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Ra Ra BOOM has some weaknesses. Its story doesn’t really connect, and the melee combat lacks the sort of flow that the best games in the genre manage. Still, its twist on genres, which combines various gameplay styles into one interesting experience, is largely successful and makes it worth a look for beat ‘em up fans.
Despite these concerns, I’ve had a lot of fun with Abyssus, and I imagine I’ll continue to do so. It’s not the most complicated game I’ve ever played, and it has some balance issues, but it just feels so good to blow enemies away and to chain abilities together that can cause massive havoc around you. I’ll just make sure that when I come back to Abyssus, I’m consistently doing it with a crew of friends who are all ready to cause even more of that mayhem with me.
Killing Floor 3 is a decent night with friends and a weak successor. It chases trends that do not fit the series, ships with a campaign that does not shape the action, and leans on grind to stretch content that should have been deeper instead of longer. Fans will find flashes to enjoy. Most players will bounce to other co‑op shooters that respect their time.
Earthion is one of the most impressive retro-style shooters in recent memory. While Ancient’s latest offering doesn’t reinvent the genre, it delivers on all fronts with tight controls, satisfying combat, and a few smart updates to the classic formula. Whether you’re a newcomer or a seasoned shmup veteran, there’s plenty here to enjoy, from the clever upgrade system to the solid weapon variety and striking stage designs. The fact that it was built for the Genesis makes it all the more impressive, but even judged by modern standards, it more than holds its own. If you have any love for the genre or retro games in general, Earthion deserves a spot in your Steam library.
Ninja Gaiden: Ragebound is a triumphant return to 2D for Ninja Gaiden. Hopefully, we won’t have to wait decades to see the series follow up on it. I genuinely loved every single level. The team at The Game Kitchen does a fantastic job of continuing to build upon established mechanics while also finding new ways to twist them and entirely new twists to throw at players through the game’s four acts. Any fan of action games needs to check this one out.
Shadow Labyrinth has some ideas that really connect, but the game they’ve been placed within rarely feels more than serviceable. Once you gain some power-ups and can take advantage of the full suite of abilities you have, it’s fine, but seldom interesting, and, considering how unique its premise is, that’s a problem. There are much worse games in the genre, but there are so many better options available that I expect Shadow Labyrinth will be mostly remembered more for just how weird it is, rather than the journey it offers.
Rematch may not be the most complex game ever, but it offers a unique take on multiplayer football, which, with the right team, can be an enormously fun time, at least when things work. Currently, however, there are too many issues, and the community has too little interest in playing the game correctly for me to recommend it to most. If you have a crew of friends who all want to play together and love the sport, then it becomes an easier game to recommend, but most players may want to wait and see what updates Sloclap has planned for Rematch’s future before jumping in.
I wasn’t sure if Donkey Kong Bananza would hold up to my hype, but thankfully, it absolutely did. Not only does this game reinvent Donkey Kong for a totally new era and console, but it manages to bring it to the present with style to spare, and even makes the game part of the broader universe seen in Super Mario Odyssey. Throw in tons of replay value, some really fun cameos and surprises aplenty, and you have one must-own adventure and the first truly great game in the Nintendo Switch 2 library.
Wuchang: Fallen Feathers perhaps sticks closest to the From Software formula than any other Soulslike I’ve played, with the way in which it approaches world design and its general combat balance. Rather than feeling like a cheap imitation, however, Wuchang: Fallen Feathers comes off as a classy homage, demonstrating a keen understanding of what makes these games work, while also putting its own stamp on the genre with its dodge-centric approach to combat and accessible magic systems. Its opening hours may frustrate you in how risk-averse those initial sections seem, but bearing with Wuchang: Fallen Feathers ultimately reveals a deep experience that proves there’s still room for more soulslikes when the quality is there.
Parts of The Drifter don’t fully come together in the end, but the journey to get there is one of the best I’ve experienced in a point-and-click game in years, and its setup for playing on a controller should become the new baseline for the genre. Add in excellent voice acting and killer atmosphere, and this is a game that anyone who enjoys the genre should absolutely check out.
Don’t let a few issues dissuade you, though. Death Stranding 2: On The Beach smooths out almost all the issues I had with the original game and allowed me to dive in and fall in love with its addicting gameplay. The story may still be mostly nonsense, but it’s not unenjoyable nonsense, and it does nothing to keep me from wanting to deliver just one more package. Seeing what’s over the next horizon has never felt better in a game. Those who loved the first game will almost certainly love Death Stranding 2, but even those who bounced off of it should give the series another chance here.
