James Cunningham's Reviews
Minishoot Adventures is an excellent twin-stick quest in a wonderfully-illustrated 2D world that's equal parts shooting and poking about to see what might be hiding under a bush or between the rocks. The story isn't particularly deep, but it gets the job done, and at the end you'll have an energetic little village filled with a number of different friendly ships that have each helped the adventure along in their own way. Fighting through the enemies also feels like an achievement, especially seeing as the number and variety of encounters means that few fights end up similar to each other. Zipping and dodging through enemy firepower while sending back a fan of bullets, deciding when to use the overdrive and when to hold back, and getting ready to figure out the pattern of the next barrage never gets old, and interspersing the encounters with a secret or two is the best way to cool down between one burst of intensity and the next. Minishoot Adventures is a fantastic little game that deserves all the love it can get, and a great fusion of two genres that don't get to play together anywhere near often enough.
Outcast - A New Beginning is an excellent sequel with a lot of great gameplay elements that go a long way to make up for its need for further polish. Bugs are common, from an outpost with the robots stuck in the floor to breakable helidium crystals floating several feet above the ground they should be poking out of, and the conversation trees are in desperate need of re-ordering. Despite this, though, it's almost impossible to resist seeing what the next villager is up to and their relation to the rest of the world, following the dialogue and fishing out quests as an excuse to see and do more. The world is also beautifully designed, with each village having its own architecture and style while the world map is covered in points of interest and different biomes, providing gorgeous views from just about any spot in the landscape. Combat is also great fun, especially when stumbling on a particularly effective gun combination or figuring out how the latest upgrade fits into the flow of the next hostile encounter. It took over twenty-four years for Cutter Slade to return to Adelpha, but the wait has paid off with an epic adventure on an alien world.
Bore Blasters may have one rough edge in terms of its time limit, but the rest of the game is a solid blaster through a large series of fully-destructible levels backed by a pounding soundtrack. Each biome has its own hazards, like growing blocks that can regenerate right in your path, or lava blocks shooting fireballs, and all the firepower in the world isn't going to be a substitute for paying attention to the level hazards. Even a failed Bore Blasters run is a lot of fun packed with satisfyingly-explosive moments, but there would be a lot more them if there was time to amble to the end rather than sprint.
Expeditions: A Mudrunner Game has a lot of tidying up to do to become what it should be, but there's a wonderfully-rewarding game in there once you've learned its quirks.
Phantom Abyss is a trek into a lost and trap-filled temple that constantly has you on your toes. Each room is filled with several ways to die, or at least take a good amount of damage, and the constant pressure from the guardian means you have to think while moving. While there's something to be said for tearing through the level at top speed, the rooms are frequently interesting enough that it would be nice to stop and look around for a minute without being pushed forward. The secrets are highly satisfying to find, and when a guardian is dropping poison bombs or just relentlessly advancing that can feel like it's working against the necessary concentration or experimentation needed to reach them. A lot of the time it can feel easier to just dash on through, ignoring the intricate room design to reach the door to the next one, and the next and the next until finally reaching the exit. Every once in a while, though, Phantom Abyss manages to balance the speed and exploration, and that's when it's at its best.
While rough in places, Cookie Cutter manages to brawl its way to the top thanks to a strong combat system and wonderfully-bad attitude. The story and world-building are surprisingly well done, and Cherry is a strong hero despite being on a rage-fueled spree of bloody vengeance. While the ending has everything but a "To Be Continued..." dialogue box, the game is a satisfying first entry that does a great job of introducing its cast and detailed setting. Cherry's world was broken long before she was created, but that's not really her problem. Doctor Fallon's abduction destroyed her in more ways than one, and if the world of Cookie Cutter is improved by a rage-fueled robot's ultraviolent rampage, then that's just going to be a bonus.
A Highland Song is a wonderful adventure through mountains that were old before people arrived and will be there long after their ruins have eroded away. Moira's journey is as much about the Scottish Highlands as it is about her life so far, with history and myth being equally important to both. It can sometimes take some thinking and experimentation to find the way through a new area, clambering back and forth over rocks and cliffs to find a clue that points to the path forward, but the information is there for an attentive explorer to uncover. It all comes together to make for an engaging, unforgettable and frequently musical trek you'll want to make several times over to learn the histories and hidden paths of Moira's mountain home.
What makes While the Iron's Hot work is a combination of a pleasant series of tasks and quirky, entertaining characters in every new town and point of interest.
Radiant Silvergun is considered a classic for a reason, and it holds up today as strongly as it did on release.
Tevi is an exceptionally strong metroidvania-RPG, with a detailed combat system and a large number of enemies with varying attack patterns to use it against in intricate levels filled with hidden goodies.
Oddly enough, though, that's kind of the charm.
The ambition of the game design makes it easy to overlook Wildmender's technical flaws.
Disney Illusion Island is a great all-ages platform-adventure that works hard to appeal to players of any skill level.
Nova Lands isn't the deepest automation game around, but it's also not trying to be Satisfactory or Dyson Sphere Project so doesn't need to be.
Up until the Dread Lords, Doomblade is easily one of the best metroidvanias I've played in a long time.
Warhammer 40,000: Boltgun is a solid throwback FPS that makes up for being too generous with the resources by its excellent weapon, monster and level design.
Lunark is a strong cinematic platformer, more than good enough to hang with the classics of its genre.
Atomic Heart is an "everything and the kitchen sink" type of adventure that feels like it should explode from the weight of its ambitions, yet keeps it together through a combination of good pacing of new elements and a deeply likeable world.
Once the controls are sorted out, Akka Arrh reveals itself as an absolutely fantastic shooter that plays like nothing else out there.
The Knight Witch is excellent in a lot of ways despite its forbidding difficulty, the kind of game you'll be glad to have beaten even if the journey to completion is sometimes a bit much.