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Despite that, Balatro is an incredibly easy-to-learn deck builder with plenty of room for experimentation. Even after hundreds of runs, you’ll still encounter new options and combinations to twist your brain around. Even if roguelites and deck builders aren’t normally your favorite genres, Balatro is a game you need to check out.
It would have been easy for Berserk Boy to be another disappointing modern platformer trying to relive the classics. Instead, indie developer Zu Ehtisham has given us an exceptional adventure full of heart, with complex and enjoyable platforming, fast-paced combat, and lots of replay value. While there are some very minor areas I would have appreciated refinement, this was ultimately an outstanding experience that shouldn’t be missed.
I didn’t know what to expect when I decided to review Snufkin: Melody of Moominvalley. Least of all, did I expect that it would make me a fan of the works of Tove Jansson and help me fall in love with the cozy game genre. While there are a few minor visual issues on Switch, this is still an absolutely charming and relaxing adventure with a good message for generations to come.
WWE2K24 is a worthy addition to this long-running sports entertainment franchise. The developers have done a good job of listening to player’s woes and tweaking the formula to make something not revolutionary, but meticulously refined. There’s a vast amount of single-player grappling goodness here to enjoy, and that’s even before you get to the online modes and the inevitably bountiful community creations to come. WWE2K24 doesn’t quite finish the story but still adds a few enjoyable new chapters.
The Thaumaturge is a thought-provoking and haunting RPG that expertly combines gameplay and narrative, leading to one of the most unique RPG experiences you’re likely to play this year. Its stunning setting and choice-driven narrative will undoubtedly stick with me for a long time as I reflect on the tough decisions I made with Wiktor as he comes to terms with this dark, fantasy-filled version of Warsaw. The combat arguably takes too long to reveal its riches, but once that initial barrier is overcome, it offers the same level of depth and choice present in other aspects of The Thaumaturge. As mentioned at the top, there’s a lot of competition vying for your time this year if you’re a fan of RPGs, but The Thaumaturge may just be the most unique, thought-provoking entry into the genre you’ll play this year.
Inkulinati manages to blend style and substance, creating a game that is mechanically simple yet has a ton of strategic depth for players to discover. If you’re a fan of board games, strategy games, or even just the art style, I’d recommend checking this one out. Who knows, you might be the next Inkulinati Master.
A Void Hope is a captivating experience with an exemplary presentation but esoteric storytelling. I finished it days ago, and I’m still thinking about it. It’s been a long time since I’ve played a game that so thoroughly creeped me out. It is oppressive, claustrophobic, and chilling. It’s worth playing for that experience alone, even if the unknowable story leaves you answerless.
As a fan of the rogue-like and monster catcher genres, Dicefolk is a treat. But while I love the design and enjoy the overall gameplay, the challenge could desperately use some retuning. But if you’re a glutton for punishment and don’t mind a ton of grinding, in that case, I can wholeheartedly recommend this challenging hybrid.
Tomb Raider I-III Remastered Starring Lara Croft takes a franchise that was flawed even in the 90s and does nothing interesting to update it. The new graphics are nice when they aren’t ruining the atmosphere of certain areas, but the modern controls somehow make these games a worse experience. There are plenty of great adventures out there starring Lara Croft. Her last trilogy was excellent, and even the 360-era titles, starting with Tomb Raider Legend, largely hold up. These original releases, though, have simply been eclipsed by far too many games at this point and are only really worth returning to if your nostalgia demands one more trip into these tombs.
Despite the clear effort that went into build diversity and satisfying naval combat, Skull and Bones’s core gameplay loops simply aren’t enough to stop this ship from sinking. Mindless grinds, tedious busywork, and a complete lack of any meaningful gameplay hooks outside of the core combat result in an experience that feels incomplete despite the plethora of Ubisoft checklists that there is to work through in your time at sea. If you’re someone who enjoys tinkering with builds and doesn’t mind grinding for materials in a constant pursuit of that next upgrade for hours on end, then you may find something to like here. Otherwise, this is a voyage into tedium-induced insanity that you can definitely afford to miss.
Anomaly Agent won’t leave you pondering its vast world or lore. Instead, it delivers a focused, high-octane blast of retro-infused action. The combat’s frenetic energy, the charm of its pixel art, and the genuinely funny moments of absurdity made it a blast to play from start to finish. While I wouldn’t call it a masterpiece, those craving a quick hit of adrenaline-fueled, laugh-out-loud thrills will find Anomaly Agent a worthwhile escape. And hey, sometimes a little mindless, time-bending absurdity is exactly what you need.
