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Endless Legend is a lovely game with deep strategy that's a singular pleasure to play, but can sometimes disappoint you in finer details. Know that if you're never going to play multiplayer, you're not getting the whole experience - so bring a friend.
The feeling of accomplishment from solving The Talos Principle's puzzles is almost like a high, and the game does a mostly great job of guiding you in the beginning and then letting you figure things out for yourself. Some hiccups near the end drastically change the pace of problem solving for the worse, but it's a game that will seriously challenge you to think and to reason.
Super Smash Bros. for Wii U delivers hour after hour of fun fighting game play, even if you hate fighting games.
The first episode of Telltale's Game of Thrones series isn't exactly groundbreaking but it successfully draws you in to learn what happens next to the Forresters. The art style and the vocal talents are superb and the new characters feel ripped from Martin's pages, for better or worse.
Warlords of Draenor is a great addition to the World of Warcraft franchise.
Mechanically, Far Cry 4 is an excellent shooter. It adds further polish to the open-world and action of its predecessor with even more involved and dynamic gameplay, and is loaded with rewarding side content on top of featuring a huge game world you'll spend hours exploring. The narrative isn't quite as solid, and falls through in several places with some aggravating characters and a lack of context to drive your actions.
BioWare has created a role-playing game which feels like a massive monument to our culture. Inquisition is an absolute blast to experience for one hour or 150.
Call of Duty: Advanced Warfare upholds the status quo and aims no higher than that. Its sci-fi trappings are but shallow appeals to progress, and while the multiplayer is still able to provide some entertainment, the CoD formula feels anything but "advanced" these days.
Lords of the Fallen, a shameless and sloppy copy of Dark Souls, shouldn't be as enjoyable as it is. Somehow, through all its imbalance and oddity, it remains a surprising amount of fun, even if its propensity to make the player laugh is a sheer accident.
While its commitment to madness can be maddening itself, Sunset Overdrive is an energetic, fun-focused adventure. The jokes don't always hit home, but this is a game that loves being a game, and you can't hate that sort of honesty.
Samurai Warriors 4 is a faster, greatly expanded addition to the series. Each character feels fresher, and there's a ton of stuff to do. I just wish the online play would actually be something acceptable for the modern day.
An overall solid turn-based strategy game that suffers from information overload resulting in analysis paralysis for the player, Beyond Earth has a few really interesting systems but ultimately doesn't transcend those mechanics into something unique or awe-inspiring.
Bayonetta 2 may be nonsensical, tacky, and visually anarchic, but its got some of the finest combat an action game could offer. It's packed with style, looks magnificent, and is as elegant as spectacle fighter as you could hope for.
The Evil Within is a noble attempt at bringing back classic survival horror, but it could have learned a thing or two from games that aren't almost ten years old. It has its moments of brilliance, scattered through periods of antagonizing design.
Borderlands: The Pre-Sequel is a funny cartoon shooter that compels you to keep playing and score more guns. Just like the last two. Laser weapons and moon bouncing add a little extra flavor, but if you don't like Borderlands by now, this won't change things.
Still a very good game, but it's on the more pointless end of the rerelease spectrum, and they really should have fixed those bugs.
Arrowhead made a very true-to-source Gauntlet game, no doubt, but the source is 30 years old, and could use some modern accouterments. Gauntlet is as much fun as it has ever been, but it'll get old fast for those who still remember slogging through the original.
Alien: Isolation can be frustrating, but it's mostly terrifying in a near-perfect way. The Alien is scarier than it's been since Ridley Scott first showed it to the world, and the atmosphere is thick enough to cut.
Trap Team delivers a new gimmick on top of an old gimmick and does it damn well. The strong scriptwriting and voice work keep both adults and children interested in the story, even if you have to spend a lot of money to get the full effect.
The Vanishing of Ethan Carter is a good little story with a bleak atmosphere that nonetheless provides some relaxing puzzle solving.