Mateusz Niewierowski
Atlas Wept is poignant in some ways, but hollow in others. Hard to recommend, but not misguided. Mechanically sound, but emotionally confused. Hopefully not the last project from the developer.
With a short campaign, lack of online play at the time of release and undercooked fighting mechanics, Sclash puts its worst foot forward to deliver an underwhelming experience.
Tiny Witch's combination of cozy and chaotic does not pay off all too well, as it embraces neither. It plods along to the finish line, leaving no strong impressions.
This remake of an Atari classic comes with all the trappings of a modern indie roguelite, padding a short and uneven experience.
The Cub is a step sideways for Demagog Studio, with middling platforming stages, forgettable collectibles and underwhelming set pieces lifted up only by the signature Radio Nostalgia.
With elements that clash against each other constantly, Berserk Boy is the sort of experience that seems to never truly find its footing before the player puts the controller down for good.
War Hospital is ineffective when it comes to its story's relationship with death, while also failing to impress with its uneventful, buggy management sim gameplay.
No aspect of Boti: Byteland Overclocked impressed me in any way, and many left me wanting to quit. It is a tough sell for any platforming enthusiast.