It’s not often we see a Game of the Year contender so early in the year, but here we are. Final Fantasy VII Rebirth is an unforgettable follow-up to one of the finest remakes ever produced. Deftly building upon the rock-solid foundation of its predecessor, it evolves the combat and progression systems in subtle yet exciting ways while setting you loose in a massive world that you’ll want to explore to the fullest. With countless activities to keep you busy and a gripping story that will leave both Final Fantasy VII veterans and newcomers alike on the edge of their seats, Final Fantasy VII Rebirth is an unmissable adventure. If you only buy one RPG this year, make it this one.
Developer Ironwood Studios’ first go at the rogue-like genre has not only come out fresh as it gets but also put such a unique spin on a classic crafting/survival formula that I sincerely hope the term “road-lites” takes off. Hardly a pothole was hit riding along the anomalous, unstable ridgelines, with a perfectly-tuned balance of cautious material gathering, intense and atmospheric car treks, and wild sci-fi worldbuilding. I was absolutely enamored by the “car”-acterization of the humble station wagon that’s your mobile base, with the Quirk system being a highlight of the various gameplay mechanics that made Pacific Drive’s number one character stand out, just as it should. Truly, I felt like it was me and my clunker-bucket against the world, or, at least, this hellish sci-fi melting pot we were stranded in. Ironwood Studios has a sunny, clear road ahead for them, so here’s hoping they keep on truckin’, knowing their first IP went off without a hitch.
Under Night In-Birth II is a fantastic fighting game experience when you focus solely on the core mechanics and how enjoyable it is to immerse yourself in the depths of its more intricate systems. Examining the package as a whole presents it as one that is perhaps a bit lacking on the content side, with there being a real absence of meaningful offline single-player modes to dive into, which in turn leads to a world that’s difficult to comprehend if you’re coming to this with no prior knowledge of the series. That being said, if you’re a fighting game purist who just wants a new fighting game to master that will offer hours upon hours of fun as you master its many interlocking systems, or you want something simple enough that you can enjoy a few casual rounds with friends here and there, then Under Night In-Birth II fits the bill almost perfectly.
Still, despite a number of parts of Islands of Insight not connecting with me fully, what always did was the puzzles themselves. They’re so consistently engaging that I found myself ignoring the parts of the game that I didn’t love so I could keep engaging with them. Islands of Insight is a great game to jump into for ten minutes just to knock a few puzzles out before going about your day or to get lost in for hours as you try to solve every match 3 puzzle you can find.
I had an absolute blast playing GUNVOLT RECORDS Cychronicle for this review. Not only does it feature fantastic artwork and a variety of pumping tunes to enjoy, but there’s plenty of challenge for all gamers. Plus, if I know Inti Creates, they’ll find a way to totally outdo themselves in any future musical adventures. So, if you love the Gunvolt series and want a refreshing change of pace, this is absolutely the game for you.
While it could use more enemy variety and some areas that are more open, Banishers: Ghosts of New Eden is a highly engaging action RPG featuring a love story I wanted to see through to its haunting conclusion. There are a lot of RPGs releasing in the first couple of months of this year, and with many of them being higher profile, it would be easy to overlook Banishers, but I hope players don’t do so. This is the exact sort of title we need studios to invest in more often.
More than anything, I feel amazing Metroidvanias need to strike a great balance between combat and exploration, where everything you accomplish is constantly bringing you one step closer to reaching the end of the game. I don’t feel that’s the case in Ultros. The rewind aspect of the game, combined with constantly losing platforming abilities and combat upgrades, makes the entire experience a painful slog. So even though I respect the ambition and creativity on display, ultimately, that’s not enough to elevate this game beyond its peers.
Though I enjoyed the comedy and references in Dungeons & Doomknights, I feel its audience is limited by how inconsistently fun the experience actually is. Not only is it mechanically rough at many times, but the combat itself just doesn’t satisfy. Once I realized all this, I admittedly soured over the adventure. That said, if you’re a hardcore fan of new examples of classic games, you’ll probably find something to justify checking it out.
Had more care been given to crafting a more handcrafted campaign that relied less on repetitive busywork and more on the cinematic set-pieces that we know the looter shooter genre is capable of when done right, then this may have been a different story, and the admittedly enjoyable combat would have had the chance to shine more had the activities surrounding it been remotely enjoyable or creative. As it stands, though, this is one of the worst campaigns ever to grace a videogame, never mind a live service, with an endgame that does the unforgivable and asks you to continue grinding out the same content that you’ve just slogged through. Rocksteady’s return should have been something to cherish, given the studio’s pedigree, but Suicide Squad: Kill the Justice League is instead a product that raises serious doubts about the studio’s future.