Conceived as an obvious commercial gimmick due to the popularity the work quickly gained, The Last of Us Part 1 is anything but a dishonest and lazily developed piece of work. It is an immense act of love towards fans; a way to match, and in some cases come close to, the aesthetics, technique and gameplay of the astonishing The Last of Us Part 2.
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Assassin's Creed Valhalla: Dawn of Ragnarok, while presenting itself as a game in the game, the largest expansion ever created for the series, ends up keeping these promises only in purely content terms.
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Assassin's Creed: The Ezio Collection, despite the obvious signs of seniority, is confirmed as a very valid package, to be discovered or rediscovered.
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Uncharted Collection The Legacy of Thieves is an effective remastered: it significantly increases the overall image quality or frame rate, improves the sound compartment and embellishes the adventures of Chloe and Nathan with full support for the Dualsense controller.
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However, additions aside, let's not forget what remains, indisputably, the most important and valiant element, even in this Director's Cut: Death Stranding. Experience that, regardless of one's personal taste, is valid, important and destined to remain lucid in memories for a very long time. Almost as prophetic as the brilliant Metal Gear Solid 2: Sons of Liberty, Sam Porter Bridges' journey westwards, despite some some somewhat stretched and unnecessarily brainy sequences, remains deep and full of messages and social themes too powerful to be ignored, which pass first from the gameplay and our efforts, and then culminate in a genuinely moving final sequence.
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Assassin's Creed Valhalla is one of the best chapters of the series that Ubisoft has given birth to in this generation: it drives away the monotony and dispersivity of Odyssey and corrects some of the edginess of Origins. The result is a much better assembled product, which net of some imperfections pulls straight to the end without any problem.
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