Legends of Kingdom Rush is a lot of fun, but its port to PC is a bit underwhelming. Lack of controller support for such a mechanically simple game is pretty lazy. There’s no new content, either, so players coming from the mobile version will have seen everything already. With such enjoyable gameplay and sense of style, Legends of Kingdom Rush deserves a more thorough makeover for PC and consoles, not just a basic port.
Despite its intriguing, creative premise, playing Of Bird and Cage is a depressing experience. Its humorless, bleak story is coupled with subpar gameplay mechanics and low-quality production values. Whatever thematic chances the game wants to take are undercut by its lackluster presentation. The music alone might be a decent album’s worth of tunes, but it can’t save the pretty terrible game it has to support. It would be hard to recommend Of Bird and Cage to anyone, especially fans of music-based games. Just go listen to your favorite metal band, and make up a story in your head.
If ever there was a mixed bag, Redout 2 is it. When you’re going slow enough to take in the sights, those sights are gorgeous, if a little cluttered and hard to parse. Most of the time, though, you’ll be speeding through levels absurdly fast. You’ll also be crashing into walls and flying off the track, too, because the controls demand absolute precision. There are a lot of absent features on our wish list, like an actual story, better tutorials and a real learning curve. On a continuum from fun to frustration, Redout 2 sometimes edges uncomfortably close to the latter.
MX vs ATV Legends has a solid core. The arcade-style racing with motocross bikes and four-wheelers is fun, though repetitive over the course of the years-long career mode. Even allowing that Legends does not aspire to shiny, triple-A brilliance, the game’s performance, audio and up-close visuals can be pretty lackluster. The nicely varied tracks and huge natural environments compete with stuttering framerates and canned animations. With Legends, the franchise has moved closer to the finish line in many ways. In others, it still seems stalled at the starting line.
Spellforce 3: Reforced is a rare example of a genre mashup that makes sense. The two genres actually complement each other and come together to create a unique and enjoyable hybrid. Its story and setting are pretty over-reliant on well-worn high fantasy elements, but there’s more to the game than the main campaign. Controls on console work about as well as possible, given all the moving pieces inherited from the PC version. Fans of strategy and roleplaying games should find common ground in Spellforce 3: Reforced.
MMORPGs continue to come and go, but only a handful remain really vital and appealing to a broad range of new and faithful players. While not every expansion of Elder Scrolls Online has been equally amazing, each one has deepened and broadened the core experience. With High Isle, ZeniMax and Bethesda tone down the melodrama. In its place are political upheavals, scheming anarchists and an addictive new card game. The Elder Scrolls Online continues to be a dream MMO for both solo players and groups.
Let’s face it. Summer is a pretty thin period for game releases. If you’re in the market for a decent, robust and generally engaging turn-based RPG for the Switch, Blackguards 2 fits the bill. It isn’t the most original fantasy RPG ever made, but the story, meaningful choices, and mercenary mechanics elevate the game quite a bit. There’s a good amount of replayability built in, even if the battles grow repetitive. Blackguards 2 left me hoping for a sequel with better graphics and even more flexible combat and characters.
I really enjoyed Frozenheim back when I previewed it in 2021, and much of what I liked is even better. Most of what I disliked is still there, too. Frozenheim is a well-made city builder that focuses on one historical period and culture. Its story and RTS elements still feel undercooked, not bad but not as fully realized as the construction sim aspects. With a short campaign, no scenario editor, and sandbox experiences that always play out sort of the same, a long term relationship with Frozenheim is difficult.
Starship Troopers: Terran Command does a pretty good job of paying homage to the films, at least in terms of design and presentation. As a real time strategy game, it feels defined by limitations and absent features like multiplayer, map editor, skirmishes and the ability to turn off the omnipresent commander. Gameplay can be challenging and fun, but here, too, dumb unit AI and lack of variety inhibit next-level enjoyment. Both fans of the film and squad-based RTS games will find something to appreciate, provided they don’t come to the experience with super-high expectations.
Hardspace: Shipbreaker does a great job of reminding us that, no matter how marvelous our futures might be, we’ll still be working for the Man in one form or another. Aside from maybe being too long for its own good, the game is simultaneously relaxing and challenging to play. It drills down on relatively few ideas, but makes them engaging. Hardspace: Shipbreaker has developed into an outstanding sim and puzzle game.
