Harry Boulton
It didn't take me long to realise how special Octopath Traveler 2 is. It is a game that has so much to do and explore, but never feels overwhelming or watered down in any way. Featuring one of the best turn-based combat systems I've ever encountered, alongside an emotional and deeply connecting narrative on all fronts, Octopath Traveler 2 is truly a monumental achievement that confidently stands among some of the genre's finest entries.
Overall, Theatrhythm Final Bar Line is simply essential if you're a Final Fantasy fan, as it serves as the perfect celebration of the hundreds of tracks that we hold so close to our hearts. It hits that wonderful balance between challenge and relaxation that can be shifted further either way if you so wish. It is a game that I can see myself always returning to whenever I have some downtime, and with the arrival of the additional DLC tracks my love for the game will only grow.
Every system in Season seems to just be encapsulated by highs and lows. There will be something I'm really enjoying like the act of cycling, but then simultaneously an annoyance or disruption will creep in and spoil it. That is not to say there is nothing to enjoy within Season - quite the contrary, with the form of a great game clearly here. Aspects like the haptic feedback and active preservation excel within the game, but there is far too much clasping on the brakes to get the rhythm going, even in such a short game.
The Knight Witch always keeps things fresh, and provides an engaging and flexible combat system within levels that never really becomes stale.
If you're wanting something that is easy and quick to play, and you're a big fan of sci-fi-oriented narratives, then Somerville's short two and a half hour runtime could work for you. However, frustrating puzzles, clunky controls, and an all-round unstable performance unfortunately left a sour taste in the mouth - even for such a short game.
Neon White is an outstanding take on the rather untouched subgenre of first-person platformers that consistently reinvents itself at every turn