre, and with a few more content updates that would hopefully address some of the quality-of-life issues while fleshing out some of the more passive elements, One Military Camp has the potential to be something special.
Had Decarnation not fumbled with its gameplay, I’d probably be giving this a perfect score. Its disturbing, yet engaging narrative, and top-notch presentation all come together in a way that somehow managed to exceed my already lofty expectations that the preview build had left me with. It’s just a shame, then, that those gameplay issues are so very intrusive. All too often I had my immersion broken and found my interest in continuing through Gloria’s plight waning due to how often Decarnation forces the player into irritating mini-games, or fussy stealth segments. On the whole, though, Decarnation still ends up being more than the sum of its parts, and I can confidently say that it’s worth the time of any horror fan.
Despite launching in a state that could really use an injection of some new content already, Deceive Inc. is a genuinely fresh and fun take on the asymmetrical multiplayer space. The tension and paranoia of the opening stages of each match are unlike anything else offered by the genre right now, and even though the tension of those initial moments is belittled slightly by the frequently chaotic endings, the gameplay hook remains strong enough that I’m keen to keep playing and getting familiar with the rest of the roster of agents. If you can look past the cash shop and are okay with buying a product on the basis that it serves as a strong foundation for something that could become pretty special, then Deceive Inc. might just be worth your time.
Scars Above is a valiant attempt at providing a fresh spin on the souls-like genre. Its elemental-based third-person shooting feels genuinely fresh, with its reliance on environmental debuffs and stacking combos representing a genuine innovation within a space that isn’t exactly known for innovating, so it’s just a shame that the progression system feels so at odds with the efforts gone to by the developers in order to make Scars Above stand out. Despite that, the combat is still strong and is supplemented greatly by an atmosphere that, at times, feels truly out of this world. With that in mind, I definitely think souls-like fans and sci-fi fans alike should strap in and prepare for lift-off and join Kate on her journey into the unknown.
If this review came across as negative, it’s not because Heidelberg 1693 is a total bust. Any negativity largely comes from a place of frustration at how close it gets to greatness at times. It is absolutely still worth playing for fans of action platformers and all things macabre, who will delight in the stellar enemy variety and terrifically disgusting art direction. When it’s firing on all cylinders, the weird and wonderful world of Heidelberg 1693 provides an exhilarating challenge that evokes the glory days of the genre, all punctuated by fantastic and imaginative boss design. If you’re willing to look past the frustrations that present themselves at times in the form of uneven balancing, then Heidelberg 1693 will provide a few hours of horrendous fun that genre fans will lap up.
White Day: A Labyrinth Named School is a somewhat uneven package, arguably held back by how dated the jump scares and obtuse nature of the puzzles feel. That doesn’t mean it’s not worth experiencing, though – if you value an uncomfortable, oppressive atmosphere in your survival horror, along with a haunting and compelling story, then White Day: A Labyrinth Named School is definitely worthy of your time.
Under Night In-Birth II is a fantastic fighting game experience when you focus solely on the core mechanics and how enjoyable it is to immerse yourself in the depths of its more intricate systems. Examining the package as a whole presents it as one that is perhaps a bit lacking on the content side, with there being a real absence of meaningful offline single-player modes to dive into, which in turn leads to a world that’s difficult to comprehend if you’re coming to this with no prior knowledge of the series. That being said, if you’re a fighting game purist who just wants a new fighting game to master that will offer hours upon hours of fun as you master its many interlocking systems, or you want something simple enough that you can enjoy a few casual rounds with friends here and there, then Under Night In-Birth II fits the bill almost perfectly.
While a fairly simplistic affair, Slaps & Beans 2 is an enjoyable slice of beat-’em-up action. Between the love for the source material that pours out of every pixel and the massively entertaining set pieces, Slaps & Beans 2 may not be the deepest offering the genre has to offer, but it’s clear it was never meant to be. Instead, what you get is a history lesson in Bud and Terence’s brand of slapstick comedy and a combat system that’s simple enough to provide hours of fun for the whole family. On that basis, Slaps & Beans 2 is an easy recommendation.
While Friday the 13th will always hold a special place inside my heart, I think it’s time to stop mourning and move on, because Texas Chainsaw Massacre is a complete success. It’s a varied and surprisingly deep character roster, each character with their own niche to fill and progression paths to follow, coupled with excellent map design and variety, position Texas Chainsaw Massacre as a title that will absolutely become my new asymmetrical go-to. While I do have some concerns around balance, and the huge grinds that the progression systems represent may not be for me, those are relatively minor blemishes on what is an otherwise fantastic package at launch. It’s authentic, bloody, and terrifying – quite frankly, it’s everything that I wanted the Texas Chainsaw Massacre to be. Now, if you don’t mind me, I’m just about ready to get back to spilling some guts.
At the end of the day, though, that’s not the vision the developers had for Adore and that’s fine, as what they have produced is a damn fine spin on the monster taming genre all the same. Look past the repetition, and you’ll find that early simplicity was a complete red herring, as the complexities of team synergy, hidden passives, and the real-time combat suck you in. The core of what’s here is excellent, and while the narrow scope of the moment-to-moment gameplay loops may feel a little limiting, they allow the excellent core combat and surprising depth to shine through. If, like me, you were a little tired of the genre rehashing the same formula for what feels like forever, then Adore, while not without its flaws, will likely feel like a total breath of fresh air.