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Launching a live service game in today’s environment is a risky proposition. Not only are the market leaders incredibly entrenched, but launching a brand new one without a satisfying gameplay loop, content variety and character could doom a game right out of the gate. Helldivers II bucks the trends with highly satisfying gameplay, a good variety of planets to explore and objectives to complete, unique hooks and hilarious improvised moments. Gunplay is punchy, smart and requires some thought to be effective, though it can also just be chaotic fun. Unique hooks like the Galactic War where you’re just another cog in the war effort rather than the “Chosen One” adds more stakes to every match. It’s also fun to hop into a match with friends and unleash all forms of chaos. It’s not perfect with Helldivers II unable to escape every Live Service pitfall. Progression feels unnecessarily padded with multiple currencies to juggle, the fun factor doesn’t extend to playing solo and technical issues plague the post-launch week. Still, Helldivers II delivers where it matters and leaves us excited to see what Arrowhead can bring to the game next rather than leaving us pondering if the game can be saved. Helldivers II is one galactic conflict players can happily dive into.
With its stunning visuals, immersive gameplay mechanics and richly-detailed world, Skull & Bones is a must-play for any fan of action-adventure games. If you liked Assassin's Creed 4: Black Flag's take on ship combat, you'll love this game. So grab your cutlass, raise the black flag and prepare to plunder your way to infamy on the high seas. Fair winds and following seas, matey!
As promising a foundation there may be here, Foamstars sadly finds itself buried beneath a malaise of lackluster content and an underdeveloped world alike. Occasionally enjoyable and suggestive of greater potential the foam-centric mechanics can be, as both an offensive and defensive tool alike, it's everything going on in and around the core gameplay, that ultimately makes the experience feel hollow and at worst, jarring to deal with. From its all-too-cheery presentation, to its laughably one-dimensional attempt at instilling personality into its world and characters. Right down to the horrid monetization practices at the very start of its life-cycle. A commitment to further updates and new content may stave off a small amount of concern, but it's hard to see where Foamstars' longevity will land. By no means the worst attempt at a multiplayer-centric experience by way of its handful of hopeful, admirable elements here and there, but still one that could've been far better given the promise.
Tomb Raider I-III Remastered finds itself in a tough spot because what it aims to do is replicate the original trilogy with all of its content on modern hardware and it does it well. The biggest problem it faces is that the new coat of paint is largely just that -- the core gameplay is still rooted in early 3D jankiness and feels awkward to play now -- and in some ways, it's harder to wrap your mind around it now since no control scheme offered up feelings as natural as anything featured in a Tomb Raider game since the PS2 days onward. The new visuals look good in theory, but have odd clipping problems in motion and the animations being rooted in the PS1 games hurts the modern-day wrapper as well. It very much feels like a lot of effort went into making this feel authentic to the originals -- but to a fault.
A psychedelic metroidvania game with hints of time loop and roguelike mechanics, the game sees you seemingly having crash landed on a massive structure known as the Sarcophagus, which houses the ominous being known as Ultros. Making use of alien gardens and biology in order to further one's skills, players have to fight their way through to break the loop, or maybe find hidden pacifist solutions along the way instead.
Banishers: Ghosts of New Eden offers an interesting twist on tried and true RPGs mechanics. A form of a morality system is implemented, but instead of being simply good or evil, it's based one what Red wants to do with Antea's soul which adds a sense of personal investment to one's choices beyond choosing which side with which to align. The mix of detective work to remove hauntings blended with the action-oriented combat elements helps make the role of Banisher seem more complete, as they have to rely on several different skill sets in order to accomplish their goals. This was further enhanced by the interplay between Red and Antea. The biggest stumbling block in Banishers: Ghosts of New Eden is the pacing, as there are many fantastic moments in the game that are spread too far apart by uneventful travel. But even with the overall experience being uneven, the good qualities greatly outweigh the bad.
Persona 3 Reload is a fantastic update on the classic, but some design choices make it hard to declare it a definitive version. New voice acting, graphical facelift and improvements to combat make this version of Persona 3 feel contemporary and an absolute joy to play. The omission of The Answer epilogue and the choice to play a female protagonist that were included in other versions of Persona 3, however, can make this version feel incomplete. But aside from the additional content being excluded, Persona 3 Reload is a great example of how to remake a game in a way that appeals to modern sensibilities without alienating the original fan base.
Set in the quirky fantasy kingdom of the Sprawl, the 12-year-old Lil finds themselves covering for their dad one day, taking over for his duties as guardsman. Now this one gig will help set off a chain of events that could determine the Sprawl's outcome, in this Papers, Please-inspired comedy adventure game.
Finally, as a DC title, you may get to play as iconic characters, but Suicide Squad never delivers the fantasy of playing as Harley Quinn, Deadshot, Captain Boomerang and King Shark. Suicide Squad: Kill the Justice League works on a surface level, but look beneath the surface and there isn’t enough for story, live service, shooter or DC fans to properly enjoy long-term.
The sad thing is that Silent Hill: The Short Message has a lot of good story ideas, characters and world-building, but then proceeds to waste them on completely unoriginal, shallow gameplay. It paradoxically wanted to move ahead and tackle more mature themes and stories, yet has gameplay that feels blatantly regressive, settling for the most generic aspects of modern horror games. If this is the direction that the franchise wants to take, then it's headed straight for a cliff. Hopefully the likes of No Code will be able to salvage things with their side games later, but for now, you can easily skip over The Short Message.