New escape sequences are the highlight of No Sleep For Kaname Date – From AI: THE SOMNIUM FILES. It’s a shame that its low-stakes story makes it hard to really connect with the overall experience. If you just want to hang out with the series’ cast, you’ll get that here, and there’s definitely joy to be found in doing so, as a lot of members of this cast are fantastic. Despite this, the overall story ultimately feels held back by being stuck between two established stories, and the entire experience feels afraid to take any risks. Fans of the series will have a nice time with this one, but it certainly doesn’t offer a good point of entry for new players.
While the new additions might not add a ton to the experience, Yakuza 0 is still one of the best games ever made, and Yakuza 0 Director’s Cut is an excellent version of it that you can play portably. If you haven’t played it yet, there’s no time like the present.
In some ways, Tony Hawk’s Pro Skater 3 + 4 feels more like a level pack than a sequel, but that doesn’t mean it isn’t worth your time. These games are still great, and most of these stages are still incredibly well designed. I can’t recommend it quite as strongly as I would the series’ last entry, but if you’ve finished Tony Hawk’s Pro Skater 1 + 2 and you’re still craving more, then you should just right into this release.
Despite some disharmony, overall, I really enjoyed Fretless – The Wrath of Riffson. Yes, it’s a short burn, and yes, some minor issues held it back. But it’s still a charming, retro, GuitaR-PG with a lot of heart. If you’re in the mood for an epic Battle of the Bands with a likeable hometown hero, look no further!
Throes of the Watchmaker is a wonderful addition to an already fantastic package. While I’m not one hundred percent sold on the complete reset of skills, it does at least make narrative sense and allow for an admittedly needed power reset going into the new content, given that the expansion cannot be accessed until you’ve bested the mandatory content from the base game. That minor gripe aside, Throes of the Watchmaker is an exceptional package that highlights and builds upon what was so enjoyable within the base game. The new dungeons and biome are a treat to explore, stuffed with puzzles and engaging combat encounters that rival, and in many cases surpass, the quality already established by the base game, and if this is to be the last we see of Sea of Stars until what is hopefully an inevitable sequel, then this is a hell of a way to bow out.
System Shock 2: 25th Anniversary Remaster still plays really well, but the gameplay feels a little bit less special than it once did, if only because so many popular games have taken its innovations and run with them. The good news, though, is that it still plays well and its atmosphere still stands out even after all these years. System Shock 2 asks more from players than most modern shooters, and a few of its systems could have used a bit more of an overhaul to work better with a controller, but if you’re willing to explore and really dig into the mystery here, you’ll find an incredibly compelling experience.
I really wanted to love Section 13, and while I did enjoy it, it was held back by the incremental pace of the game as well as the brutal difficulty of enemy encounters. This is a very, very grindy game, and while I don’t mind spending time with an adventure, I do wish this particular game were on Switch 2. I find portable play is ideal for rogue adventures, and I feel I would have had much more success were that an option. That said, Section 13 is still a compelling game, it’s just one that regularly feels like a slog. Here’s hoping the next adventure from Ocean Drive Studio manages to capitalize on the rogue genre’s strengths better.
Union of Gnomes is one of the most unexpected treats I’ve had the pleasure of playing this year. It came onto my radar out of nowhere, and while it won’t replace Monster Train 2 as my primary deckbuilder, it’s got enough creativity and replayability that it’s something I’m confident will remain in my rotation for the foreseeable future at least. While it may not be the most visually appealing experience, and its leveling curve could use a little fine-tuning, its robust deckbuilding and focus on resource management in the form of weiners is strong enough to overcome those shortcomings overall. If you’re tired of the heavyweights of the genre and want something a little quirky that really understands the fundamentals of the genre, Union of Gnomes is a worthy addition to any deckbuilding fan’s collection.
Front Mission 3 Remake at its best is held back by a weak story and characters, but the best gameplay in the original trilogy means there is absolutely fun to be had by players more focused on the strategic battles and mech customization. The core game mostly holds up after all these years. The awful aesthetic choices, though, make this the sort of remake that is hard to recommend because it’s a worse experience in many ways than the version that came out over a quarter century ago.