The Quarry is a significant evolution of the formula established with Until Dawn. This time around the performance capture, cinematography and complex branching story are even more impressive. The game’s biggest achievement, though, are its setting, narrative and characters. While they don’t entirely transcend the stock tropes of genre fiction, they are far and away some of the best in any videogame and absolutely the equal of big-budget horror films. The Quarry is a must-play for horror fans. Gamers who enjoy great narratives, memorable characters and intriguing choice-driven mechanics will love it too.
Warhammer 40K: Chaos Gate Daemonhunters is not only an engaging turn-based strategy game, but one of the best translations of the 40K universe to the PC. With a great story and wealth of options in combat, Daemonhunters also captures the visual aesthetics of the Space Marines and infectious Nurgle. While the interface and some systems could benefit from a bit more elegance and simplicity, Daemonhunters is dramatic, over-the-top, amusing and deeply satisfying. Learning its systems and sticking with the lengthy campaign is a commitment to be sure, but one that fans of 40K should be happy to make.
All this adds up to a game that isn’t strong when it comes polish and creative ambition. Deadcraft is not without its charms, however, and fans of post-apocalyptic survival games will probably find it fun, if familiar. The half-zombie main character is a cool little twist to an otherwise predictable collection of mechanics and ideas. The game is more substantial than the budget price would suggest, and there’s no dearth of stuff to do, which doesn’t necessarily equate to interesting stuff to do. Lack of polish and some misguided systems get in the way, but Deadcraft manages to mostly rise above its many influences and find its own identity.
This War of Mine: Final Cut brings the most complete edition to current-gen consoles. While the game feels slow and a little aimless at times, it makes up for it with moments of real tension, drama and difficult decisions. Its aesthetics and overall mechanics have aged well, and thematically it’s more timely than ever. It can be a pretty bleak game, but it was, and remains, worth playing. This War of Mine Final Cut looks better than ever and feels perfectly at home in this version.
Soundfall is a clever and refreshing genre hybrid. There aren’t enough music games, and pairing a rhythm game with an RPG is smart and creative. The game’s tracklist is varied and catchy, and the basic mechanic works pretty well. The song import feature is a work in progress, and over time the game can get a little repetitive thanks to a lack of variety in level design and that strict requirement of just hitting the beats. As a proof of concept and a genuinely new idea, though, Soundfall is definitely worth checking out.
Despite some interesting situations and engaging puzzles, Vampire: The Masquerade Swansong fails to get off the ground, much less stick the landing. It’s slow and obtuse where it should be visceral and emotional. The writing is pedestrian and the characters are the dullest vampires imaginable. Whether or not they drink your blood, they definitely suck your ability to enjoy the game.
Despite its sci-fi setting, Dolmen is less a Soulslike than a Dark Souls clone, with very few original ideas. The biggest issue, beyond the overall familiarity of just about everything, is that it brings back annoying mechanics that games like Elden Ring have evolved away from. While there is some fun to be had in Dolmen’s weapons and combat, at some point you’ll just wish you were playing a FromSoft game instead.
Rogue Legacy essentially spawned the roguelite genre and nine years later, its sequel improves the recipe in every way. Rogue Legacy 2 looks fantastic and plays even better, with engaging mechanics and an addictive gameplay loop. While you might not always make progress, you also never feel bored or that the game disrespects your time. Every run is a new experience and often surprising. There are a lot of systems at play, but they generally help Rogue Legacy 2 transcend the limits of the genre and make it endlessly replayable and entertaining.
Occasional minor frustrations with the controls aside, it’s hard to find fault with Salt and Sacrifice’s challenging combat and level design. The original was one of the best 2D Soulslikes, and this follow-up has a more appealing style and plays even better, with more varied mechanics and deeper choices. While recent FromSoftware games have encouraged more assertive approaches to enemy encounters, Salt and Sacrifice has an old-school vibe that demands patience, determination, a willingness to grind and the ability to find satisfaction in doing so. Fans of the original won’t be disappointed, and more recent Souls converts will find a new addiction as well.
Taken as a whole, Trek to Yomi is an impressive homage to classic Japanese action films. It looks and sounds incredible, with art direction and music that are impeccably authentic to both history and cinema. As an action game, Trek to Yomi is engaging but a bit lacking in variety and depth, with controls and animations less polished than its visuals. Trek to Yomi is a fascinating and altogether unique experience, worth playing if you’re a fan of great samurai films or simply enjoy new variations on the action game formula.