Anomaly Agent is a riot from beginning to end. It challenges you gradually and features a tough, but fair approach to fast-paced action-platforming and combat. Having fluidity in movement allows the gameplay flow to be smooth from each kind of action the player engages in and no stages ever outstay their welcome. Having different kinds of combat and platforming on display from area to area helps keep things fresh too. Visually, it accomplishes its goal of evoking the '80s while still featuring lighting effects that weren't possible in the era while the soundtrack offers a satisfying blend of synth and rock to change the mood up whenever it's needed. Anyone seeking fast-paced thrills should check out Anomaly Agent.
Granblue Fantasy: Relink has a short and sweet story campaign with the potential for endless grinding after the main credits roll. The story is an enjoyable ride from start to finish that blends a captivating story filled with interesting crew members and exhilarating action-packed gameplay. Most of the characters' backstories are revealed through Fate Episodes in town and watching these stories adds a great deal to how invested the player can get in their individual stories. The content after the main story promises countless hours of completing increasingly more difficult missions to extend the life of the game. These missions after the main campaign deliver story content at a much slower pace, however, and after a certain point these activities amount to little more than grinding for better resources. Multiplayer helps with these missions, but most players will likely move on before completing all the content the post game has to offer. But up until that point, Granblue Fantasy: Relink is an incredibly fun adventure.
Home Safety Hotline is a unique game in both the adventure genre and the horror genre, using deduction-based gameplay to great effect as folks attempt to decipher just what kind of gnome or fantastical fungus is plaguing each caller. While it could have been tougher, the cleverly-designed blend of supernatural phenomena and sharp comedic writing with a nicely dark edge will keep players hooked until the end. The prospect of working at a call center for things that go bump in the night sure is terrifying (although that goes for any job at a call center, period), but here, it's a job worth tackling.
Phantom Abyss is a trek into a lost and trap-filled temple that constantly has you on your toes. Each room is filled with several ways to die, or at least take a good amount of damage, and the constant pressure from the guardian means you have to think while moving. While there's something to be said for tearing through the level at top speed, the rooms are frequently interesting enough that it would be nice to stop and look around for a minute without being pushed forward. The secrets are highly satisfying to find, and when a guardian is dropping poison bombs or just relentlessly advancing that can feel like it's working against the necessary concentration or experimentation needed to reach them. A lot of the time it can feel easier to just dash on through, ignoring the intricate room design to reach the door to the next one, and the next and the next until finally reaching the exit. Every once in a while, though, Phantom Abyss manages to balance the speed and exploration, and that's when it's at its best.
A game that's celebratory not just of the characters and the world it's focused on, but too the fanbase that's helped build it up to this point. Even a terrible voice casting choice and handful of other small nitpicks aren't enough to hamper too much of the experience. Like A Dragon: Infinite Wealth bets big -- in both gameplay and narrative alike -- and unsurprisingly, has won big once again.
Tekken 8 is a bold direction in the fighter genre that ultimately leads to it being one of the greatest fighting games of all time. The amount of content that Bandai Namco is offering here is more than ever before seen in a fighting game. The Dark Awakens, while only a few hours long, focuses more on the narrative of Jin and Kazuya with cutscenes and comes close to jumping into JRPG territory. Tekken 8 is about the fighting, and the integration of the Heat System and changes to the fighting system propel the series forward while offering some of the most rewarding fights out there. The visuals and gameplay bring together an experience that's truly next generation. Tekken 7 was an excellent base to go off of for the next game, and Bandai Namco added so much more with Tekken 8. Fans of the long-running series will not only love the additions, but also newcomers to the series will have all the tools laid out for them to get properly acclimated with Tekken.
The periods between puzzles and cutscenes feel like content droughts; they're too long and there's not enough to keep the game feeling engaging. It's primarily a walking simulator. The writing in the story babies you to the point that there is nothing to intrigue you or think about. You don’t have to be good at puzzles to play this game because it spoils its solutions, even with the puzzle hints turned off. Another Code: Recollection does not land well for newcomers to the Another Code duology. The nostalgic value may be worth it to long-time lovers of the story, though. Additionally, it's only a fifteen-hour game with limited exploration and replay value.
While to many the Apollo Justice Trilogy may not be as strong as the original three entries, we strongly believe they're just as good in a variety of ways and often lean better in some stories and writing. It has all the makings of what is so utterly fantastic about Ace Attorney from an outstanding memorable cast, iconic antagonists and charming soundtrack combined with engaging puzzle gameplay to test memory and attention. It's easy to highly recommend this outstanding Apollo Justice: Ace Attorney Trilogy to fans new and returning alike, and we can't wait to see what comes next from the ever-beloved Ace Attorney franchise.
While rough in places, Cookie Cutter manages to brawl its way to the top thanks to a strong combat system and wonderfully-bad attitude. The story and world-building are surprisingly well done, and Cherry is a strong hero despite being on a rage-fueled spree of bloody vengeance. While the ending has everything but a "To Be Continued..." dialogue box, the game is a satisfying first entry that does a great job of introducing its cast and detailed setting. Cherry's world was broken long before she was created, but that's not really her problem. Doctor Fallon's abduction destroyed her in more ways than one, and if the world of Cookie Cutter is improved by a rage-fueled robot's ultraviolent rampage, then that's just going to be a bonus.
The Last of Us Part II was terrific in 2020 and remains just as amazing in 2024 as The Last of Us Part II Remastered.